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Against the backdrop of a beautiful Hawaiian landscape, a young girl cuddles and sleeps in her mother's lap.
A spunky African American girl has a hula-hooping competition with her friends in Harlem, and soon everyone in the neighborhood--young and old alike--joins in on the fun.
An empowering celebration of identity, acceptance and Hawaiian culture based on the true story of a young girl in Hawaiʻi who dreams of leading the boys-only hula troupe at her school. Ho'onani feels in-between. She doesn't see herself as wahine (girl) OR kane (boy). She's happy to be in the middle. But not everyone sees it that way. When Ho'onani finds out that there will be a school performance of a traditional kane hula chant, she wants to be part of it. But can a girl really lead the all-male troupe? Ho'onani has to try . . . Based on a true story, Ho'onani: Hula Warrior is a celebration of Hawaiian culture and an empowering story of a girl who learns to lead and learns to accept who she really is--and in doing so, gains the respect of all those around her. Ho'onani's story first appeared in the documentary A Place in the Middle by filmmakers Dean Hamer and Joe Wilson.
The first book of its kind to dig into the rich ethnic dance tradition of Hawaiian hula, The Natives Are Restless is a high-touch volume with stunning photography, archival material, and illustrations that will make hula come alive for any reader.
The younger of two sisters narrates the events of the summers of 1964 and 1965 during which their mother finally summons up the will to leave their increasingly violent father.
A haunted ex-con returns to his hometown: “Fans of hard-boiled pulp fiction will particularly enjoy this novel” (Booklist). Luce Lemay is out on parole three years after an awful tragedy sent him to prison. In his small Illinois town, he does his best to find hope: in a new job at the local Gas-N-Go; in his companion and fellow ex-con, Junior Breen, who spells out puzzling messages to the unquiet ghosts of his past; and finally, in the arms of the lovely but reckless Charlene. But sorrow and violence lie in his path, in this suspenseful exploration of a country bright with the far-off stars of forgiveness and dark with the still-looming shadow of the death penalty. “A wonderful accomplishment . . . The power is in the writing. Mr. Meno is a superb craftsman.” —Hubert Selby Jr., bestselling author of Last Exit to Brooklyn “The author moves the story along at a surprisingly fast and easy pace.” —Kirkus Reviews “Moving . . . Meno has a poet’s feel for small-town details, life in the joint and the trials an ex-con faces, and he’s a natural storyteller with a talent for characterization.” —Publishers Weekly
A great resource for students of traditional Hawaiian dance, this beautiful handbook filled with archival photographs covers the origins, language, etiquette, ceremonies, and the spiritual culture of hula. Hula, the indigenous dance of Hawai'i, preserves significant aspects of Native Hawaiian culture with strong ties to health and spirituality. Kumu Hula, persons who are culturally recognized hula experts and educators, maintain and share this cultural tradition, conveying Hawaiian history and spiritual beliefs in this unique form of cultural and creative expression, comprising specific controlled rhythmic movements that enhance the meaning and poetry of the accompanying songs. Emphasizing the importance of cultural literacy, the Handbook begins with an overview of the origins of hula, its history in Hawai'i, and the primacy of the spiritual focus of the dance. The book goes on to introduce halau etiquette and practices, and explains the format of a traditional hula presentation, together with the genres of hula and the regalia worn by the dancers. Practical components include sections on Hawaiian language and chant and a glossary of hula commands and footwork. Author Mahealani Uchiyama trained in Hawaii in the hula lineage of Joseph Kamoha'i Kaha'ulelio and is currently the Kumu Hula at the Halau Ku Ua Tuahine in Berkeley, California. As the founder and artistic director of the Center for International Dance and board member of Dance Arts West, the producers of San Francisco's annual Ethnic Dance Festival, Uchiyama's approach to hula is deeply holistic and reflects her background in indigenous wisdom traditions and cultural exchange and interaction.
As in many other traditional cultures, Hawaiian art, dance, music and poetry were highly integrated into every aspect of life, to a degree far beyond that of industrial society. The poetry at the core of the Hula is extremely sophisticated. Typically a Hula song has several dimensions: mythological aspects, cultural implications, an ecological setting, and in many cases, (although Emerson is reluctant to acknowledge this) frank erotic imagery. The extensive footnotes and background information allow us an unprecedented look into these deeper layers. While Emerson's translations are not great poetry, they do serve as a literal English guide to the amazing Hawaiian lyrics.
Catherine is a hula-hooping performance artist, a talented and independent individual. Columbine is a feisty female clown in a 16th century Italian commedia dell'arte commissioned to perform before the King of France. As Catherine and Columbine struggle to make sense of a nonsensical world, their lives, as if by magic, seem to interact.