Download Free The Spanish Epic Book in PDF and EPUB Free Download. You can read online The Spanish Epic and write the review.

'Matthew Bailey's work on medieval Hispanic epic poetry is most impressive. It is a unique contribution to our knowledge of the Old Spanish epic and offers a highly original advance in its field. This book will, of course, primarily be of interest to Hispano-Medievalists, but given its enlightened and far-reaching views - based on very wide reading - it will also be of significant interest to all medievalists and folklorists, regardless-of specialty'-Samuel Armistead, Department of Spanish, University of California, Davis The Poetics of Speech in the Medieval Spanish Epic explores the composition of manuscript texts in thirteenth-century Spain. Of the vernacular epic poems originating with the minstrels of this era, only three full-length works remain: Cantar de Mio Cid, Poema de Fernßn Gonzßlez, and Mocedades de Rodrigo, all preserved and recorded by members of the clergy. By analysing expressive traits found in these three poems, Matthew Bailey links them to the cognitive processes that take place in the minds of speakers as narration unfolds. In Latin and other vernacular texts from the same period, authors identify their sources as oral, describe oral compositional techniques, and detail modes of processing texts in medieval monastic environments. Using the information provided by these details, as well as a close technical reading of the three epic poems, Bailey incorporates the methodologies and concepts of discourse analysis in an examination of expression in the Spanish epic and points convincingly to oral composition as the initial step in text creation for the period.
An epic history of the Spanish empire in North America from 1493 to 1898 by Robert Goodwin, author of Spain: The Centre of the World. At the conclusion of the American Revolution, half the modern United States was part of the vast Spanish Empire. The year after Columbus's great voyage of discovery, in 1492, he claimed Puerto Rico and the Virgin Islands for Spain. For the next three hundred years, thousands of proud Spanish conquistadors and their largely forgotten Mexican allies went in search of glory and riches from Florida to California. Many died, few triumphed. Some were cruel, some were curious, some were kind. Missionaries and priests yearned to harvest Indian souls for God through baptism and Christian teaching. Theirs was a frontier world which Spain struggled to control in the face of Indian resistance and competition from France, Britain, and finally the United States. In the 1800s, Spain lost it all. Goodwin tells this history through the lives of the people who made it happen and the literature and art with which they celebrated their successes and mourned their failures. He weaves an epic tapestry from these intimate biographies of explorers and conquerors, like Columbus and Coronado, but also lesser known characters, like the powerful Gálvez family who gave invaluable and largely forgotten support to the American Patriots during the Revolutionary War; the great Pueblo leader Popay; and Esteban, the first documented African American. Like characters in a great play or a novel, Goodwin's protagonists walk the stage of history with heroism and brio and much tragedy.
In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe’s first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria). Piecing together the surviving evidence, Wright traces Latino’s life in Granada, Iberia’s last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino’s hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe’s international literary language and celebrate his own African heritage. Through Latino’s remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain’s nascent empire and within the emerging African diaspora.
The Epic of the Cid records the deeds of Rodrigo Diaz de Vivar, the Cid of history and legend. A powerful warrior in the Christian reconquest of medieval Spain, a formidable strategist, and a charismatic leader, the Cid deeply impressed his contemporaries, both Christian and Muslim. Already, in his lifetime, songs, stories, and chronicles were devoted to his exploits. In offering both a highly readable, colloquial prose translation of El Cantar de Mio Cid and selections from a wide variety of those contemporary accounts, this volume brings the historical figure back to life for modern readers. Harney's substantial Introduction and annotation provide the historical, military, and literary background necessary for an informed reading of the texts; also included are maps, a compendium of proper names, a bibliography, and an index.
The first in-depth analysis of some of the most important epic poems of the Spanish Golden Age, Myth and Identity in the Epic of Imperial Spain breathes new life into five of these long- neglected texts. Elizabeth Davis demonstrates that the epic must not be overlooked, for doing so creates a significant gap in one's ability to appraise not only the cultural practice of the imperial age, but also the purest expression of its ideology. Davis's study focuses on heroic poetry written from 1569 to 1611, including Alonso de Ercilla's La Araucana, undeniably the most significant epic poem of its time. Also included are Diego de Hojeda's La Christiada, Juan Rufo's La Austriada, . Lope de Vega's Jerusalén Conquistada, and Cristóbal de Virués's Historia del Monserrate. Examining these epics as the major site for the construction of cultural identities and Renaissance nationalist myths, Davis analyzes the means by which the epic constructs a Spanish sense of self. Because this sense of identity is not easily susceptible to direct representation, it is often derived in opposition to an "other," which serves to reaffirm Spanish cultural superiority. The Spanish Christian caballeros are almost always pitted against Amerindians, Muslims, Jews, or other adversaries portrayed as backward or heathen for their cultural and ethnic differences. The pro-Castilian elite of sixteenth-century Spain faced the daunting task of constructing unity at home in the process of expansion and conquest abroad, yet ethnic and regional differences in the Iberian Peninsula made the creation of an imperial identity particularly difficult. The epic, as Davis shows, strains to convey the overriding image of a Spain that appears more unified than the Spanish empire ever truly was. An important reexamination of the Golden Age canon, Myth and Identity in the Epic of Imperial Spain brings a new twist to the study of canon formation. While Davis does not ignore more traditional approaches to the literary text, she does apply recent theories, such as deconstruction and feminist criticism, to these poems, resulting in an innovative examination of the material. Confronting such issues as canonicity, gender, the relationship between literature and Golden Age culture, and that between art and power, this publication offers scholars a new perspective for assessing Golden Age and Transatlantic studies
Reproduction of the original: The Book of the Epic by H.A Guerber
The culture of medieval Spain was anything nut homogeneous. It varied not only through time, with the approach of the Renaissance, but also geographically, with great differences between north and south. In this study, author Lucy A. Sponsler illuminates the role of women during this interesting period by exploring their portrayal in literature. Women in the Medieval Spanish Epic and Lyric Traditions examines the various ways in which women were portrayed in the formative years of medieval society, as well as the development of these views as new social mores evolved. Employing a thorough examination of the literature, Sponsler reveals that a high degree of respect was demonstrated toward women in Spanish prose and poetry of this period. Her study sheds new light on the role of women in relation to men, family, and social organization in medieval Spain.
This book takes a new look at the place occupied by medieval Spanish epic within European folk and literary tradition. Thomas Montgomery traces the origins of key parts of most known medieval Spanish epics to an ancient myth. He shows how the myth of the initiation of the young warrior, shown by Georges Dum&ézil to be fundamental to the belief systems of widely distributed Indo-European peoples, was variously adapted to shape the action of texts including the Siete Infantes de Lara, the Mocedades de Rodrigo, and the Poema de Mio Cid, in which it accounts for the peculiar behavior of the Infantes de Carri&ón. Montgomery also connects the same mythic tradition to works as diverse as Tristan and the Chanson de Roland. In a preliterate society, the oral presentation of this archetypal lore required a special language capable of re-creating the ritualized behavior of the epic characters and maintaining the ceremonial tone of the performance. Focusing on the Poema de Mio Cid, Montgomery examines the ways in which the poetic language worked to evoke a feeling of group unity that absorbed the audience and still works its spell upon today's readers.