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Annotation A classic of modern world literature, this collection of stories provides a vivid eyewitness view of everyday life in China during the Cultural Revolution. For this edition, the text has been thoroughly revised and updated to Pinyin romanization. A new introduction reflects on the book's significance in the post-Tianamen era.
The Story of the Stone (c.1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.
The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. Divided into five volumes, of which The Debt of Tears is the fourth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author's own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.
The Story of the Stone (or Dream of the Red Chamber), a Chinese novel by Cao Xueqin and continued by Gao E, tells of an amazing garden, of a young man's choice between two beautiful women, of his journey toward enlightenment, and of the moral and financial decline of a powerful family. Published in 1792, it depicts virtually every facet of life in eighteenth-century China—and has influenced culture in China ever since.Part 1 of this volume, "Materials," provides information and resources that will help teachers and students begin and pursue their study of Stone. The essays that constitute part 2, "Approaches," introduce major topics to be covered in the classroom: Chinese religion, medicine, history, traditions of poetry, material culture, sexual mores, servants; Stone in film and on television; and the formidable challenges of translation into English that were faced by David Hawkes and then by John Minford.
The Story of the Stone (also known as Dream of the Red Chamber) is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s political and social system. This book is a straightforward guide to a complex classic that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. Each chapter of the companion summarizes and comments on each chapter of the novel. The companion provides English-speaking readers—whether they are simply dipping into this novel or intent on a deep analysis of this masterpiece—with the cultural context to enjoy the story and understand its world. The book is keyed to David Hawkes and John Minford’s English translation of The Story of the Stone and includes an index that gives the original Chinese names and terms.
The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. Divided into five volumes, of which The Warning Voice is the third, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author's own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.
Epic fantasy found an exhilarating new voice in Robert Newcomb, whose monumental debut novel, The Fifth Sorceress, was hailed by readers and critics alike. And now, for all those spellbound by the tale of Prince Tristan, heir to the throne of Eutracia, his twin sister Princess Shailiha, the ancient wizard Wigg, and the fate of their enchanted land, there is indeed more—much more—to be told. . . . For three centuries, Eutracia was a kingdom at peace, ruled by a benevolent monarchy and guided by a council of wizards. But a horror from the past, long believed vanquished, returned with devastating fury. And when the battle against the bloodthirsty Sorceresses of the Coven was finally won, victory was not without its price. Now, the royal palace lies in ruins; the king and queen, the royal guard, and the Directorate of Wizards are dead; the land is lawless; and Prince Tristan— forced by the Coven to murder his father, the King—is a wanted man. In a cavernous underground labyrinth, once headquarters of the wizards’ council, Tristan has taken refuge with his sister, Shailiha, her infant daughter, the wizard Wigg—the lone surviving member of the Directorate—and the crippled wizard Faegan, returned from self-imposed exile in the forest of Shadowood. Together they face the daunting task of restoring order to Eutracia and winning back the allegiance of her subjects. But suddenly, even these challenges pale beside a truly terrifying turn of events. The sacred jewel that is the source of all magic has inexplicably begun to lose its power. Without its age-old enchantment to sustain their spells, the immortal wizards will perish . . . and magic will vanish from Eutracia forever. At the same time, a mysterious and ruthless mercenary has declared a bounty upon the head of Prince Tristan. And an army of wizards on a mission to rid Eutracia of monsters created by the Coven has fallen prey to an insidious breed of creatures—beings that can only have sprung from forbidden use of malevolent magic. With time and their powers dwindling, Wigg and Faegan desperately seek to discover who, or what, has succeeded the dead Sorceresses in laying siege to Eutracia. But when the shocking truth is revealed, and an evil that transcends life itself is made known, it is Tristan, more than any other, who will be stunned to his very soul. And it is Tristan who will be thrust into the ultimate battle—for his life, his land, and the course of his destiny.
From the author of more than a dozen New York Times bestsellers comes the first installment in a thrilling fantasy trilogy written for young readers Barely a teen and already guarding a secret that could jeopardize his young life, Maimun is marked for death. With the help of a mysterious stranger, the boy escapes his village and flees out to sea, stowing away on the pirate hunting ship, Sea Sprite, where he comes across a most unlikely ally: the dark elf Drizzt Do'Urden. With a half-demon determined to destroy him, and a crew of sailors resentful of the trouble he's caused, Maimun must find the courage to prove his worth—both to his friends and to himself. Nearly two decades ago, R.A. Salvatore introduced the world to Drizzt D'Urden in a series that has since become a fantasy classic and a consistent presence on bestseller lists. Now, for the first time, Salvatore partners with his son Geno to craft a brand-new story just for young readers, featuring a special cameo from one of the most beloved fantasy character of all time.
Dream of the Red Chamber is one of the four Chinese classics. The novel is semi-autobiographical and it gives an incredibly detailed insight into 18th-century life in China, particularly that of the aristocracy. The plot is grand in scale, peopled with a complex array of characters.
The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. "The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.