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"A collection of first-person stories written by survivors of sexual abuse, their loved ones, and advocates"--Page [5].
"Each of these courageous individuals was willing to revisit painful memories, telling his or her story in hopes that history might never repeat itself. Through the accounts of Holocaust survivors and liberators included in this book, readers become witnesses to an important and frightening period when government leaders persecuted and killed ordinary citizens because of who they were. Their stories of strength and courage serve as a permanent reminder that nothing can ever extinguish the light of the human spirit.".
First published in 1980, The Survivors is a detailed and original study of the experiences of homeless young people in central London. The book is based on in-depth interviews with 107 ‘newcomers’, who were selected at two nightshelters and a government reception centre. Their views and experiences are recorded, their backgrounds described and their reasons for coming to London examined. We learn how they coped with the interventions of both those who want to hinder and those who want to help, and how in general they survived – and sometimes even enjoyed themselves – in an extreme environment. The authors also examine the ways in which the various helping agencies view the ‘problem’. They claim that the agencies tend to present a pessimistic picture – one that understates the resilience and resourcefulness of these young people, dismisses their spirit of their adventure, and concentrates almost exclusively on the dangers, difficulties and hardships. This book will be of interest to students of sociology, urban studies, public policy and economics.
Please note: This audiobook has been created using AI voice. Desiring a more romantic crossing of the Atlantic, Englishman J. R. Kazallon decides to forgo a steamship and instead sets sail on the Chancellor, a large three-mast sailing ship. What follows is a classic nautical adventure, told in the form of a series of diary entries and filled with tragedy, suffering, and even horror. Despite the grim subject matter, Jules Verne still finds space to include ample descriptions of geology, biology, and meteorology.
Silver Medal Winner in the Essays category of the 2015 Foreword Reviews' INDIEFAB Book of the Year Awards What is forgiveness? Are some acts unforgivable? Can forgiveness take the place of revenge? Powerful real-life stories from survivors and perpetrators of crime and violence reveal the true impact of forgiveness on ordinary people worldwide. Exploring forgiveness as an alternative to resentment or retaliation, the storytellers give an honest, moving account of their experiences and what part forgiveness has played in their lives. Despite extreme circumstances, their stories open the door to a society without revenge. All royalties from the sale of this book go to The Forgiveness Project charity.
"Perhaps there is no simple, easy way to educate children about the Holocaust. Yet [this] new extraordinary work in the form of a nonfiction graphic novel for children is a valiant attempt to do just that. These testimonials... serve as a reminder never to allow such a tragedy to happen again."—BookTrib Between 1933 and 1945, Adolf Hitler and the Nazi party were responsible for the persecution of millions of Jews across Europe. This extraordinary graphic novel tells the true stories of six Jewish children who survived the Holocaust. From suffering the horrors of Auschwitz, to hiding from Nazi soldiers in war-torn Paris, to sheltering from the Blitz in England, each true story is a powerful testament to the survivors' courage. These remarkable testimonials serve as a reminder never to allow such a tragedy to happen again. Features a current photograph of each contributor and an update about their lives, along with a glossary and timeline to support reader understanding of this period in world history.
Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to the widespread existence of a human rights tragedy and the urgent need to address it. Through storytelling and firsthand testimony, this anthology shapes a twenty-first-century narrative that many believe died with the end of slavery in the Americas. Organized around such issues as the need for work, the punishment of defiance, and the move toward activism, the collection isolates the causes, mechanisms, and responses to slavery that allow the phenomenon to endure. Enhancing scholarship in women's studies, sociology, criminology, law, social work, and literary studies, the text establishes a common trajectory of vulnerability, enslavement, captivity, escape, and recovery, creating an invaluable resource for activists, scholars, legislators, and service providers.
Shortlisted for the 2021 Wolfson History Prize and a finalist for the 2021 Cundill History Prize Told for the first time from their perspective, the story of children who survived the chaos and trauma of the Holocaust—named a best history book of 2020 by the Daily Telegraph ​"Impressive, beautifully written, judicious and thoughtful. . . . Will be a major milestone in the history of the Holocaust and its legacy."—Mark Roseman, author of The Villa, the Lake, the Meeting How can we make sense of our lives when we do not know where we come from? This was a pressing question for the youngest survivors of the Holocaust, whose prewar memories were vague or nonexistent. In this beautifully written account, Rebecca Clifford follows the lives of one hundred Jewish children out of the ruins of conflict through their adulthood and into old age. Drawing on archives and interviews, Clifford charts the experiences of these child survivors and those who cared for them—as well as those who studied them, such as Anna Freud. Survivors explores the aftermath of the Holocaust in the long term, and reveals how these children—often branded “the lucky ones”—had to struggle to be able to call themselves “survivors” at all. Challenging our assumptions about trauma, Clifford’s powerful and surprising narrative helps us understand what it was like living after, and living with, childhoods marked by rupture and loss.
What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work? We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic. We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.