Download Free The Square Dance Book in PDF and EPUB Free Download. You can read online The Square Dance and write the review.

"Square dancing is friendship set to music," says author Betty Casey. Just take four couples, old or young, put 'em on a good floor, turn on the music, and you're all set. Whether you've done it before or you're just starting out, this book tells you everything you need to know--85 basic movements used all over the world, the spirited calls unique to square dancing, the costumes and equipment that are best, and music (from "Red River Valley" to "Mack the Knife") that will set your feet in motion. Down-to-earth details and anecdotes give a taste of the good times in store for you. Find out how native folk dances grew out of European quadrilles, jigs, and fandangos. Open this book and get ready to: "wipe off your tie, pull down your vest, and dance with the one you love best." This book includes: 50 basic movements, 35 advanced movements, variations, dances that are a part of the American heritage, Contra and Round Dances, polkas and reels, and calls, past and present.
This comprehensive guide to traditional style square and contra dancing, sometimes referred to as "country dancing," covers both music and style and gives background information on various dance types and calling techniques. Ninety dances, presented in chapters according to type (mixers, progressive circles, contra, Southern mountain style, squares and others), in a wide variety of formations are described with drawings and diagrams for many of the movements. A glossary of terms, a directory of addresses (organizations; vendors of books, recordings and audio equipment; and dance camps), and an annotated discography and bibliography are also provided.
While there have been countless fun books written on square dancing, Squaredance Fundamentals was the first to cut to the chase. There is no interesting history of square dancing, there are no entertaining anecdotes, just the nuts and bolts of how to square dance. The author worked painstakingly with the graphic artist to execute a feat never achieved before in a square dance manual. Revolutionary illustrations show the dancer's point of view, not just the spectators' viewpoint. Dancers can, without turning on their heads, glean from the detailed illustrations exactly what they need to be doing with their hands, feet, etc. Each dancer can effortlessly grasp the material and easily retain it. Renown master caller/teacher, Marshall Flippo, assiduously assisted the author in establishing the very first guidelines for standardized "Basic Maneuvers" which would enable square dancers to dance gracefully with any group, anywhere. This was a true innovation in square dancing not yet available in the late 1960's. Marshall also painstakingly edited this first-of-its-kind book, twice! - to be sure it met the highest standards of accuracy and ease of understanding for square dancing neophytes. One of the greatest merits of this book is its logical continuity, which can be a tremendous aid to both the caller/teacher and the student, regardless of how it is used. New dancers, taking lessons, can go home and review what they have learned in class and prepare for the next, significantly shortening the learning curve. Although a few changes in the names of the calls have been made through the years, it is a simple task to merely write in the current name for the square dance call according to your instructor. But no one shows you better how to execute the maneuvers than John W. Jones with his super simplified instructions and state-of-the-art illustrations in Squaredance Fundamentals - the gold standard for over 37 years.
The Great Depression is a part of real history that really did happen. In 1929 was when it was really bad. People were hungry there were no jobs and no money. I was born the 1929 and the depression went all through the twenties and thirties and into the early forties; but times were getting bad. The depression was taking its toll on everything and everyone. A little money went a long way, but there was no money and to top everything off the stock market fell and everyone lost their money in the stock market, the banks closed their doors, no one could bet their money out. My father had a friend that lost all of his money in the bank in 1929. If you didn't live in this time of history you can't imagine what life was like. I watched my father walk 4miles to work in a rock quarry carrying his lunch box then walk home after sledging rock all day. My mother raised a vegetable garden and canned a lot of food so we would have food for the winter. This is just a preview. Now, how did I come up with the name of my book? The Great Depression Put to Music, Song and Dance. My father played violin and mother played piano - Music My sister and I sang - Song I grew up to teach dance - Dance
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
This two-volume set (CCIS 1137 and CCIS 1138) constitutes the proceedings of the Third International Conference on Cyberspace Data and Intelligence, Cyber DI 2019, and the International Conference on Cyber-Living, Cyber-Syndrome, and Cyber-Health, CyberLife 2019, held under the umbrella of the 2019 Cyberspace Congress, held in Beijing, China, in December 2019. The 64 full papers presented together with 18 short papers were carefully reviewed and selected from 160 submissions. The papers are grouped in the following topics: Cyber Data, Information and Knowledge; Cyber and Cyber-enabled Intelligence; Communication and Computing; Cyber Philosophy, Cyberlogic and Cyber Science; and Cyber Health and Smart Healthcare.
In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region. Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity. Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.