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A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review
The stuff of life is a kaleidoscope of joy and tragedy-wonder, happiness, disappointment, hope, failure, and victory. The writer is an observer and interpreter. All fiction is reality and truth that has been marinating in a writer's creative juices until that moment it demands to be told. Read on...everything in this book is true.
Herman Melville (1819 – 1891) was an American poet and novelist of the American Renaissance, best known for his allusive adventure novel “Moby-Dick.” Praised by critics of Britain and United States, “Billy Budd” is a highly symbolic poem about the tragic fate of a seaman forced to commit a crime. In the end, he has nothing left but to accept his fate and go to the execution of his own free will.
The story of a girl who—thanks to her friends, her famous dad, and a chance encounter with a whale—learns the true meaning of family. Twelve-year-old Natalia Rose Baleine Gallagher loves possibilities: the possibility that she’ll see whales on the beach near her new home, that the boy she just met will be her new best friend, that the photographers chasing her actor father won’t force Nat and her dad to move again. Most of all, Nat dreams of the possibility that her faraway mother misses and loves Nat—and is waiting for Nat to find her. The thing is, Nat doesn’t even know who her mother is. She left Nat as a baby, and Nat’s dad refuses to talk about it. Nat knows she shouldn’t need a mom, but she still feels like something is missing. In this heartfelt story about family, friendship, and growing up, Nat’s questions lead her on a journey of self-discovery that will change her life forever.
"We are far too easily pleased." C. S. Lewis stands as one of the most influential Christians of the twentieth century. His commitment to the life of the mind and the life of the heart is evident in classics like the Chronicles of Narnia and Mere Christianity—books that illustrate the unbreakable connection between rigorous thought and deep affection. With contributions from Randy Alcorn, John Piper, Philip Ryken, Kevin Vanhoozer, David Mathis, and Douglas Wilson, this volume explores the man, his work, and his legacy—reveling in the truth at the heart of Lewis's spiritual genius: God alone is the answer to our deepest longings and the source of our unending joy.
Jeremiah N. Reynolds (1799-1858), an American newspaper editor, lecturer, explorer and author who became an influential advocate for scientific expeditions. Reynolds gathered first-hand observations of Mocha Dick, an albino sperm whale off Chile who bedeviled a generation of whalers for thirty years before succumbing to one. Mocha Dick survived many skirmishes (by some accounts at least 100) with whalers before he was eventually killed. In May 1839, The Knickerbocker, or New-York Monthly Magazine published Reynolds' "Mocha Dick: Or the White Whale of the Pacific," the inspiration for Herman Melville's 1851 novel Moby-Dick. In Reynolds' account, Mocha Dick was killed in 1838, after he appeared to come to the aid of a distraught cow whose calf had just been slain by the whalers. His body was 70 feet long and yielded 100 barrels of oil, along with some ambergris. He also had several harpoons in his body.
Call me Ishmael. I have set sail on a whaling ship to try my hand at whaling. But our captain has his own prey. We have been traveling the seas looking for the white whale, Moby Dick, who causes destruction wherever he swims. Will we survive a battle with the great whale? Find out in this stunning graphic novel adaptation of Herman Melville's classic by Rod Espinosa. Creator biographies and a glossary help reluctant readers take the first step on the road to classic literature.
All his life, Philip Hoare has been obsessed by whales, from the gigantic skeletons in London's Natural History Museum to adult encounters with the wild animals themselves. Whales have a mythical quality - they seem to elide with dark fantasies of sea-serpents and antediluvian monsters that swim in our collective unconscious. This book is an investigation into what we know little about -- dark, shadowy creatures who swim below the depths, only to surface in a spray of spume. More than the story of the whale, it is also the story of our own obsessions.
Selected by The New York Times Book Review as a Notable Book of the Year A revelatory tale of science, adventure, and modern myth. When the writer Donovan Hohn heard of the mysterious loss of thousands of bath toys at sea, he figured he would interview a few oceanographers, talk to a few beachcombers, and read up on Arctic science and geography. But questions can be like ocean currents: wade in too far, and they carry you away. Hohn's accidental odyssey pulls him into the secretive world of shipping conglomerates, the daring work of Arctic researchers, the lunatic risks of maverick sailors, and the shadowy world of Chinese toy factories. Moby-Duck is a journey into the heart of the sea and an adventure through science, myth, the global economy, and some of the worst weather imaginable. With each new discovery, Hohn learns of another loose thread, and with each successive chase, he comes closer to understanding where his castaway quarry comes from and where it goes. In the grand tradition of Tony Horwitz and David Quammen, Moby-Duck is a compulsively readable narrative of whimsy and curiosity.
The first coherent theoretical, critical, and editorial approach to the study of literary revision