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Also known as Frithiofs Saga, the following work is an Icelandic saga that takes place principally in Norway during the 8th century. The story begins with King Beli of Sogn (a traditional district in Western Norway), who had two sons and a daughter named Ingeborg. Helgi was his first son, and Halfdan his second. On the other side of the fjord, lived the king's friend Thorstein (Þorsteinn Víkingsson) whose son Frithjof (Friðþjófur) was called the bold (hinn frœkni). Frithiof was the tallest, strongest and he was the bravest among men.
This 1987 book investigates the dismissal of William Morris's romances as self-indulgent fantasy, looking at the ways in which our sense of the 'escapism' of Morris's fairy-tale writing can be modified or expanded when seen in relation to the development of his imagination in other spheres, both political and creative.
This book examines translations of Icelandic sagas and the Victorian and Edwardian children's literature they inspired, some of which are canonical while others are forgotten. It covers authors like William Morris, Henry Wadsworth Longfellow, Thomas Gray, Walter Scott, H. Rider Haggard, W.H. Auden, John Greenleef Whittier and more. In lavish volumes and modest schoolbooks, British and American writers claimed Nordic heritage and explored Nordic traditions. The sagas offered a rich and wide-ranging source for these authors: Volsunga saga's Sigurd the dragon slayer; King Olaf's saga of opposing Nordic Gods and Christianity; Frithiof's model of headstrong youth beset with unfair opposition and lost love. Grettir and Njal tell of men who accepted fate and met conflict and enemies unflinchingly; Aslaug, Gudrida, Hallberga and Hervar exerted remarkable influence; and Eric the Red and Leif the Lucky provided Americans with a Nordic heritage of discovery.