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1000-piece jigsaw puzzle of an iconic New York illustration, inspired by classic Batsford book covers of the 1930s and '40s. Immerse yourself in a wonderfully colorful vision of New York. This bright and brilliant illustration of a picturesque New York scene, overlooking Central Park with the iconic skyline and the Statue of Liberty in the background, is inspired by Batsford’s vintage Brian Cook book covers, first published in the 1930s and still hugely popular today. This gorgeous and colorful puzzle will provide you with hours of mindful entertainment. The box includes 1000 jigsaw pieces in a sustainable paper bag. Once completed, the jigsaw puzzle measures 70 x 50 cm. Also available in this series of jigsaw puzzles are the Brian Cook covers for The Landscape of England, The Cathedrals of England, and The Spirit of London.
“Organizes the city in an array of beautiful and cohesive shades . . . One of the best books about New York City by way of vibrant and striking images.” —New York Simply This photographic portrait of New York captures the city as never before, in a vibrant visual tour, color by color. From Staten Island Ferry orange to taxicab yellow, photographer and writer Nichole Robertson brings New York’s quintessential shades into focus, seeking out the city’s hiding-in-plain-sight treasures: bananas sold streetside for a dollar, bright red “no parking” signs, stacks of delicious golden-brown pretzels, gleaming Art Deco gold archways. Arranged by color, these striking views portray the spirit of the city across every borough. A unique love letter to the iconic metropolis, this celebration of the city will charm locals as well as everyone who loves—or dreams of—visiting the Big Apple. Praise for Nichole Robertson’s Paris in Love “A beautiful ode that will leave you pining for Paris.” —Lindsey Tramuta, author of The New Paris “That magic feeling you get when you are falling in love with a person or place—in this case Paris!—is encapsulated in this stunning gem of a book.” —Samantha Hahn, author of Well-Read Women “We’re smitten by Nichole Robertson’s Paris in Love, which celebrates all things Parisian—especially crimson things, from raspberry tarts to scarlet mopeds, rosy begonias and glossy, berry-hued cafe chairs—in glorious photographs.” —San Jose Mercury News
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
This book offers an introduction to worship from the standpoint of process theology. It helps worship planners develop services of worship that are characterized by an intense vision of community with God, where depth of feeling surmounts verbal language and touch the believer in the most life-shaping ways. Process conceptuality allows the church to move toward genuinely contemporary worship while drawing from the past, explaining how worship is understood in this Christian tradition and moving to practical approaches such as conceiving the service, preparing the prayers, the liturgy, and the sermon; the sacraments, the wedding and the funeral, and the arts' role in worship. The ultimate goal is not only to show how process theology can inform each aspect of the service of worship, but to help the Christian community deepen its apprehension of God through services of worship.
Be Opened! The Catholic Church and Deaf Culture offers readers a people’s history of deafness and sign language in the Catholic Church. Paying ample attention to the vocation stories of deaf priests and pastoral workers, Portolano traces the transformation of the Deaf Catholic community from passive recipients of mercy to an active language minority making contributions in today’s globally diverse church. Background chapters familiarize readers with early misunderstandings about deaf people in the church and in broader society, along with social and religious issues facing deaf people throughout history. A series of connected narratives demonstrate the strong Catholic foundations of deaf education in sign language, including sixteenth-century monastic schools for deaf children and nineteenth-century French education in sign language as a missionary endeavor. The author explains how nineteenth-century schools for deaf children, especially those founded by orders of religious sisters, established small communities of Deaf Catholics around the globe. A series of portraits illustrates the work of pioneering missionaries in several different countries—“apostles to the Deaf”—who helped to establish and develop deaf culture in these communities through adult religious education and the sacraments in sign language. In several chapters focused on the twentieth century, the author describes key events that sparked a modern transformation in Deaf Catholic culture. As linguists began to recognize sign languages as true human languages, deaf people borrowed the practices of Civil Rights activists to gain equality both as citizens and as members of the church. At the same time, deaf people drew inspiration and cultural validation from key documents of Vatican II, and leadership of the Deaf Catholic community began to come from the deaf community rather than to it through missionaries. Many challenges remain, but this book clearly presents Deaf Catholic culture as an important and highly visible embodiment of Catholic heritage.
A master photographer, Alfred Stieglitz was also a visionary promoter and avid collector of modern American and European art from the first half of the 20th century. This book is the first fully-illustrated catalogue of works in the unparalleled 'Alfred Stieglitz Collection', which was given to the Metropolitan Museum after Stieglitz's death.
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
This collection of original essays develops new, intertextual approaches to thinking about rock music.
"The first biography of Kesey, [revealing] a youthful life of brilliance and eccentricity that encompassed wrestling, writing, farming, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson"--Dust jacket flap.
Within the field of theology per se a fundamental issue is raised when we begin with the Spirit. This issue concerns the particular shape and trajectory of the Christian faith. How will the doctrine of God at the heart of theology be re-configured when the Spirit becomes the fundamental theme? To begin with the Spirit is to place such a question at the centre of the theological agenda.