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The dream of becoming a mountaineer glittered in the eyes of this simple and ambitious girl hailing from the ghats of Sahyadris. It had always been her wish to scale peaks in the Himalayas; her soul fuelled by the stories of the great mountaineers she had heard. Years pass and she finally finds a way when her seat gets confirmed for the Basic Mountaineering Course at the Himalayan Mountaineering Institute. The next twenty-eight days will change it all. Now she can create her own story as the gates of new adventures are about to open. This athlete woke up to train at the break of the dawn each day for years and put in a lot of effort to stay fit. However, it is different with the mountains; they are tough and harsh. They accept and love you back after they test you. Tough times, cries and seldom laughs shape her days and she gives her best. But is that enough? Will she complete the training with flying colors or will she head back home? Will the mountains be a little kind towards her? Let us see our lass venture into the professional mountaineering world. The world changes; so will she…
Welcome to March 1, 2018 Issue, Edition 8, of Wildfire Publications Monthly Magazine, offering you the best in exposure and writing features and author showcasings.
An unlikely young hero is thrust into a fantastic and frightening world on a voyage of love, life and revelations.
Prepares students for NEAB English papers 1 and 2. This text contains motivating texts and extracts accessibile to lower ability students with teach-yourself sections at the end of each unit.
This volume brings together for the first time all the papers Louis Sullivan intended for a public audience, from his first interview in 1882 to his last essay in 1924. Organized chronologically, these speeches, interviews, essays, letters to editors, and committee reports enable readers to trace Sullivan's development from a brash young assistant to Dankmar Adler to an architectural elder statesman. Robert Twombly, an authority on Sullivan's work and life, has introduced each document with a headnote explaining its significance, locating it in time and place, and examining its immediate context. He has also provided a general introduction that analyzes Sullivan's writing style and objectives, his major philosophical themes, and the sources of his ideas. With the help of headnotes and introduction, readers will get a thorough sense of Sullivan's concerns, discover how his ideas evolved and changed, and appreciate the circumstances under which new interests emerged. This collection is a handy introduction to the full range of Sullivan's thinking, the book with which readers interested in the architect's writings should begin. As a companion volume to Robert Twombly's biography of Sullivan, it gives a comprehensive picture of one of America's most important architects and cultural figures.
The rise of the amateur theatre in nineteenth-century Prescott, the territorial capital of Arizona, is told here in vivid and loving detail, with fifty-two illustrations that include portraits of amateur actors and theatre builders, maps of the town, and photos of the theatres. The talented and dedicated actor-settlers-including Fort Whipple's Fannie Kautz, wife of the Civil War hero General August V. Kautz; and attorney Thomas Fitch, "The Silver Tongued Orator of the Pacific" who founded the Prescott Amateur Dramatic Club-lived lives that were almost as dramatic as the comedies and melodramas that thrilled the local audiences. With a scholar's eye for the relationship between people and events and a dramatist's sense of a good plot, Collins has put together a valuable history of the actors, "opera houses," and the tastes and culture of Arizona's Wild West mining town between 1868 and 1903. Of special value for those interested in territorial history but unfamiliar with the post-Civil War theatrical repertoire are the author's concise but entertaining plot summaries of plays like "Led Astray, Lady Audley's Secret, Damon and Pythias, East Lynne, Richelieu," and the outrageously funny one-act farces in which Fort Whipple's military officers and Prescott's lawyers, businessmen, mining magnates, and their talented wives and daughters took time out from the rigors of frontier life to strut and fret their hour upon the stage.