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The Mabuse phenomenon is recognized as an icon of horror in Germany as Frankenstein and Dracula are in the United States. A study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.
Back in print at last is Dr. Mabuse. This extremely rare English translation of the Norbert Jacques novel appeared only once in 1923 and then was lost for decades. And what a fantastic find it is! Molded as much by legendary film director Fritz Lang as by novelist Norbert Jacques, Dr. Mabuse remains one of the more enigmatic figures in crime fiction and cinema. Created between the Great War and World War II, he became an embodiment of the rising Nazi Party and the disintegration of Germany's Weimar Republic. The parallels were so close between Hitler and Mabuse that Lang's first two Mabuse films were banned in Germany by Joseph Goebbels' propaganda machine. There is a broad streak of the weird running through the Dr. Mabuse legacy. Is he an evil genius-a mere mortal with a malignant bent, or is he a demon spirit who carries on the dark crusade long after the human avatar is destroyed by his own maniacal ambitions? The plot is wickedly simple. Dr. Mabuse has a mad dream to create his own personal empire in Brazil, an empire called Citopomar. In Citopomar he can rule without constraint. He can be a god! . . . but even a god requires some start-up cash, so he regrettably returns to his hated Europe to raise funds by any criminal means necessary. Why make money when you can steal it? Why merely cheat somebody at cards when you can control their hand through telepathic hypnosis? Why be just another common criminal when you can be an evil genius mastermind bent on world domination? Man or devil, he is a prototype super-villain whose sinister incantations still resonate in fiction and film today. Fascinating parallels can be found in Ian Fleming's first James Bond outing, Casino Royale. In that novel, bad boy Le Chiffre trolls the high-roller casinos to fund his schemes and even dares to embezzle from SMERSH in order to fund his human trafficking pipeline. Le Chiffre is yet another reincarnation of Dr. Mabuse. Bruin Asylum is proud to announce the resurrection of Dr. Mabuse by Norbert Jacques. English translation by Lillian A. Clare.
Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.
ln this volume Tom Gunning examines the films of Fritz Lang not only as a stylistically coherent body of work, but as an attempt to portray the modern world through cinema. The world of modernity in which systems replace individuals is conveyed by Lang's mastery of cinematic set design, composition and editing. Lang presents not only a decades-long vision of cinematic narrative which can be compared to that of Alfred Hitchcock or Jean Renoir, but a view of modernity that relates strongly to the ideas of Adorno, Brecht, Benjamin and Kracauer. From the sweeping allegorical films of the 20s to the chilly and abstract thrillers of the 50s, Lang's films, Gunning claims, are 'among the most precious records of the twentieth century'. The Films of Fritz Lang immeasurably enriches our understanding of a great artist and, in so doing, reimagines what a film arlist is: an author who fades away even in being recognised and interpreted, an enigmatic figure at the junction of aesthetics, history, biography and theory.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
The name of Fritz Lang—the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable films—is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among “the front rank of film biographers” by the Washington Post, spent four years in Europe and America interviewing Lang’s dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography—lauded as one of the year’s best nonfiction books by Publishers Weekly—reconstructs the compelling, flawed human being behind the monster with the monocle.
Before award-winning director Dan Curtis became known for directing epic war movies, he darkened the small screen with the horror genre's most famous soap opera, Dark Shadows, and numerous subsequent made-for-TV horror movies. This second edition serves as a complete filmography, featuring each of Curtis's four-dozen productions and 100 photographs. With the addition of new chapters on Dark Shadows, the author further explores the groundbreaking daytime television serial. Fans and scholars alike will find an exhaustive account of Curtis's work, as well as a new foreword from My Music producer Jim Pierson and an afterword from Dr. Mabuse director Ansel Faraj.
Deals with issue of sound in audio-visual images
The Basis for the International TV Sensation Babylon Berlin One of CrimeReads's Favorite Crime Books of the Year (Selected by Paul French) Volker Kutscher, author of the international bestseller Babylon Berlin, continues his Gereon Rath Mystery series with Goldstein as a police inspector investigates the crime and corruption of a decadent 1930s Berlin in the shadows of the growing Nazi movement. Berlin, 1931. A power struggle is taking place in Berlin's underworld. The American gangster Abraham Goldstein is in residence at the Hotel Excelsior. As a favour to the FBI, the police put him under surveillance with Detective Gereon Rath on the job. As Rath grows bored and takes on a private case for his seedy pal Johann Marlow, he soon finds himself in the middle of a Berlin street war. Meanwhile Rath's on-off girlfriend, Charly, lets a young woman she is interrogating escape, and soon her investigations cross Rath's from the other side. Berlin is a divided city where two worlds are about to collide: the world of the American gangster and the expanding world of Nazism. “[Kutscher's] trick is ingenious...He's created a portrait of an era through the lens of genre fiction.”—The New York Times