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A bold and transportive retelling that Publishers Weekly calls "a treat for historical fantasy lovers," The Norse Saga of Sigurd renders bright a world of witches, gods, and valkyries—a place of mythic terrors and searing beauty. A widowed queen, heavy with child, seeks refuge in a foreign kingdom, and there her son is born: Sigurd, last of the Volsung line. But what seems a destiny of glorious revenge will not be so simple. The weavers of fate have many threads to spin, some beautiful … and some deadly. How brightly they rise from the harp-strings: The Master of Masters. The Glittering Heath. The Nibelung Hoard. Set against a backdrop of nuanced Viking culture, this first novella-length installment of Sigurd's legend begins as a young man's journey through a dangerous world, one peopled with kings and monsters, witches and giants. What begins here sets Sigurd on a course roiling with fate, will, and the machinations of gods and men—one that will shake his world to its very roots.
This lavish book marks the 40th anniversary of Barthes' renowned work Camera Lucida in 2020. Artist Odette England invited 199 of the world's best-known contemporary photographers, writers, critics, curators and art historians to contribute an image or text that reflects on Barthes' unpublished snapshot of his mother, aged five. This snapshot is known as the winter garden photograph. Barthes discusses it at length in Camera Lucida, but never reproduces it. It is one of the most famous unseen photographs in the world.
Jungian Perspectives on Rebirth and Renewal brings together an international selection of contributors on the themes of rebirth and renewal. With their emphasis on evolutionary ancestral memories, creation myths and dreams, the chapters in this collection explore the indigenous and primordial bases of these concepts. Presented in eight parts, the book elucidates the importance of indirect, associative, mythological thinking within Jungian psychology and the efficacy of working with images as symbols to access unconscious creative processes. Part I begins with a comparative study of the significance of the phoenix as symbol, including its image as Jung’s family crest. Part II focuses on Native American indigenous beliefs about the transformative power of nature. Part III examines synchronistic symbols as liminal place/space, where the relationship between the psyche and place enables a co-evolution of the psyche of the land. Part IV presents Jung’s travels in India and the spiritual influence of Indian indigenous beliefs had on his work. Part V expands on the rebirth of the feminine as a dynamic, independent force. Part VI analyses ancestral memories evoked by the phoenix image, exploring archetypal narratives of infancy. Part VII focuses on eco-psychological, synchronistic carriers of death, rebirth and renewal through mythic characterisations. Finally, part VIII explores the mythopoetic, visionary dimensions of rebirth and renewal that give literary expression to indigenous people/primordial psyche re-navigated through popular literature. The chapters both mirror and synchronise a rebirth of Jungian and non-Jungian academic interest in indigenous peoples, creation myths, oral traditions and narrative dialogue as the ‘primordial psyche’ worldwide, and the book includes one chapter supplemented by an online video. This collection will be inspiring reading for academics and students of analytical psychology, Jungian and post-Jungian studies and mythology, as well as analytical psychologists, Jungian analysts and Jungian psychotherapists. To access the online video which accompanies Evangeline Rand's chapter, please request a password at http://www.evangelinerand.com/life_threads_orissa_awakenings.html
The poetry of over fifty British women is presented here, along with short biographies of each poet.