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This monograph is nothing less than a bold attempt at solving the riddle of Gogol’s novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel’s meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol’s novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol’s epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
Ranging from macabre fantasies to fairy tales and tales of crime, these stories from the author of The Nutcracker create a rich fictional world. Hoffman paints a complex vision of humanity, where people struggle to establish identities in a hostile, absurd world. "The editors have made an excellent selection, and the result is a book of great distinction."—Denis Donoghue, New York Review of Books "The translators have proved fully equal to all the challenges of Hoffmann's romantic irony and his richly allusive prose, giving us an accurate and idiomatic rendering that also retains much of the original flavor."—Harry Zohn, Saturday Review
This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.
One of the greatest writers of all time, Fyodor Dostoevsky (1821-1881) is best known for such masterpieces as Crime and Punishment and The Brothers Karamazov. His works are widely read and studied today, and he has received much biographical and critical attention. Like many other writers of enduring literature, he engages timeless moral and theological issues. His writings and ideas are complex and reflect the swirling political and intellectual controversies of his time. This encyclopedia is a convenient and comprehensive guide to his life and writings. Through more than 200 alphabetically arranged entries, this reference details his life and career. Each of his fictional works is discussed, as are his major pieces of journalism. There are also entries for his family members, close friends and associates, places where he lived, literary movements with which he is associated, and journals or newspapers in which he published. Also included are entries for major writers and thinkers who influenced his works, and for ideas and themes that figure prominently in his writings. The entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography of major works.
Brilliantly evil, the protagonist and antagonist in Dostoevsky's masterwork Crime and Punishment explore the duality of human nature.
Perhaps more than any other nineteenth-century Russian writer, Dostoevskii’s continuing popularity rests on his contemporary relevance. The prophetic streak in his creativity gives him the same lasting appeal as dystopian novelists such as Zamiatin and Orwell whom he influenced and whose ethical concerns he anticipated. Religious themes are prominent in his work, too, and, though he was a believer, his interest seems to lie in the tension between faith and unbelief, which was felt as keenly in the Russia of his time as in our own. The nature of Dostoevskii’s art also continues to be debated. The older tendency to disparage his literary method has given way to a recognition of the originality of his techniques, without which his ideological concerns would not have emerged with such thought-provoking clarity. The chapters which comprise this volume address these issues in a range of Dostoevskii’s works, from shorter classics, such as House of the Dead and Notes from Underground to great novels such as Crime and Punishment and The Brothers Karamazov. This work will be of use to scholars and students of Dostoevskii at all levels as well as to those with an interest in nineteenth-century literature more generally.
This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.