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In this happy condition of affairs, the alumnae trustees undoubtedly play a mediating part, for they understand the college from within as no clergyman, financier, philanthropist, --no graduate of a man's college--can hope to, be he never so enthusiastic and well-meaning in the cause of woman's education. But so long as the faculty are excluded from direct representation on the board, the situation will continue to be anomalous. For it is not too sweeping to assert that Wellesley's development and academic standing are due to the cooperative wisdom and devoted scholarship of her faculty. The initiative has been theirs. They have proved that a college for women can be successfully taught and administered by women. To them Wellesley owes her academic status.
Wellesley Wives is romantic comedy about Popsy Power, Boston society-wife, and her best friend Sandra. They have it all with adoring husbands and fabulous daughters. Rosie is married with a baby of her own and Lily has a glittering career. Life is incredibly good, but then it goes bad. From Ferraris and fine art to a boathouse in Banagher, it's quite a change for the ladies who lunch. However, when Lily runs off with her father's best friend and Rosie finds herself on a yacht with another woman's husband, it's hardly surprising that their mother should worry about the next generation of Wellesley Wives. Life can't always be fun in the sun, but when it gets get chilly, there's fur! It's a roller coaster ride for Popsy and the girls, but it's certainly never dull. Enjoy the adventure with the Wellesley Wives.
Examines the 1999 murder of Mabel Greineder in Wellesley, Massachusetts and the subsequent investigation and indictment of her husband, a doctor leading a double life.
NEW YORK TIMES BESTSELLER • From the author of American Wife and Eligible . . . He proposed. She said no. And it changed her life forever. “A deviously clever what if.”—O: The Oprah Magazine “Immersive, escapist.”—Good Morning America “Ingenious.”—The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • NPR • The Washington Post • Marie Claire • Cosmopolitan (UK) • Town & Country • New York Post In 1971, Hillary Rodham is a young woman full of promise: Life magazine has covered her Wellesley commencement speech, she’s attending Yale Law School, and she’s on the forefront of student activism and the women’s rights movement. And then she meets Bill Clinton. A handsome, charismatic southerner and fellow law student, Bill is already planning his political career. In each other, the two find a profound intellectual, emotional, and physical connection that neither has previously experienced. In the real world, Hillary followed Bill back to Arkansas, and he proposed several times; although she said no more than once, as we all know, she eventually accepted and became Hillary Clinton. But in Curtis Sittenfeld’s powerfully imagined tour-de-force of fiction, Hillary takes a different road. Feeling doubt about the prospective marriage, she endures their devastating breakup and leaves Arkansas. Over the next four decades, she blazes her own trail—one that unfolds in public as well as in private, that involves crossing paths again (and again) with Bill Clinton, that raises questions about the tradeoffs all of us must make in building a life. Brilliantly weaving a riveting fictional tale into actual historical events, Curtis Sittenfeld delivers an uncannily astute and witty story for our times. In exploring the loneliness, moral ambivalence, and iron determination that characterize the quest for political power, as well as both the exhilaration and painful compromises demanded of female ambition in a world still run mostly by men, Rodham is a singular and unforgettable novel.
On September 8, 1875, Wellesley College, an undergraduate liberal arts college for women, opened its doors to its first students. Eager, brave, and determined, they came from around the country to begin their new life. They took classes and made their home in College Hall, the grand building founders Henry and Pauline Durant built on a hill overlooking Lake Waban. From the beginning, an outstanding faculty, led and inspired by a series of gifted female presidents, devoted themselves to the education of their students, encouraging intellectual discussion, debate, and analytical thought. In this pioneering world of women's education, a community of learners was born and has thrived for the past 130 years. Wellesley's graduates have carried the tradition of excellence beyond the campus, epitomizing the college's mission "to provide an excellent liberal arts education for women who will make a difference in the world." In photographs and words, Wellesley College tells the story of this school from its early beginnings.
