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The New Orleans Spiritual Churches constitute a distinctive African American belief system. Influenced by Catholicism, Pentecostalism, Spiritualism, and Voodoo, the group is a New World syncretic faith, similar to Espiritismo, Santeria, and Umbanda. In The Spiritual Churches of New Orleans, Claude Jacobs and Andrew Kaslow combine a historical account of the emergence of this religion with careful ethnographic description of current congregations. Complementing their text with striking photographs, the authors convey the ecstasy at the heart of the Spiritual experience. Copyright © Libri GmbH. All rights reserved.
At the core of African American religion’s response to social inequalities has been a symbiotic relationship between socio-political activism and spiritual restoration. Drawing on archival material and ethnographic fieldwork with African American Spiritual Churches in the USA, this book examines how their spiritual and social work can shed light on the interplay between corporate activism and individual spirituality. This book traces the development of this "politico-spiritual" approach to injustice from the beginning of the twentieth century through the opening decade of the twenty-first century, using the work of African American Spiritual Churches as a lens through which to observe its progression. Addressing subjects such as spiritual healing, support of the homeless, gender equality and the aftermath of hurricane Katrina, it demonstrates that these communities are clearly motivated by the dual concerns of the soul and the community. This study diversifies our understanding of the African American religious landscape, highlighting an approach to social injustice that conjoins both political and spiritual transformations. As such, it will be of significant interest to scholars of religious studies, African American studies and politics.
The racialized and exoticized cult of Voodoo occupies a central place in the popular image of the Crescent City. But as Kodi A. Roberts argues in Voodoo and Power, the religion was not a monolithic tradition handed down from African ancestors to their American-born descendants. Instead, a much more complicated patchwork of influences created New Orleans Voodoo, allowing it to move across boundaries of race, class, and gender. By employing late nineteenth and early twentieth-century first-hand accounts of Voodoo practitioners and their rituals, Roberts provides a nuanced understanding of who practiced Voodoo and why. Voodoo in New Orleans, a melange of religion, entrepreneurship, and business networks, stretched across the color line in intriguing ways. Roberts's analysis demonstrates that what united professional practitioners, or "workers," with those who sought their services was not a racially uniform folk culture, but rather the power and influence that Voodoo promised. Recognizing that social immobility proved a common barrier for their patrons, workers claimed that their rituals could overcome racial and gendered disadvantages and create new opportunities for their clients. Voodoo rituals and institutions also drew inspiration from the surrounding milieu, including the privations of the Great Depression, the city's complex racial history, and the free-market economy. Money, employment, and business became central concerns for the religion's practitioners: to validate their work, some began operating from recently organized "Spiritual Churches," entities that were tax exempt and thus legitimate in the eyes of the state of Louisiana. Practitioners even leveraged local figures like the mythohistoric Marie Laveau for spiritual purposes and entrepreneurial gain. All the while, they contributed to the cultural legacy that fueled New Orleans's tourist industry and drew visitors and their money to the Crescent City.
Modern American Spiritualism blossomed in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Creole Faubourgs of Tremé and Marigny as well as the American sector of the city. Melissa Daggett focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey (1831-1894), a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has so far remained largely in the shadows of New Orleans history, partly due to a language barrier. Spiritualism in Nineteenth-Century New Orleans focuses on the turbulent years between the late antebellum period and the end of Reconstruction. Translating and interpreting numerous primary sources and one of the only surviving registers of séance proceedings, Daggett has opened a window into a fascinating life as well as a period of tumult and change. She provides unparalleled insights into the history of the Creoles of color and renders a better understanding of New Orleans's complex history. The author weaves an intriguing tale of the supernatural, of chaotic post-bellum politics, of transatlantic linkages, and of the personal triumphs and tragedies of Rey as a notable citizen and medium. Wonderful illustrations, reproductions of the original spiritual communications, and photographs, many of which have never before appeared in published form, accompany this study of Rey and his world.
Arranged alphabetically from "Alice of Dunk's Ferry" to "Jean Childs Young," this volume profiles 312 Black American women who have achieved national or international prominence.
Tracing two thousand years of female leadership, influence, and participation, Elizabeth Gillan Muir examines the various positions women have filled in the church. From the earliest female apostle, and the little known stories of the two Marys - the Virgin Mary and Mary Magdalene - to the enlightened duties espoused by the nun, the abbess, and the anchorite, and the persecutions of female "witches," Muir uncovers the rich and often tumultuous relationship between women and Christianity. Offering broad coverage of both the Catholic and Protestant traditions and extending geographically well beyond North America, A Women's History of the Christian Church presents a chronological account of how women developed new sects and new churches, such as the Quakers and Christian Science. The book includes a timeline of women in Christian history, over 25 black-and-white illustrations, a glossary, and a list of primary and secondary sources to complement the content in each chapter.
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Spiritual churches in the United States represent one of several religious movements that African Americans have adopted in their efforts to cope with mainstream society. In this groundbreaking work, first published in 1984, Hans A. Baer explores the richness and creativity of Black Spiritualism, setting forth an illuminating ethnography of the movement that corrects numerous stereotypes of African American religion. Baer shows that the Spiritual churches blend diverse elements, borrowing aspects of African American Protestantism, American Spiritualism, Roman Catholicism, Voodoo, and black ethno-medicine, occasionally even including aspects of Islam, Judaism, New Thought, and Ethiopianism. He describes not only the history, structure, ideology, and practices of the churches but also the process of syncretism within them and their role within the African American community. In addition, Baer examines how the Spiritual movement juxtaposes elements of protest and accommodation to racism and class stratification in U.S. society This second edition includes a new preface and a new epilogue in which Baer discusses his methodology in researching the Black Spiritual Movement, describes his meetings with pastors and congregation members, and summarizes his most recent research in the field.
"Marking the first study to take the Louisiana Purchase as the focal point for considering development of American religious history, this collection of essays takes up the religious history of the region including perspectives from New Orleans and the Caribbean and the roots of Pentecostalism and Vodou"-- Provided by publisher.