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“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
This best-seller reveals the secrets of capturing the essence of a scene using abstract techniques, from pouring inks and adding opaque lines to using crinkled wax paper as resists and collaging paintings together.
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
(Limited Collector's Edition - 150) This is an art book: oil paintings with accompanying scripture verses presented as a 365 daily devotional.The Spirit and the Brush is a collection of 124 paintings, along with several drawings, created over the past decade. They are arranged to guide the reader through a year of contemplation that echoes nature's life cycles: Spring's revival, birth, and joy; Summer's celebration and whimsy; Autumn's color, abundance, and bounty; and Winter's sleepy embrace encouraging rest and solace in the stark and beautiful landscape.Each image pairs with three scriptures (one per calendar day, leap year excluded). Guided by my daily contemplations and prayers, the scriptures are determined once a piece is completed. The selected passages embody the emotional and thematic direction of the work with the intention of bringing a deeper meaning of context and contemplation to the visual experience. Selected works meet three criteria: an intimate connection with a place I've been and an experience I had; an aesthetic level that I am at peace with; and a strong emotional context. Landscapes are interspersed with still lifes-often created during the cold of winter-that have a direct correlation to the bounty of the scene. I encourage you to find a quiet place of respite each day and ponder the images, consider the passages, and find your own connection to God's Word and His creations.Whether artist, lover of art, lover of the landscape, person of prayer or curious seeker, I hope you find peace and love when opening the book. I pray my efforts humbly point to God.... with Humility comes Wisdom.Proverbs 11:2
Peter Paul Rubens was the most inventive and prolific northern European artist of his age. This book discusses his life and work in relation to three interrelated themes: spirit, ingenuity, and genius. It argues that Rubens and his reception were pivotal in the transformation of early modern ingenuity into Romantic genius. Ranging across the artist’s entire career, it explores Rubens’s engagement with these themes in his art and life. Alexander Marr looks at Rubens’s forays into altarpiece painting in Italy as well as his collaborations with fellow artists in his hometown of Antwerp, and his complex relationship with the spirit of pleasure. It concludes with his late landscapes in connection to genius loci, the spirit of the place.
The book is the first full-length study of the seminal exhibition "A New Spirit in Painting," which took place at the Royal Academy of Arts, London in 1981. The exhibition has been overlooked in the literature about contemporary art. The book aims to correct this omission by showing how the exhibition captured issues that brought together several key trajectories in the history of painting, which are still reverberating today. It starts in the context of the contemporary developments in art spanning from the 1950s to the 1970s and reassesses the art historical significance of "A New Spirit in Painting." The essay is accompanied by a series of interviews the author conducted with artists, curators and gallerists who were, more or less directly, linked to the exhibition (Georg Baselitz, Markus Lüpertz, Rainer Fetting, Norman Rosenthal, Jean-Louis Froment, Tim Marlow, Michael Werner, Thaddaeus Ropac)
More than anything Spirit Art is a manual that gives guidance into how art and mediumship work together and what they can do for the individual. Alan Stuttle was already a widely respected artist when, at the age of 50, he became a practitioner and advocate of spirit art. This short book provides a powerful insight into what Alan has learned through 25 years of practising the medium
Catalogues Cai Guo-Qiang's recent exhibition at the Prado, the first in over thirty years to focus solely on his painting, and the first time that an artist had created on-site at the Prado. It explores Cai Guo-Qiang's ongoing dialogue with El Greco and the way he established a relationship with the great masters represented in the Prado. It reproduces nearly thirty paintings made with gunpowder, eight of which were ignited on-site at the Salón de Reinos. It also features an oil and an acrylic created at the start of his activities as a painter; and various sketches and drawings on matchboxes by his father, Cai Ruiqin, who steered him towards painting. The catalogue includes texts and essays by Miguel Zugaza, Alejandro Vergara, Kosme Barañano and Cai Guo-Qiang himself, in which he reflects on his life and artistic career and on the principles and concerns that have governed the evolution of his work.
"The spiritual in contemporary art is everywhere evident, yet rarely examined in scholarly research. Encountering the Spiritual in Contemporary Art addresses the subject in depth for the first time since Maurice Tuchman's seminal 1986 The Spiritual in Art: Abstract Painting 1890-1985. It significantly broadens the scope of previous scholarship to include new media and non-Western and Indigenous art in addition to that of the West. Encountering the Spiritual presents art from diverse cultures with equal status, promotes its cultural specificity, and moves beyond previous notions of "center and periphery," celebrating the plurality and global nature of contemporary art today. This unprecedented book--a valuable reference for years to come--integrates different ways of exploring the spiritual in art. Essays based on cultural affinities are rhythmically interspersed with thematic categories. These themes demonstrate greater diversity and hybridity of artists' sources of inspiration and their emphasis on art-making as spiritual process. Finally, selected artists' statements further expand the knowledge of an academic and general audience"--