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Soraya M.’s husband, Ghorban-Ali, couldn’t afford to marry another woman. Rather than returning Soraya’s dowry, as custom required before taking a second wife, he plotted with four friends and a counterfeit mullah to dispose of her. Together, they accused Soraya of adultery. Her only crime was cooking for a friend’s widowed husband. Exhausted by a lifetime of abuse and hardship, Soraya said nothing, and the makeshift tribunal took her silence as a confession of guilt. They sentenced her to death by stoning: a punishment prohibited by Islam but widely practiced. Day by day—sometimes minute by minute—Sahebjam deftly recounts these horrendous events, tracing Soraya’s life with searing immediacy, from her arranged marriage and the births of her children to her husband’s increasing cruelty and her horrifying execution, where, by tradition, her father, husband, and sons hurled the first stones. A stark look at the intersection between culture and justice, this is one woman’s story, but it stands for the stories of thousands of women who suffered—and continue to suffer—the same fate. It is a story that must be told.
"Outback noir has a new star" MARK SANDERSON, The Times "Outback noir with the noir dialled right up. I loved it." CHRIS HAMMER A small town in outback Australia wakes to an appalling crime. A local schoolteacher is found taped to a tree and stoned to death. Suspicion instantly falls on the refugees at the new detention centre on Cobb's northern outskirts. Tensions are high, between whites and the local indigenous community, between immigrants and the townies. Detective Sergeant George Manolis returns to his childhood hometown to investigate. Within minutes of his arrival, it's clear that Cobb is not the same place he left. Once it thrived, but now it's a poor and derelict dusthole, with the local police chief it deserves. As Manolis negotiates his new colleagues' antagonism, and the simmering anger of a community destroyed by alcohol and drugs, the ghosts of his past begin to flicker to life. "Political crime fiction of the highest order" JOAN SMITH, The Sunday Times
A small outback town wakes to a savage murder. Molly Abbott, a popular teacher at the local school, is found taped to a tree and stoned to death. Suspicion falls on the refugees at the new detention centre on Cobb’s northern outskirts. Tensions are high between immigrants and some of the town’s residents. Detective Sergeant Georgios ‘George’ Manolis is despatched to his childhood hometown to investigate. His late father immigrated to Australia in the 1950s, where he was first housed at the detention centre’s predecessor — a migrant camp. He later ran the town’s only milk bar. Within minutes of George’s arrival, it is clear that Cobb is not the same place he left as a child. The town once thrived, but now it’s disturbingly poor and derelict, with the local police chief it seemingly deserves. As Manolis negotiates his new colleagues’ antagonism and the simmering anger of a community destroyed by alcohol and drugs, the ghosts of his own past flicker to life. His work is his calling, his centre, but now he finds many of the certainties of his life are crumbling. White skin, black skin, brown skin — everyone is a suspect in this tautly written novel that explores the nature of prejudice and keeps the reader guessing to the last. The Stoning is an atmospheric page-turner, a brilliant crime novel with superb characters, but also a nuanced and penetrating insight into the heart of a country intent on gambling with its soul. 'In the tradition of Sarah Thornton’s Lapse, Chris Hammer’s Scrublands and, of course, Jane Harper’s The Dry, The Stoning grips from its disturbing opening to its high-octane showdown. This book has everything Australian rural noir readers could want: suspicious townsfolk, searing heat and a flawed main character given a case bungled by local law enforcement that seems unlikely to hold up in court. Peter Papathanasiou’s debut novel is a bleak, harrowing look at small-town racism, hypocrisy and intolerance, and an altogether gripping read.' — Fiona Hardy, Books+Publishing ‘A struggling cop, long-buried secrets, a town gone awry—this is outback noir with the noir dialled right up. I loved it.’ — Chris Hammer, bestselling author of Scrublands ‘A crime novel with a difference; gritty and menacing with a terrific sense of place. A highly relevant examination of racism in an outback town.’ — Emma Viskic, author of the Caleb Zelic crime series ‘I was unable to put this book down—it’s utterly compelling. In George Manolis, you have a detective in the tradition of Chandler’s Marlowe, yet entirely right for the times in which we live now – he’s superbly written.’ — Wyl Menmuir, author of The Many, nominated for the 2016 Man Booker Prize
This book analyzes the story of Stephen, the first Christian martyr, both in terms of rhetorical fittingness, and Christian tradition concerning the significance of his dying forgiveness prayer. It questions the historicity of the account of his death, underscores Acts' rhetorical violence, and reads Acts against narratives of the martyrdom of James as a means to a richer history of early Jewish-Christian relations.
