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Excerpt from The Stone and Bronze Ages in Italy and Sicily For attempting to give to English readers an account of the prehistoric civilizations of Italy no apology can be needed: it has too long been the cry of our archaeologists that no such attempt has been made. For carrying out the task in a manner much less complete than might have been desired I can only plead that circumstances have required its completion within a short and limited time. Naturally a considerable part of the book consists in the presentation in an English form of work already done by Italian archaeologists. The appearance in the Bullettino di Paletnologia Italiana of Professor G. A. Colini's three magnificent brochures on the paleolithic, eneolithic and bronze ages respectively, marks a new era in the study of Italian prehistoric archaeology, and any later work on the same periods must in some sense be based upon them. I have therefore had not the slighest hesitation in adopting the main lines of Professor Colini's classification of the material of the three periods in question, at the same time making the necessary modifications required by later discoveries. The literature of the subject is very considerable and widely scattered. Those who require a short summary of the prehistoric periods in Italy will read Pigorini's article, Le pin antiche civilta dell' Italia. Those who are interested especially in the ethnological side of the question will find it fully dealt with in Modestov's book, and those who desire to see the material fully illustrated will consult Montelius's vast and, as yet, unfinished work. The lake-dwellings are well treated by Munro, though, owing to the rapid progress of discovery, some of his work is even now out of date. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This magnificent book presents 82 masterpieces of Greek vase painting and sculpture in terrocotta, stone, and bronze from the eight great museum collections of the South of Italy and Sicily. 170 colour illustrations