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The Stage Lives of Animals examines what it might mean to make theatre beyond the human. In this stunning collection of essays, Una Chaudhuri engages with the alternative modes of thinking, feeling, and making art offered by animals and animality, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to the study of theatre and performance. As our planet lives through what scientists call "the sixth extinction," and we become ever more aware of our relationships to other species, Chaudhuri takes a highly original look at the "animal imagination" of well-known plays, performances and creative projects, including works by: Caryl Churchill Rachel Rosenthal Marina Zurkow Edward Albee Tennesee Williams Eugene Ionesco Covering over a decade of explorations, a wide range of writers, and many urgent topics, this volume demonstrates that an interspecies imagination deeply structures modern western drama.
The Stage Lives of Animals examines what it might mean to make theatre beyond the human. In this stunning collection of essays, Una Chaudhuri engages with the alternative modes of thinking, feeling, and making art offered by animals and animality, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to the study of theatre and performance. As our planet lives through what scientists call "the sixth extinction," and we become ever more aware of our relationships to other species, Chaudhuri takes a highly original look at the "animal imagination" of well-known plays, performances and creative projects, including works by: Caryl Churchill Rachel Rosenthal Marina Zurkow Edward Albee Tennesee Williams Eugene Ionesco Covering over a decade of explorations, a wide range of writers, and many urgent topics, this volume demonstrates that an interspecies imagination deeply structures modern western drama.
Introduction -- (De)facing the animals: zooësis and performance -- Animal rites: performing beyond the human -- Animal geographies: zooësis and the space of modern drama -- "Awk!": extremity, animality, and the aesthetic of awkwardness in Tennessee Williams's The Gnädiges Fräulein -- Zoo stories: boundary work in theater history -- Animalizing interlude: zoöpolis. Becoming rhinoceros: therio-theatricality as problem and promise in western drama -- Bug bytes: insects, information, and interspecies theatricality -- The silence of the polar bears: performing (climate) change in the theater of species -- Queering the green man, reframing the garden: Marina Zurkow's Mesocosm (Northumberland UK) and the theater of species -- War horses and dead tigers: embattled animals in a theater of species -- Interspecies diplomacy in anthropocenic waters: performing an ocean oriented ontology.
Through a series of case studies, this book explores the role of live animals on the stage, from the early modern era to the present time. The contributors deal with visual and textual representations of performing animals; typologies of animals in the theatre; the hybridization of the drama with the circus, the zoo, and the cinema; as well as the semiotic transfer of animal roles from the text to the stage. The focus lies on the changing historical fortunes of the four-footed actor and on exploring the ways that attitudes to the animal affect their dramatic representations – within aesthetic contexts but also in their dramatized scientific use. Exploring snapshots of acting animals from their earliest manifestation on the early modern stage, the chapters contextualize and theorize particular uses of the animal actor, and key into current debates on the cutting edge of animal performance studies. While seeking to consider how these theoretical perspectives were formed, the collection delves into the multiple ways through which the animal presence problematizes the practice of theatricality. This book was originally published as a special issue of Studies in Theatre and Performance.
Encounters between the species in an anthology of lively solo performances and commentary
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor and audience come face to face in a strangely compromised and alienated intimacy - arguing that the modern theatre has become a place where we entertain ourselves by experimenting with our feelings about work, social relations and about feelings themselves.
Scientific experiments using animals have contributed significantly to the improvement of human health. Animal experiments were crucial to the conquest of polio, for example, and they will undoubtedly be one of the keystones in AIDS research. However, some persons believe that the cost to the animals is often high. Authored by a committee of experts from various fields, this book discusses the benefits that have resulted from animal research, the scope of animal research today, the concerns of advocates of animal welfare, and the prospects for finding alternatives to animal use. The authors conclude with specific recommendations for more consistent government action.
From the New York Times bestselling author of The Hidden Life of Trees, an eye-opening exploration of the extraordinary range of emotions animals experience.
A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.