A breathtaking journey into the hidden history of medieval manuscripts, from the Lindisfarne Gospels to the ornate Psalter of Henry VIII “A delight—immersive, conversational, and intensely visual, full of gorgeous illustrations and shimmering description.” –Helen Castor, author of She-Wolves Medieval manuscripts can tell us much about power and art, knowledge and beauty. Many have survived because of an author’s status—part of the reason we have so much of Chaucer’s writing, for example, is because he was a London-based government official first and a poet second. Other works by the less influential have narrowly avoided ruin, like the book of illiterate Margery Kempe, found in a country house closet, the cover nibbled on by mice. Scholar Mary Wellesley recounts the amazing origins of these remarkable manuscripts, surfacing the important roles played by women and ordinary people—the grinders, binders, and scribes—in their creation and survival. The Gilded Page is the story of the written word in the manuscript age. Rich and surprising, it shows how the most exquisite objects ever made by human hands came from unexpected places. “Mary Wellesley is a born storyteller and The Gilded Page is as good as historical writing gets. This is a sensational debut by a wonderfully gifted historian.” —Dan Jones, bestselling author of The Plantagenets and The Templars
“A twisty, dark psychological thriller that will leave you guessing til the very end."—Teen Vogue “[A] riveting read…"—NPR The line between best friend and something more is a line always crossed in the dark. Jess Wong is Angie Redmond’s best friend. And that’s the most important thing, even if Angie can’t see how Jess truly feels. Being the girl no one quite notices is OK with Jess anyway. If nobody notices her, she’s free to watch everyone else. But when Angie begins to fall for Margot Adams, a girl from the nearby boarding school, Jess can see it coming a mile away. Suddenly her powers of observation are more a curse than a gift. As Angie drags Jess further into Margot’s circle, Jess discovers more than her friend’s growing crush. Secrets and cruelty lie just beneath the carefree surface of this world of wealth and privilege, and when they come out, Jess knows Angie won’t be able to handle the consequences. When the inevitable darkness finally descends, Angie will need her best friend. “It doesn’t even matter that she probably doesn’t understand how much she means to me. It’s purer this way. She can take whatever she wants from me, whenever she wants it, because I’m her best friend.” A Line in the Dark is a story of love, loyalty, and murder. ★ "Mesmerizing."—Kirkus, starred review.
How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a particular culture shape the way in which written stories are told? Why does "the community" loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Which writers of color should be added to the canon? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? Each essay in this collection of original studies addresses these questions and other related concerns. It is common knowledge that most scholarly work on the short story has been on white writers: This collection is the first work to specifically focus on short story practice by ethnic minorities in America, ranging from African Americans to Native Americans, Chinese Americans to Hispanic Americans. The number of women writers discussed will be of particular interest to women studies and genre studies researchers, and the collections will be of vital interest to scholars working in American literature, narrative theory, and multicultural studies.
A soldier and statesman for the ages, the Duke of Wellington is a towering figure in world history. John Severn now offers a fresh look at the man born Arthur Wellesley to show that his career was very much a family affair, a lifelong series of interactions with his brothers and their common Anglo-Irish heritage. The untold story of a great family drama, Architects of Empire paints a new picture of the era through the collective biography of Wellesley and his siblings. Severn takes readers from the British Raj in India to the battlefields of the Napoleonic Wars to the halls of Parliament as he traces the rise of the five brothers from obscurity to prominence. Severn covers both the imperial Indian period before 1800 and the domestic political period after 1820, describing the wide range of experiences Arthur and his brothers lived through. Architects of Empire brings together in a single volume a grand story that before now was discernible only through political or military analysis. Weaving the personal history of the brothers into a captivating narrative, it tells of sibling rivalry among men who were by turns generous and supportive, then insensitive and cruel. Whereas other historians have minimized the importance of family ties, Severn provides an unusually nuanced understanding of the Duke of Wellington. Architects of Empire casts his career in a new light--one that will surprise those who believe they already know the man.