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Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.
One of Library Journal's "Best Arts Books of 2020" The definitive biography of Ravi Shankar, one of the most influential musicians and composers of the twentieth century, told with the cooperation of his estate, family, and friends For over eight decades, Ravi Shankar was India's greatest cultural ambassador. He was a groundbreaking performer and composer of Indian classical music, who brought the music and rich culture of India to the world's leading concert halls and festivals, charting the map for those who followed in his footsteps. Renowned for playing Monterey Pop, Woodstock, and the Concert for Bangladesh-and for teaching George Harrison of The Beatles how to play the sitar-Shankar reshaped the musical landscape of the 1960s across pop, jazz, and classical music, and composed unforgettable scores for movies like Pather Panchali and Gandhi. In Indian Sun: The Life and Music of Ravi Shankar, writer Oliver Craske presents readers with the first full portrait of this legendary figure, revealing the personal and professional story of a musician who influenced-and continues to influence-countless artists. Craske paints a vivid picture of a captivating, restless workaholic-from his lonely and traumatic childhood in Varanasi to his youthful stardom in his brother's dance troupe, from his intensive study of the sitar to his revival of India's national music scene. Shankar's musical influence spread across both genres and generations, and he developed close friendships with John Coltrane, Philip Glass, Yehudi Menuhin, George Harrison, and Benjamin Britten, among many others. For ninety-two years, Shankar lived an endlessly colorful and creative life, a life defined by musical, emotional, and spiritual quests-and his legacy lives on. Benefiting from unprecedented access to Shankar's archives, and drawing on new interviews with over 130 subjects-including his second wife and both of his daughters, Norah Jones and Anoushka Shankar- Indian Sun gives readers unparalleled insight into a man who transformed modern music as we know it today.
Daniel M. Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71—from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs—Neuman examines the cultural and social matrix in which Hindustani music is nurtured, listened and attended to, cultivated, and consumed in contemporary India. Through his interpretation of the impact that modern media, educational institutions, and public performances exert on the music and musicians, Neuman highlights the drama of a great musical tradition engaging a changing world, and presents the adaptive strategies its practitioners employ to practice their art. His work has gained the distinction of introducing a new approach to research on Indian music, and appears in this edition with a new preface by the author.
The most authoritative, comprehensive, and up-to-date reference on the subject, this encyclopaedia covers the story of music in India spread over almost 2000 years and includes more than 5000 in-depth entries by over 100 acclaimed contributors from India and abroad.Covering classical, folk, film, and other forms of music in India, the three volumes provide an overview of the historical and cultural contexts of the musical forms, instruments, and composers. Fully cross-referenced, the encyclopaedia includes detailed entries on all forms of music, dance, raga,tala, gharana, treatises, instruments, and technical terms, and biographical notes on vocalists, musicologists, saint poets, gurus, composers, dancers, and instrumentalists. The over 200 rare photos, paintings, and line drawings of instruments, musicians, and musicologists from family albums andprivate collections enhance the visual appeal of the work. For the first time, this major undertaking will help to explain much of what music in India is all about and open the subject for a new audience, both in India and abroad.
A Comprehensive Study Dealing With Music Of North-Eastern India With Special Emphasis On Musical Instruments Of Assam. Has Over 75 Colour Illustrations Which Add To The Usefulness Of The Book.
This is a major musical and cultural history of the sarod, a leading stringed instrument in Hindustani classical music, which documents the cultural origins, historical development and music styles of this instrumental tradition over the last three centuries. It documents the history of its musicians, their social organization, patron groups, modes of patronage, musical and aesthetic developments, instrument design and construction, narratives, musical terminology, and conception of musical sound over this period. In so doing it provides a detailed account of how this community of musicians devised and implemented strategies to deal with the major challenges generated by a succession of political economies from premodern times to the present. It highlights the cultural syncretism and diversity that has underpinned the development of the tradition to date. The book also sets out to construct a methodology that historicizes sound and makes it an object of study. A primary aim of the book is to address the current climate of contestation over the cultural ownership of the tradition and its history which is argued to be one of the cultural consequences of globalization and part of a wider tendency of re-imagining the past. Informing this study are the rich oral histories and narratives that pervade the tradition; Sanskrit texts on music; primary materials and studies in vernacular languages; studies in Indian anthropological and sociological studies; colonial records; ethnographies; sound recordings and the author s fieldwork and rigorous training in sarod over the last two decades. Adrian McNeil researches and writes on Indian classical music. Currently Senior Research Fellow, Department of Contemporary Music Studies at Macquarie University, Sydney, Australia, he has published widely on various aspects of Indian classical music. He is a trained sarod player with several performances to his credit.