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The Stranger-Kings of Sikka is the first monographic study of an origin myth and history of an indigenous eastern Indonesian state and the first contemporary ethnography of the Ata Sikka of Flores. The book will be of interest to anthropologists, ethnologists of Austronesia, historians and political scientists whose interests include Southeast Asia. During the 1920s, in the regency of Sikka on the island of Flores, D.D. Pareira Kondi and A. Boer Pareira, two notable men among the first literate Sikkanese, began writing about the history and culture of their people. Among their many surviving manuscripts are two long works on the origin of the rajas who ruled Sikka until the end of the rajadom in the 1950s. The author of this book uncovered the manuscripts in 1994 and found among them versions of the myth of origin of the Sikkanese rajas, an epic tale of immigrant-kings that was lost to living memory and as oral tradition by the 1970s. Drawing on Boer’s and Kondi's texts and his own field research in the regency of Sikka, Lewis presents an abridged English translation of the origin myth and constructs a history of the Sikkanese rajas and the organization of the society they ruled.
This collection of eighteen papers explores issues in the study of semantic parallelism — a world-wide tradition in the composition of oral poetry. It is concerned with both comparative issues and the intensive study of a single living poetic tradition of composition in strict canonical parallelism. The papers in the volume were written at intervals from 1971 to 2014 — a period of over forty years. They are a summation of a career-long research effort that continues to take shape. The concluding essay reflects on possible directions for future research.
The key question for many anthropologists and historians today is not whether to cross the boundary between their disciplines, but whether the idea of a disciplinary boundary should be sustained. Reinterpreting the dynamic interplay between archive and field, these essays propose a method for mutually productive crossings between historical and ethnographic research. It engages critically with the colonial pasts of indigenous societies and examines how fieldwork and archival studies together lead to fruitful insights into the making of different colonial historicities. Timor-Leste’s unusually long and in some ways unique colonial history is explored as a compelling case for these crossings.
This collection of papers is the sixth volume in the Comparative Austronesian series. The papers that comprise this volume examine the concept of precedence as a form of local discourse and as a mechanism for ordering status, at different levels, within specific Austronesian-speaking societies. This is the first volume of its kind to focus entirely on precedence and to provide an explication of its social uses and the way in which it is contested. Each paper is ethnographically-focused and offers its own distinctive approach to the examination of precedence. The papers, however, relate closely to one another and are thus able to proffer a variety of comparative reflections.
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.
Catholics in Independent Indonesia: 1945-2010 concludes Steenbrink’s three volume historical account of Catholicism in Indonesia with a detailed report of the survival and growth of this minority religion in Muslim Indonesia since its independence in 1945. Colonial Catholicism survived in the independent Republic of Indonesia during the nationalist Sukarno regime (1945-1965) and regained a new dynamic during the general religious revival that was part of the New Order of Soeharto after 1965. From a Dutch-inspired institution it became a fully Indonesian steered community with a modern and international character. The second half of the book will deal with the different regional developments in this vast country.
This open access book demonstrates that despite different epistemological starting points, history and speculative fiction perform similar work in “making the strange familiar” and “making the familiar strange” by taking their readers on journeys through space and time. Excellent history, like excellent speculative fiction, should cause readers to reconsider crucial aspects of their society that they normally overlook or lead them to reflect on radically different forms of social organization. Drawing on Gunlög Fur’s postcolonial concept of concurrences, and with contributions that explore diverse examples of speculative fiction and historical encounters using a variety of disciplinary approaches, this volume provides new perspectives on colonialism, ecological destruction, the nature of humanity, and how to envision a better future.
Includes reports of meetings of the institute.
All societies are shaped by arts, media, and other persuasive practices that can awe, captivate, enchant or otherwise seem to cast a spell on the audience. Likewise, scholarship itself often is driven by a sense of wonder and a willingness to be open to what lies beyond the obvious. This book broadens and deepens this perspective. Inspired by Stephen Tyler’s view of ethnography as an art of evocation, international scholars from the fields of aesthetics, anthropology, and rhetoric explore the spellbinding power of elusive meanings as people experience them in daily life and while gazing at works of art, watching films or studying other cultures. The book is divided into three parts covering the evocative power of visual art, the immersion in ritual and performance, and the reading, writing, and interpretation of texts. Taken as a whole, the contributions to the book demonstrate how astonishment and evocation deserve an important place in the conceptual repertoire of the human sciences.