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DigiCat Publishing presents to you this special edition of "The Spy Who Loved Me" by Ian Fleming. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This carefully crafted ebook: "THE SPY WHO LOVED ME (The Ultimate James Bond Classic)" is formatted for your eReader with a functional and detailed table of contents. Excerpt: "I was running away. I was running away from England, from my childhood, from the winter, from a sequence of untidy, unattractive love-affairs, from the few sticks of furniture and jumble of overworn clothes that my London life had collected around me; and I was running away from drabness, fustiness, snobbery, the claustrophobia of close horizons and from my inability . . ." "The Spy Who Loved Me" is the most sexually explicit of Fleming's novels, as well as a clear departure from previous Bond novels in that the story is told in the first person by a young Canadian woman, Vivienne Michel. Bond himself does not appear until two thirds of the way through the book. Fleming wrote a prologue to the novel giving Michel credit as a co-author. A must read for all Bond aficionados . . . Ian Lancaster Fleming (1908–1964) was an English author, journalist and naval intelligence officer who is best known for his James Bond series of spy novels. James Bond is a British Secret Service agent and often referred to by his code name, 007.
Pham Xuan An was a brilliant journalist and an even better spy. A friend to all the legendary reporters who covered the Vietnam War, he was an invaluable source of news and a font of wisdom on all things Vietnamese. At the same time, he was a masterful double agent. An inspired shape-shifter who kept his cover in place until the day he died, Pham Xuan An ranks as one of the preeminent spies of the twentieth century. When Thomas A. Bass set out to write the story of An’s remarkable career for The New Yorker, fresh revelations arrived daily during their freewheeling conversations, which began in 1992. But a good spy is always at work, and it was not until An’s death in 2006 that Bass was able to lift the veil from his carefully guarded story to offer up this fascinating portrait of a hidden life. A masterful history that reads like a John le Carré thriller, The Spy Who Loved Us offers a vivid portrait of journalists and spies at war.
He'd be a terrible spy. But he might make a good husband. Call him Teague. Finn Teague. A jack-of-all-trades, he's been everything from ski instructor to cook, but he's always craved a job that wouldn't bore the living daylights out of him. He longs to be a shaken-not-stirred kind of guy but knows it'll never happen. Currently a lawyer, Double-Oh-No spends most of his time in his L.A. apartment, ogling his two gorgeous neighbors -- a view to a thrill -- and fantasizing that he's a secret agent. Amber Robinson, an elite operative for a top-secret government agency, is tracking a suspected terrorist's mistress. Her hunky neighbor Finn seems to be doing the same and Amber suspects he's a spy -- just a very, very bad one. Setting out to seduce him and crack his secret identity (yes, she has the best job ever) Amber unwittingly takes Finn on a passion-filled, high-stakes adventure that'll teach him to never say never again. USA Today bestselling author Julie Kenner presents a hilarious and sexy spy caper full of intoxicating, for-your-eyes-only romance!
Shanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present.
(Limelight). Of the 19 James Bond movies released so far, which, considering everything, is the best? Which of the villains 007 has confronted was the nastiest? With which of his women did he have the sexiest encounters? These and scores of other such vital questions are answered by Bond's ultimate fan, Michael Di Leo, in The Spy Who Thrilled Us . Other fans and they number in the millions may disagree with his choices, but they will surely be eager to match wits with him.
Christopher Wood segued from being the author of Confessions of a Window Cleaner to writing the screenplays for The Spy Who Loved Me and Moonraker, two of the most successful James Bond movies ever made. Here he recounts his adventures in the wonderful world of 007.
Modern Bond retrospectives lazily tend to almost completely dismiss Roger Moore's tenure as James Bond. He is frequently called the 'worst' Bond and his movies are dismissed as Carry On style romps. Roger would even make light of this himself. The truth is though that Roger was a great Bond. Sure, he maybe made a couple of films too many and the comedic elements of his films sometimes got out of hand but the Roger Moore years constitute the most fun era of Bond. If you sit down and watch one of Roger's Bond films you are guaranteed to have a good time. Roger Moore's Bond is Christmas Day afternoon. John Barry, Ken Adam, Lewis Gilbert, Carly Simon, crazy stunts, quips, Caroline Munro in a helicopter, underwater bases, Jaws, Jane Seymour, the Lotus, parachutes, jet planes, space battles, crocodiles, ski chases, casinos, tuxedos, double-entendres. The Roger Moore era of Bond wasn't terrible or embarrassing. It was fantastic! In the book that follows we shall take a deep dive into the Roger Moore era of Bond and explore his tenure from start to finish. We'll assess the strengths and weaknesses of both Roger's Bond and his films but most of all this book is a celebration of Roger Moore's James Bond and the years he spent suavely karate chopping baddies in a selection of safari suits and cream flares. Roger's amazing contribution to the Bond franchise is far too often derided and mocked these days. This book will hopefully serve as an entertaining and robust defence of Roger Moore and his incarnation of James Bond.
A Spy Like Me is Book 1 of the Circle of Spies Series! Games can be deadly. Eighteen-year-old Savvy Bent expects fireworks on her first date with Malcolm - in Paris! Except over a picnic of sparkling cider and strawberry tarts, a sniper shoots at them. That’s only the beginning. From the top of the Eiffel Tower to the depths of the catacombs, Savvy must sneak, deceive, and spy to save her family and friends and figure out whether Malcolm is one of the bad guys before she completely falls for him. free, freebie, romantic suspense, women sleuths, espionage, mystery, teen, Paris
Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the 'look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational 'James Bond lifestyle'. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.