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This book explores the very humblest of beginnings and, at times, heart-rending tale of a poor black boy's struggle to free himself from the shackles of the ghetto and make it to the top. Bo Diddley: Living Legend offers a fascinating insight not only into the life and times of one of rock's first superstars, but also into the soulless and frequently brutal machinations of the popular music industry.
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
From the jumping rock and blues joints of the 1950s to Woodstock and beyond, Where Are You Now, Bo Diddley? takes a close look at forty-seven musicians whose unique contributions to their thrilling era will never be forgotten. For as we sang their songs, we also preserved a piece of our own personal history along with each tune. But where are they now? How do they feel about their success? How have their lives changed? Now, in this fun-filled, candid, and compelling collection of interviews, acclaimed journalist and author Edward Kiersh talks with each musician, reconstructing their triumphs and defeats, the road to gold and the path to obscurity. Here are the victories over incredible odds, and the struggles with drugs and booze and runaway fame—a fame that, in some cases, ran completely out of steam. But always, the humor, the idealism, the optimism that is the underlying key to success in the music business, as well as in life, shines through. Packed with fabulous photos, Where Are You Now, Bo Diddley? takes readers on a vivid, intoxicating nostalgia trip, giving us an important part of our musical past from the lips of the men and women who made it history.
Reviews and rates the best recordings of 8,900 blues artists in all styles.
If one man can be credited with creating the language of rock 'n' roll it is Chuck Berry. In the early 1950's he was just an ambitious Nat "King" Cole imitator gigging in St Louis, but ten years after moving to Chicago and cutting is first hit, "Maybelline", in 1955, he built a catalogue of classics that inspired the Beatles, the Rolling Stones, and every rock musician since. Meanwhile his Chicago rival Bo Diddley, the earthiest and arguably the most exciting of the rock 'n' roll performers, was reminding us that this music was just a step away from the blues. Although he was raised in Chicago, his music was a bizarre, electric version of the blues of his birthplace, Mississippi. Between them Chuck and Bo caused a revolution in Chicago blues, hitherto largely unknown to white America and the mass market. Both were signed to Chess Records, established by Eastern European immigrants, the Chess brothers, who provided the shop window for Chicago bluesmen, while also conforming to a now all-too-familiar pattern, as white entrepreneurs exploiting black talent. Chess Records both examines the subject of exploitation within the record business and celebrated the music of two unique and important artists and the extraordinarily fertile blues environment out of which they grew.
From the creator of the popular rock 'n' roll true crime podcast, DISGRACELAND comes an off-kilter, hysterical, at times macabre book of stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him if you knew that, or would your love for his music triumph? Real rock stars do truly insane thing and invite truly insane things to happen to them; murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, Sid Vicious and that consumed the Norwegian Black Metal scene. We want to believe in the myths because they're so damn entertaining. DISGRACELAND is a collection of the best of these stories about some of the music world's most beloved stars and their crimes. It will mix all-new, untold stories with expanded stories from the first two seasons of the Disgraceland podcast. Using figures we already recognize, DISGRACELAND shines a light into the dark corners of their fame revealing the fine line that separates heroes and villains as well as the danger Americans seek out in their news cycles, tabloids, reality shows and soap operas. At the center of this collection of stories is the ever-fascinating music industry--a glittery stage populated by gangsters, drug dealers, pimps, groupies with violence, scandal and pure unadulterated rock 'n' roll entertainment.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip. Before an artistic and commercial decline that resulted in a 20-year gap between Devo's last two studio records, Freedom of Choice made them curious, insurgent superstars, vindicated but ultimately betrayed by the birth of MTV. Their only platinum album represented the best of their unreplicable code: dead-serious tricksters, embracing conformity in order to destroy it with bullet-proof pop sensibility. Through first-hand accounts from the band and musical analysis set against an examination of new wave's emergence, the first-ever authorized book about Devo (with a foreword by Portlandia's Fred Armisen) explores the group's peak of success, when their hermetic seal cracked open to let in mainstream attention, a legion of new Devotees, and plenty of misunderstandings. "Freedom of Choice was the end of Devo innocence–it turned out to be the high point before the s***storm of a total cultural move to the right, the advent of AIDS, and the press starting to figure Devo out and think they had our number," says Casale. "It's where everything changes."
“Helm lays it all bare in vivid, impassioned prose, adding an earthly, backwoods tone that makes the book read like a Southern novel, like Thomas Wolfe writing about rock ’n’ roll.” —Boston Globe “One of the most insightful and intelligent rock bios in recent memory.” —Entertainment Weekly The Band, who backed Bob Dylan when he went electric in 1965 and then turned out a half-dozen albums of beautifully crafted, image-rich songs, is now regarded as one of the most influential rock groups of the '60s. But while their music evoked a Southern mythology, only their Arkansawyer drummer, Levon Helm, was the genuine article. From the cotton fields to Woodstock, from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel’s on Fire replays the tumultuous history of our times in Levon’s own unforgettable folksy drawl. This edition is expanded with a new epilogue covering the last dozen years of Levon's life. Levon Helm (1940-2012) met Ronnie Hawkins at the age of 17 and formed what would soon become The Band. He maintained a successful career as a singer and actor until his death. Stephen Davis is the author of Hammer of the Gods: The Led Zeppelin Saga; More Room in a Broken Heart: The True Adventures of Carly Simon; Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones; Jim Morrison: Life, Death, Legend; Walk This Way: The Autobiography of Aerosmith; and others.