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The story begins with Anindyasundor waking up at a registration office only to realise that he has died and is now at the gateway to heaven. He is surprised. He is even more shocked when the man at the counter tells him that he was murdered. A middle-aged man in his 50's and an author by profession, who would bother killing him. After much nagging and pleading this man at the counter grants him a recap of his death. Only 24 hrs and a promise that he wouldn't change anything in the course of the day. Or else there are grave things waiting, including him being banished and going to hell. Anindyasundor wakes up again, this time in his bed. Confused about whether it was all a dream. Soon there's a call from heaven and he realises his wish has been granted for 24 hrs and in those hours, he has to find the culprit. This time it is different. Everyone around him has many reasons to murder him. But His young wife, his jobless nephew, and his gardener too.
This book deals with a new set of triangular orthogonal functions, which evolved from the set of well known block pulse functions (BPF), a major member of the piecewise constant orthogonal function family (PCOF). Unlike PCOF, providing staircase solutions, this new set of triangular functions provides piecewise linear solution with less mean integral squared error (MISE). After introducing the rich background of PCOF family, which includes Walsh, block pulse and other related functions, fundamentals of the newly proposed set - such as basic properties, function approximation, integral operational metrics, etc. - are presented. This set has been used for integration of functions, analysis and synthesis of dynamic systems and solution of integral equations. The study ends with microprocessor based simulation of SISO control systems using sample-and-hold functions and Dirac delta functions. This book is a source of new knowledge to researchers and academicians in the area of mathematics as well as systems and control.
20 ace criminals involved in 20 mind-boggling fictional crimes penned by the Masters of the Game such as James Hilton, Arthur Conan Doyle, G. K. Chesterton, Dorothy L. Sayers, Frederick Brown, Ross McDonald, Stanley Ellin. This anthology is sure to keep you at the edge of your seat while you enjoy your crime time.
Buddhadeva Bose’s greatest novel When the Time Is Right is a grand family saga set in Calcutta during the last two decades of British rule. Of Rajen Mitra’s five lovely daughters; it is the youngest—the beautiful; intelligent Swati—who is the apple of her father’s eye. As she grows from an impetuous; spirited child to a lonely young woman; Swati is witness to the upheavals and joys of the Mitra family even as the country slides towards the promise of independence and the inevitability of war. Anxious to ensure that his daughters find suitable husbands; Rajen-babu realizes it is only a matter of time before his favourite child too must leave home. While the boorish entrepreneur Prabir Majumdar decides that she will make him a fitting wife; Swati finds herself increasingly drawn to Satyen; the young professor who introduces her to a world of books and the heady poetry of Tagore and Coleridge. First published in Bengali as Tithidore in 1949; When the Time Is Right is a moving tale of a family and a nation.
A child who calls himself Captain Spark. The mysterious Machchli Baba. A stabbing in a dark alley... In Varanasi during the Durga Puja, a valuable statuette of Ganesh is stolen from the famous Ghoshal household. Before he can recover it, Feluda has to face the arch-villain Maganlal Meghraj, solve a murder case, and unmask a fraud sadhu. One of Feluda's most hair-raising adventures, this case puts all his skills to the test.
'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-maker Actor and screen icon Uttam Kumar (1926–1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy. The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.
asthikeśavshakīrṇaṃ śoņitaughapariplutam/ śarīrairbahusāhasrairvinikīrṇaṃ samantataḥ// The great war of Mahabharata was over. The entire clan of Kauravas had been annihilated. The ground was decorated with the decapitated bodies of men. On this blood-soddened field, stood Krishna, the astute strategist and politician. And along with him, the Kuru women—the damned lot who had lost their husbands, brothers, fathers, and sons. Who was to be blamed for this horror? For this blood-curdling carnage? Who else but God himself, who by his own proclamation had descended on earth to rid her off the burden of evil. So, when a mother curses him with the same fate as he had caused on her family, the lord calmly accepts it with a smile on his face. Thus begins The Last Few Days of the Blue God, Sanjib Chattopadhyay's journalistic enquiry into the life of Lord Krishna tracing the key moments of the life of the Vishnu avatar as he walked on earth in various forms—the notorious child of Gokul and the mystic lover of Vrindavan, the slayer of Kansa, and the lord of Yadavas in Dvaraka, and finally the master diplomat who orchestrated the great war of Kurukshetra.
From the New York Times bestselling author or Less Than Zero and American Psycho—a startlingly funny, kaleidoscopic novel about three students at a small, affluent liberal-arts college in New England with no plans for the future—or even the present—who become entangled in a romantic triangle. • “An extraordinary writer.” —LA Weekly Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance. The basis for the major motion picture starring James Van Der Beek, Shannyn Sossamon, Jessica Biel, and Kate Bosworth. Look for Bret Easton Ellis’s new novel, The Shards!
That afternoon, Abhishek Verma met a girl on his flight from Delhi to Siliguri. She didn't tell him her name, but she did willingly give him a kiss. Abhishek can never forget that kiss, shared with the girl of his dreams, 30,000 feet above the ground. After all, it was his first, and he never got to kiss her again. Find out what happened that day ...