In Stoning the Keepers at the Gate, police psychologist Lawrence N.Blum, Ph.D.looks at the role of law enforcement in modern times and argues that, while bad cops need to be rooted out, blanket condemnation of the police threatens the very liberties that make such condemnation possible, as well as the safety of the American public in their homes and lives. Blum argues that the enormous stresses officers experience--from violent physical attack to unrewarded or miusunderstood acts of heroism--require special understanding, an understanding that is often missing from police departments themselves. Blum provides a unique insight into the dynamics, practices, and activities within police agencies that influence police officers' actions, and that often hide the real sources of police behaviors that are thought of as faulty, insensitive, or inappropriate. A passionate call not only for understanding but a reappraisal of whose actions are scrutinized within and outside of police agencies, police accountability, and the nature of policing itself in the twenty-first century. Stoning the Keepers at the Gate is a dynamic and fascinating analysis of the role of law enforcement today.
Colin, a professor of literature in the United Arab Emirates, is ignorant and interested only in pleasure, but a speaker of Arabic and an admirer of Arab culture, or is he? To his Arab wife, he is an orientalist who exoticizes and patronises the locals, unaware of his latent racism.
Recounts the Oklahoma State Representative's speech sharing some revelations about a homosexual political strategy and the aftermath of hate mail and media coverage.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY A blazingly funny, heartfelt memoir from the daughter of the larger-than-life woman who ran Sticky Fingers Brownies, an underground bakery that distributed thousands of marijuana brownies per month and helped provide medical marijuana to AIDS patients in San Francisco--for fans of Armistead Maupin and Patricia Lockwood During the '70s in San Francisco, Alia's mother ran the underground Sticky Fingers Brownies, delivering upwards of 10,000 illegal marijuana edibles per month throughout the circus-like atmosphere of a city in the throes of major change. She exchanged psychic readings with Alia's future father, and thereafter had a partner in business and life. Decades before cannabusiness went mainstream, when marijuana was as illicit as heroin, they ingeniously hid themselves in plain sight, parading through town--and through the scenes and upheavals of the day, from Gay Liberation to the tragedy of the Peoples Temple--in bright and elaborate outfits, the goods wrapped in hand-designed packaging and tucked into Alia's stroller. But the stars were not aligned forever and, after leaving the city and a shoulda-seen-it-coming divorce, Alia and her mom returned to San Francisco in the mid-80s, this time using Sticky Fingers' distribution channels to provide medical marijuana to friends and former customers now suffering the depredations of AIDS. Exhilarating, laugh-out-loud funny, and heartbreaking, Home Baked celebrates an eccentric and remarkable extended family, taking us through love, loss, and finding home.
Can't Find My Way Home is a history of illicit drug use in America in the second half of the twentieth century and a personal journey through the drug experience. It's the remarkable story of how America got high, the epic tale of how the American Century transformed into the Great Stoned Age. Martin Torgoff begins with the avant-garde worlds of bebop jazz and the emerging Beat writers, who embraced the consciousness-altering properties of marijuana and other underground drugs. These musicians and writers midwifed the age of marijuana in the 1960s even as Timothy Leary and Richard Alpert (later Ram Dass) discovered the power of LSD, ushering in the psychedelic era. While President John Kennedy proclaimed a New Frontier and NASA journeyed to the moon, millions of young Americans began discovering their own new frontiers on a voyage to inner space. What had been the province of a fringe avant-garde only a decade earlier became a mass movement that affected and altered mainstream America. And so America sped through the century, dropping acid and eating magic mushrooms at home, shooting heroin and ingesting amphetamines in Vietnam, snorting cocaine in the disco era, smoking crack cocaine in the devastated inner cities of the 1980s, discovering MDMA (Ecstasy) in the rave culture of the 1990s. Can't Find My Way Home tells this extraordinary story by weaving together first-person accounts and historical background into a narrative vast in scope yet rich in intimate detail. Among those who describe their experiments with consciousness are Allen Ginsberg, Timothy Leary, Robert Stone, Wavy Gravy, Grace Slick, Oliver Stone, Peter Coyote, David Crosby, and many others from Haight Ashbury to Studio 54 to housing projects and rave warehouses. But Can't Find My Way Home does not neglect the recovery movement, the war on drugs, and the ongoing debate over drug policy. And even as Martin Torgoff tells the story of his own addiction and recovery, he neither romanticizes nor demonizes drugs. If he finds them less dangerous than the moral crusaders say they are, he also finds them less benign than advocates insist. Illegal drugs changed the cultural landscape of America, and they continue to shape our country, with enormous consequences. This ambitious, fascinating book is the story of how that happened.
"One prescription isn't enough for two. A child soldier comes home. And Mary faces her last request. What if this was happening here? And what if these people were white? Stoning Mary by Debbie Tucker Green premiered at the Royal Court Theatre, London, before playing at the Drum Theatre, Plymouth."--BOOK JACKET.