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This is the first full-length biography of Robinson Jeffers. He wrote of impassioned people with a vigor and beauty of imagery almost unsurpassed by any other poet writing in English. His life and his development as a poet is ably chronicled by Melba Berry Bennett, who has had access to letters and documents not otherwise available. Her intimate friendship with Jeffers, his wife Una and his twin sons, Garth and Donnan, extended over the last thirty-five years of his life.
“The forgotten giant of American poetry . . . For those who would discover Jeffers . . . this is the place to start—and a place to return again and again.” —Tim Hunt, Washington State University Robinson Jeffers (1887-1962) is not only the greatest poet that the American West has produced but also a major poet of the twentieth century in the tradition of American prophetic poetry. This anthology serves as an introduction to Jeffers’s work for the general reader and for students in courses on American poetry. Jeffers composed each volume of his verse around one or two long narrative or dramatic poems. The Wild God of the World follows this practice: in it, Cawdor, one of Jeffers’s most powerful narratives, is surrounded by a representative selection of shorter poems. At the end of the book, the editor has provided revealing statements about Jeffers’s poetry and poetics, and about his philosophy of nature and human nature. “Of all the poets of his generation, [Robinson Jeffers] made our relation to this earth and sea and sky and wheeling seasons and the evolutionary processes that made trees and salmon runs and hunting hawks, his subject. As that relation grows more troubled, his words become more necessary. To have this beautifully edited and freshly seen anthology is a gift.” —Robert Hass, University of California, Berkeley
Una and Robinson Jeffers raised twin sons and built a house and granite tower, which is now an historical landmark in Carmel, California. At the end of his book-length poem, Iris, Mark Jarman describes that remarkable union and place as The house where pain and pleasure had turned to poetry and stone, and a family had been happy. Published in a small limited edition in 1939, and available only in private collections and rare book libraries until now, this new edition of Of Una Jeffers: A Memoir, includes new photographs, an index and a fascinating Introduction by the noted Jeffers scholar and author of Robinson Jeffers: Poet of California, James Karman.
The precipitous cliffs, rolling headlands, and rocky inlets of the Big Sur coast of California prompted Robinson Jeffers to extol their wild beauty throughout his long career as a poet. This extraordinary volume brings together Jeffers’s haunting poetry with magnificent photographs of Big Sur by his friend and neighbor, famed photographer Morley Baer.
A captivating exploration of the ever-evolving world of architecture and the untold stories buildings tell. When a building is finished being built, that isn’t the end of its story. More than any other human artifacts, buildings improve with time—if they’re allowed to. Buildings adapt by being constantly refined and reshaped by their occupants, and in that way, architects can become artists of time rather than simply artists of space. From the connected farmhouses of New England to I.M. Pei’s Media Lab, from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth—this is a far-ranging survey of unexplored essential territory. Discover how structures become living organisms, shaped by the people who inhabit them, and learn how architects can harness the power of time to create enduring works of art through the interconnected worlds of design, function, and human ingenuity.