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--- Be careful what you wish for. --- Annie is trapped in a life of slavery as a scullery maid. Her world gets turned on its head when she becomes the groom of Coal, the most devilishly handsome man she's ever seen. She couldn't help but fall for his charm even though he never spoke a word, and was kept at the mansion as a human horse. She was there for him when he was upset, she was there for him when he wanted to play, and she was even there for him when his stud libido needed taming. Now, Coal is leaving, after a year in service as a stallion, and Annie's heart is breaking. If he is to go, she wants one last chance at truly connecting with Coal. What she doesn't expect though is that after a night of passion, Coal comes back for her, and as Dante, buys her from her former master. She'd always imagined the life Coal led as a comfortable existence, but it is when she becomes Dante's mare that she realizes there is much more to being a pony than she thought. With Dante being Annie's new master, she is thrust into a debauched world she never imagined existed, but she isn't sure anymore if being his mare is what she truly wants. All she knows is that she wants her beloved stallion Coal back. POSSIBLE SPOILERS: Themes: Pony-play, theatre, steampunk, post-apocalyptic world, hurt/comfort, abuse Genre: fetish erotic romance, dark, alternative history, BDSM Length: 50,000 words (Standalone novel, no cliffhanger.) WARNING: The Stablegirl is a kinky erotic tale with themes of fetish and pony-play, strong language and violence. Reader discretion advised.
Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance. Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.
Drew isn't into BDSM and doesn't get off on calling anyone "Master." So he doesn't know why he lets his friend Sean talk him into attending a weekend affair hosted by a local bondage group. When he finds out it's a pony play weekend, Drew doesn't think things can get much worse. But they do -- his insolent manner once outfitted turns a harsh trainer on him. Salvation comes at the hands of a gentle man named Phillip, who leads the abused Drew to a quiet stables and shows him just how erotic succumbing to a master can be.
This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
From Nausicaä to Sailor Moon, understanding girl heroines of manga and anime within otaku culture.
John Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.
Meet Jenny. She's rich, spoiled, rude and obnoxious. She's also just been signed up for the BDSM ride of her life--without her consent. An intensive training course at the Albrecht Stables is not what it appears to be and training to become a human pony was not on Jenny's to-do list. The trouble is, how do you escape when you're tied up, gagged and constantly sexually aroused?
Who will have the pleasure of training Petal? By rights, the honour should go to Mark Matthews, but the cowboy has other plans. The matter is not settled until the stable owner is brought into the fray. It is to be a monumental first week for Albrecht's newest trainee. The pony girl will have two days to find a way of coping with her new latex bodysuit and the rigorous buzzing and pumping of the never-ending 'device' which torments her every waking moment. She will then find herself shipped off as a sex slave, chained and caged, to the mysterious high-bidder from the auction. It doesn't take Petal long to realise that her chances of escaping from Albrecht are slim at best, but her defiant nature won't let her give up hope just yet. There is a way out for her, but she may have to give up more than her sanity in order to achieve it.
At twenty-seven, Annabelle Cleaver finds herself sitting in a lawyer's office, listening to the last will and testament of the only relative she's ever loved being read. Stuck in the small Oklahoma town she always had every intention of leaving, she has no idea what comes next. When her sexy high school crush, Wyatt Holloway, returns to town and asks her for a job on her farm, her simple life becomes more complicated than she ever imagined. Wyatt Holloway returned from three tours overseas in the army a broken man. He'd seen and done things that haunt his days and nights. When he discovers Annabelle Cleaver, the beautiful but quirky girl from high school, needs help on her family farm after the passing of her crazy grandma, he finds himself inexplicably drawn to the woman who'd always held his interest. Ten years later, the unspoken spark that existed as teenagers still remains. The question is, will it produce fireworks or a dying flame?