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A poetry debut that’s “a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively” (Henri Cole). Luminous and electric from the first line to the last, Allison Adair’s debut collection navigates the ever-shifting poles of violence and vulnerability with a singular incisiveness and a rich imagination. The women in these poems live in places that have been excavated for gold and precious ores, and they understand the nature of being hollowed out. From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, “What if this time instead of crumbs the girl drops / teeth, her own, what else does she have”? The Clearing knows the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark beauty in this work, and Adair is a skilled stenographer of the silences around which we orbit. Described by Henri Cole as “haunting and dirt caked,” her unromantic poems of girlhood, nature, and family linger with an uncommon, unsettling resonance. Winner of the 2019 Max Ritvo Poetry Prize Praise for The Clearing “A dark and bodily nod to folk- and fairy-tale energy.” —Boston Globe “The poems in Adair’s debut draw on folklore and the animal world to assert feminist viewpoints and mortal terror in lush musical lines, as when “A fat speckled spider sharpens / in the shoe of someone you need.” —New York Times Book Review, “New & Noteworthy Poetry” “Like Grimms’ fairy tales, Adair’s poems are dark without being bleak, hopeless, or disturbing. Readers will find the collections lush language and provocative imagery powerfully resonant.” —Publishers Weekly (Starred Review)
A story of faith and fraud in post-Civil War America told through the lens of a photographer who claimed he could capture images of the dead
(Limited Collector's Edition - 150) This is an art book: oil paintings with accompanying scripture verses presented as a 365 daily devotional.The Spirit and the Brush is a collection of 124 paintings, along with several drawings, created over the past decade. They are arranged to guide the reader through a year of contemplation that echoes nature's life cycles: Spring's revival, birth, and joy; Summer's celebration and whimsy; Autumn's color, abundance, and bounty; and Winter's sleepy embrace encouraging rest and solace in the stark and beautiful landscape.Each image pairs with three scriptures (one per calendar day, leap year excluded). Guided by my daily contemplations and prayers, the scriptures are determined once a piece is completed. The selected passages embody the emotional and thematic direction of the work with the intention of bringing a deeper meaning of context and contemplation to the visual experience. Selected works meet three criteria: an intimate connection with a place I've been and an experience I had; an aesthetic level that I am at peace with; and a strong emotional context. Landscapes are interspersed with still lifes-often created during the cold of winter-that have a direct correlation to the bounty of the scene. I encourage you to find a quiet place of respite each day and ponder the images, consider the passages, and find your own connection to God's Word and His creations.Whether artist, lover of art, lover of the landscape, person of prayer or curious seeker, I hope you find peace and love when opening the book. I pray my efforts humbly point to God.... with Humility comes Wisdom.Proverbs 11:2
This impressive 12 x 12 book of 184 stunning color portraits and text by award-winning documentary photographer Alison Wright with a foreword by Pico Iyer, is a testament to the connectedness of the universal human spirit. Warmth, dignity and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. From Asia to Africa, to the Middle East and back, this book celebrates the tapestry of humanity in all its diversity and splendor.
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.
The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates.
Paul's letter to the Philippians provides a definition of the true Christian temperament that focuses, not so much on the essential elements of a holy character, but the finer qualities of those elements. There is a secret to such a life, says Simpson. It is "a single-hearted devotion to Jesus Christ. Not mere love, but devoted love. Not mere consecration, but entire consecration. Not just living for Christ, but living for Christ alone."
A charlatan is haunted by sinister secrets and spirits from his past in this Gothic novel of the Reconstruction Era. Boston, 1870. Photographer Edward Moody has gained fame and fortune capturing the images of spirits in his photo portraits. He lures grieving widows and mourning mothers into his studio with promises of catching the ghosts of their deceased loved ones with his camera. But his elaborate hoax is about to yield shocking results . . . While attempting to capture the spirit of an abolitionist senator’s young son, a different spectral figure develops before Moody’s eyes. The camera has seemingly captured the spirit of a beautiful young woman from Moody’s past—the daughter of an escaped slave he knew long ago. He immediately sets out for the Louisiana bayou to resolve their unfinished business?and perhaps save his soul . . .