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The lights dim, and a weighty silence falls upon the audience. From all over Europe and America, these fifteen hundred men and women have come to spend many days in this small German town and many hours in this theater. Some are merely curious. Some are there because it's the fashion. But many have come out of devotion to the musical dramas of a composer they revere, almost worship -- a composer who himself designed and built the theater they sit in. To them, this theater is a temple, and their journey a pilgrimage. For a full minute or more, they wait solemnly in the dark, barely daring to move, their attention resting on the curtained stage below. Then the first musical notes float up and surround them -- high, soft, sustained notes of strings and woodwinds -- from an orchestra entirely hidden from view. The composer's devotees know what vision this shimmering music is meant to impart: the descent from Heaven of the Holy Grail, the drinking cup of Christ at the Last Supper. In their minds, they watch it draw nearer to earth, as the music grows louder and deeper and louder still, at last bursting out in horns, tympani, and cymbals. Then the Grail ascends once more, the music gradually softening until strings and woodwinds lead out as gently as they led in. And now the curtains part, and the audience knows it will soon meet the knight who serves that Grail. . . . For ages 10 and up. Not illustrated! ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "Lady White Snake," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Cover artist Wendy Edelson has applied her award-winning skills to a wide range of illustration projects, with clients including Seattle’s Woodland Park Zoo, the Seattle Aquarium, the Pacific Northwest Ballet, the U.S. Postal Service, and the American Library Association. ///////////////////////////////////////////////// SAMPLE "Frederick," said the king, "are you certain you wish to accuse this girl?" "Her dreaminess can't fool me," said Frederick. "I have a witness to her crime. But my word alone should be enough, and I'm ready to defend it with my sword." "Then God alone must decide," said the king, "in trial by combat. To the just he will give the victory. Elsa, who will fight for you?" "The knight from my dream," said Elsa. "As his reward, he shall take all my father's lands -- and myself as wife, if he'll have me." At the king's command, the herald called, "Let him who will fight for Elsa of Brabant come forth!" But no one stepped forward. Elsa told the king, "He must yet be far away and not have heard. Please call again." The king assented, and the herald called again. "Let him who will fight for Elsa of Brabant come forth!" But still there was no response. Elsa knelt in prayer. "Lord, tell my knight I need him now! Show him to me, just as he appeared before." Then shouts went up from men by the river's edge. "Look!" "A swan!" "It's pulling a knight in a boat!"
From the author of Knight Dreams, after an army storms her castle, a medieval English Lady searches for help, only to be captured by a dashing knight. Sworn to protect the crown, a Knight of the Swan must never surrender—not even to love . . . England, 1415. Ordered never to leave the lonely tower on her family estate, Lady Clarice Margrave is suddenly set free when her home is plundered. Now she is determined to discover the truth behind her father's alleged treason. But an act of daring only propels her into a new prison, with the very knight who destroyed her home as her keeper. Sir Ranulf, Lord of Sedgewic, is ruthless in his inquisition, though there is a searing tenderness in his touch. Is it possible her bold jailor is the Red Wolf of whom her father spoke—and the one man she might be able to trust? As a knight, Ranulf never questions his troth, but his beautiful prisoner stirs his heart and mind like no other. Clarice is achingly vulnerable—and extremely closed-mouth about her possible ties to the plot against the king. Duty demands he keep his distance, though he yearns to take her to his bed and adore her until he discovers what lies within her heart. And he would—if he weren't in danger of losing his own . . .
The first monograph in English on the German Lohengrin, offering a new response to the challenges posed by the text.
Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.
Would you give up your vengeance to save someone you love? The skilled archer, Terrwyn ap Hew, lost her young brother to the English years ago. Now, her night visions reveal that he is alive and she intends to bring him home. But the English soldiers have returned to her Welsh village in search of the famed archer to take on their campaign against France. If Terrwyn is to reach her brother in time, she'll have to outwit the soldiers and infiltrate their army. This time, no one is going to stand in her way not even King Henry V's spy, Sir James Frost. The charming Sir James Frost captures the likeness of his prey with charcoal and parchment. This time, a plot to kill the king is uncovered, and it leads to Terrwyn's family. When he discovers the maiden hiding amongst the archers, his attention is divided between protecting his king and the woman who pierced his heart with her passion.Will their budding love overcome the danger that threatens to steal all they dare to dream possible?
Lucien Cailliet's concert band arrangement for Richard Wagner's Elsa'a Procession to the Cathedral maintains the timeless elegance that has made this piece a standard. (5: 57)
Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.