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Far from the hushed restraint we associate with the Victorians, their world pulsated with sound. This book shows how, in more ways than one, Victorians were hearing things. The representations close listeners left of their soundscapes offered new meanings for silence, music, noise, voice, and echo that constitute an important part of the Victorian legacy to us today. In chronicling the shift from Romantic to modern configurations of sound and voice, Picker draws upon literary and scientific works to recapture the sense of aural discovery figures such as Babbage, Helmholtz, Freud, Bell, and Edison shared with the likes of Dickens, George Eliot, Tennyson, Stoker, and Conrad.
Hearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the fields most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key questions: What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past? With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how military, social, intellectual, and cultural historians have tackled historical acoustemologies. Investigating soundscapes that include a Puritan meetinghouse in colonial New England, the belfries of a French village at the close of the Old Regime, the court hall of Elizabeth I, and a Civil War battlefield, the essays vary just as widely in their topics, which include noise as a marker of social and cultural differences, the privileging of music as the sound of art, the persistence of Aristotelian ideas of sound into the seventeenth century, developments in sound related to medical practice, the advent of sound-recording technology, and noise pollution.
Table of contents
"Dogs, famous and infamous and otherwise, throughout history, for children."--
From the time that the great inventor Thomas Alva Edison first built a machine that played and recorded sound, to today's instant electronic technology, the phonograph changed along with our needs for it. This book traces the evolution of one of the most far-reaching inventions ever developed, and it eventually gave people a way to preserve bits of the past by capturing the present and passing it on to future generations. The phonograph also helped spawn industries that drive economics and influence worldwide culture.
The contributors examine various forms of human dominion over animals as manifest in fiction, performance, and the visual arts, as well as in hunting, killing, vivisection, and zookeeping. Distinguished by its acknowledgment of how the Victorians' obsession with animals continues to haunt twenty-first-century animal rights debates, Victorian Animal Dreams provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.