Download Free The Splendour Of Modernity Book in PDF and EPUB Free Download. You can read online The Splendour Of Modernity and write the review.

Design authority Wendy Moonan takes the reader on a tour of some of New York City's finest residential rooms--past and present. The selection of interiors is about the "wow" factor--New York residential spaces that elicit gasps of pleasure and surprise when first seen. Some are very grand, others sparingly modern or eclectic. All are exceptional and, Moonan promises, unforgettable. Groundbreaking rooms include Brooke Astor's elegant library by Albert Hadley; Gloria Vanderbilt's sublime patchwork bedroom; Donald Judd's dramatically spare art-filled loft; Adolfo's opulent and magnificently red entrance hall; a Peter Marino-designed penthouse with sweeping midtown views; and Jamie Drake's stunning dining room for the mayor's residence, Gracie Mansion. Other illustrious interior designers and architects represented in the book include Mario Buatta, Robert Couturier, Albert Hadley, Denning & Fourcade, Mark Hampton, Philip Johnson, Charlotte Moss, Thomas O'Brien, Paul Rudolph, Bunny Williams, and Steven Gambrel. New York is the epicenter of interior-design innovations. Residents embrace myriad styles--from pure period historicism to bracing modernity. Moonan investigates the city's best residential spaces and presents them here, a book for the libraries of design lovers and professionals in the field.
The writings in this collection reflect some of the most innovative and influential work by Japanese intellectuals and cover a range of disciplines addressing the political, historical and cultural issues that have dominated Japanese intellectual life.
In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.
A study of the distinctive brand of modernism that emerged in late 19th century Germany, illustrating through a series of analyses of key buildings and urban spaces how bourgeios modernism shaped the infrastructure of social and political life in the early twentieth century and transformed German cities.
Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors—from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valery, Djuna Barnes, and Adorno— he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity.
As a historian of the Renaissance and the rise of Christianity, Burckhardt was concerned with periods of social, political, and cultural transformation. Writing in the aftermath of the 1848 Revolutions and in the long shadow cast by the French Revolution of 1789, he observed the rise of industrial capitalism and mass politics with trepidation. He especially lamented the fate of the individual, whose creativity had shaped the glories of the Renaissance and ancient Greece but who was increasingly domesticated and commodified in modern society. Unlike conventional accounts, which characterize him as an apolitical aesthete, Hinde shows us that Burckhardt was as a thinker of profound importance whose conservative anti-modernism ranks him with his colleague Friedrich Nietzsche.
After spending many years in a religious order, Dominic Kirkham describes how he was driven to meet the challenge of modern thinking, an exercise that has proved both freeing and frightening. He says this has been “something of a personal odyssey, which now spans a lifetime of over six decades and is still ongoing.” He adds that “the presumption of the book is that this is of more than personal interest because the subject matter affects everyone; my personal journey will no doubt reflect that of many others.” In a broad sweep from Neolithic times to the twenty-first century, he considers our human quest for meaning and a good life, and how we can engage in it today.
This collection of essays highlights ethical issues in social work which are often overlooked as well as recurring clashes that influence how they play out, for example among different values and related moral judgements. A wide range of ethical issues are addressed such as the types of technologies incorporated into social work; issues raised by the common position of social workers as 'double agents' required to carry out state mandates while also honoring obligations to clients; and issues concerning the distribution of scarce resources. These topics are integrally related to other often neglected concerns such as harming in the name of helping; the ethics of claims making regarding what is true and what is not, and related concerns regarding empowerment and social justice. This collection, which includes essays from an array of professions and disciplines, is designed to bring these neglected topics to the attention of readers and to offer suggestions for addressing them in a manner that is faithful to obligations described in social work codes of ethics.
Argues that eighteenth-century literature defined itself as 'English' and 'modern' by engaging with debates about Chinese history and culture.
Robert Michels (1876-1936) is best known for his 1911 book Political Parties, which is still a standard reference in political science debates. Michels' work sought to prove an "iron law of oligarchy" that governs the organisational evolution of democratic political parties. The work was closely informed by Michels' engagement with the German Social Democratic Party in the early 1900s, his involvement in radical politics in France and Italy in this period, and by his interest in a range of intellectual and social movements - including feminism, nationalism, racial theory, and the emerging disciplines of sociology and political science. Using archival and printed sources hitherto overlooked in work on Michels, this new study contests previous arguments which have sought to explain Michels as a disillusioned adherent of ideas of direct democracy or as an extremist moving from revolutionary syndicalism to fascism. The biographical and intellectual influences on Michels are shown to be more complex, and more transnational, than such schematic explanations have allowed. Andrew Bonnell sheds new light on Michels' relationship with the German Social Democratic Party and on his understanding of his own role as an intellectual in a workers' party. Bonnell also analyses Michels' problematical relationship with revolutionary syndicalism in France and Italy. Michels was connected to a possibly uniquely diverse network of intellectual and political contacts in pre-1914 Europe. This transnational intellectual history illuminates the intellectual worlds in which Michels moved and presents a new interpretation of his shift from the radical left of the spectrum to Italian fascism, an intellectual itinerary which has intrigued many historians.