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The Umbrella As A Symbol Of Religious Sovereignty; The Evolution Of Stupa; Kerala Architecture And Himalayan Architecture.
Stupa and Swastika examines urban structures in the city of Patan, a UNESCO World Heritage Site in Nepal's Kathmandu Valley. The religious architecture and overall design of the city illustrate the connection between Buddhist symbolism and South Asian concepts of urban design in the Indus Valley, and suggest links with Southeast Asia. -- Back cover.
Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with a new captivating portrait focusing on material things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, received them, used them, sold them, worshipped them, and, in more recent times, bought them, conserved them, and curated them. From a delicate pair of earrings from a steppe tomb to a massive stupa deep in Central Asia, a hoard of Kushan coins stored in an Ethiopian monastery to a Hellenistic glass bowl from a southern Chinese tomb, and a fragment of Byzantine silk wrapping the bones of a French saint to a Bactrian ewer depicting episodes from the Trojan War, these objects show us something of the cultural diversity and interaction along these trading routes of Afro-Eurasia. Exploring the labor, tools, materials, and rituals behind these various objects, Whitfield infuses her narrative with delightful details as the objects journey through time, space, and meaning. Silk, Slaves, and Stupas is a lively, visual, and tangible way to understand the Silk Road and the cultural, economic, and technical changes of the late antique and medieval worlds.
A close analysis of the architecture of the stupa--a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.
In the spring of 2004, David Lascelles invited a group of monks from Bhutan to build a stupa in the gardens of Harewood House in Yorkshire. It was a step into the unknown for the Bhutanese. They didn’t speak any English, had never travelled outside their own culture, had never flown in an airplane or seen the ocean. Theirs was one kind of journey, but the project was also another kind of voyage for David. It was an attempt to reconcile a deep interest in Buddhism with the 250 years that his family has lived at Harewood, the country house and estate – with its links to one of the darkest chapters in Britain’s colonial past – that he has loved, rejected, tried to make sense of and been haunted by all his life. In Buddhist thought, one of the functions of a stupa is to harmonise the environment in which it is built and subdue the chaotic forces at work there. Would this stupa have a similar effect, quelling the forces of Harewood’s past and harmonising the contradictions of its present? A Hare-Marked Moon tells the story behind the extraordinary meeting of cultures that resulted in the Harewood Stupa, interspersed with accounts of David’s travels in the Himalayas which delve into the rich and turbulent history of the region, and the beliefs that have shaped it.
In Stabilizing the Mind, Jetsunma Akhön Norbu Lhamo takes a practical approach to meditation borne of her awareness that people's minds are in a constant state of distraction. In the first chapters of the book Jetsunma describes techniques that prepare and calm the mind. This provides a foundation for the more advanced meditation practices introduced in the later chapters of the book. From an early age, Jetsunma devoted herself to meditation and the alleviation of suffering in the world. With confirmation from two highly revered Tibetan Buddhist masters, His Holiness Dilgo Khyentse Rinpoche and Dzongnang Rinpoche, His Holiness Penor Rinpoche, 11th throneholder of the Palyul Lineage in the Nyingma tradition, recognized Jetsunma as a reincarnation of the 17th century yogini Genyenma Ahkön Lhamo. Jetsunma is the first Western woman to have been officially recognized and enthroned as a Tulku, an enlightened being who reincarnates in whatever form necessary to benefit sentient beings. With innate compassion and wisdom, and drawing on her experiences as a Western woman, Jetsunma makes even the most profound Buddhist teachings accessible. Her teachings, often infused with humor, reach a broad audience, including long-time Buddhist practitioners as well as people simply wanting to live with kindness and generosity. Jetsunma encourages each of us to create a world of compassion, by contemplating the suffering of others, and taking action to bring about change.
The Legend of the Golden Boat provides a new approach to the study of Southeast Asia’s northern borderlands. Based on extensive travel in the upper Mekong hinterland, it is a fascinating account of the lives of the transport operators, traders, entrepreneurs, and government officials. This ethnographic study is set against an intriguing background of war, revolution, and reform, providing one of the most detailed histories of the upper Mekong borderlands ever written. Contemporary developments in the upper Mekong region are often interpreted in terms of the emergence of a trans-border Economic Quadrangle, characterized by liberalization, integration, and cooperation. This book seeks to go beyond this promotional rhetoric and explore the ambiguities and contradictions in the Quadrangle’s development.
“Alice Albinia is the most extraordinary traveler of her generation. . . . A journey of astonishing confidence and courage.”—Rory Stewart One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan’s fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. “This turbulent history, entwined with a superlative travel narrative” (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart’s The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.