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'One of my favourite writers' Nick Hornby One of the most acclaimed writers of our day, award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to date. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children's game-show villainess ushers in the New Year with her deadbeat half-brother. And on a trip to a water park with their son, two fathers each confront a deep-rooted personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken shows how the mysterious bonds of family are tested, transformed, fractured, and fortified. 'McCracken has a gift for spotting the comic potential in situations many of us have endured... Her prose is stippled with just-so observations' Observer 'McCracken is a totally assured performer- even seemingly throwaway perceptions are often memorably poetic, and there is a hint of melancholy under the comedy' Sunday Times 'This incisive, warm-blooded collection of stories is populated by outsiders... McCracken illuminates qualities of human nature through fragments of her characters' lives' New Yorker
Buried within the collection of the Smithsonian Institution's National Museum of American History exists an astonishing group of historical relics from the pre-Revolutionary War era to the present day, many of which have never been on display. Donated to the museum by generations of souvenir collectors, these ordinary objects of extraordinary circumstance all have amazing tales to tell about their roles in American history. Souvenir Nation presents fifty of the museum's most eccentric items. Objects include a chunk broken off Plymouth Rock; a lock of Andrew Jackson's hair; a dish towel used as the flag of truce to end the Civil War; the microphones used by FDR for his Fireside Chats; and the chairs that seated Nixon and Kennedy in their 1960 television debate.
This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.
After finding a box containing letters her father had written to her mother during World War II, as well as a Japanese flag bearing a profound inscription, the author embarks on a mission to discover what happened to her father and the men of his Twenty-fifth Infantry, which takes her all the way to Japan to return the flag to its rightful owner, where she forms a bond with the surviving family and ultimately discovers a side of her father she never knew.
"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child. This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don't -- but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on. With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For as long as people have traveled to distant lands, they have brought home objects to certify the journey. More than mere merchandise, these travel souvenirs take on a personal and cultural meaning that goes beyond the object itself. Drawing on several millennia of examples-from the relic-driven quests of early Christians, to the mass-produced tchotchkes that line the shelves of a Disney gift shop-travel writer Rolf Potts delves into a complicated history that explores issues of authenticity, cultural obligation, market forces, human suffering, and self-presentation. Souvenirs are shown for what they really are: not just objects, but personalized forms of folk storytelling that enable people to make sense of the world and their place in it.' Object Lessons is published in partnership with an essay series in The Atlantic. Souvenir features illustrations by Cedar Van Tassel
"The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt'the "over-tall" eleven-year-old boy who's the talk of the town'walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows - six foot five at age twelve, then seven feet, then eight - so does her heart and their most singular romance"--Back cover
From the author of the beloved novel The Giant's House - finalist for the National Book Award - comes a beautiful new story collection, her first in twenty years. Laced through with humour, empathy, and rare and magical descriptive powers these nine vibrant stories navigate the fragile space between love and loneliness. In 'Property', a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord's possessions. In 'Peter Elroy: A Documentary by Ian Casey', the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter's risky behaviour. In Elizabeth McCracken's universe, heartache is always interwoven with strange, charmed moments of joy - an unexpected conversation with small children, the gift of a parrot with a bad French accent - that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.
This guidebook for the National Maritime Museum explores its galleries, buildings, and historic collections.
Among His Troops: Washington's War Tent in a Newly Discovered Watercolor provides an eyewitness view of the Revolutionary War. A chance find of the only known wartime image of General George Washington's headquarters tent, the original of which is on display at the Museum of the American Revolution, inspired this exploration of the fortunes of the Continental Army between the last major victory at Yorktown in 1781 and the final peace in 1783. Washington's grand encampment on the Hudson River at Verplanck's Point, New York in 1782 showed the French that the United States was still a formidable ally against Great Britain.Based on the Museum's first special exhibition of the same name, Among His Troops brings together the newly discovered panoramic watercolor of the Verplanck's Point encampment and a watercolor of the Continental Army's fortress at West Point, both painted by French-born military officer and eyewitness Pierre Charles L'Enfant. These paintings, paired with original objects from the encampments, reveal the proud, yet precarious situation of Washington's army as the Revolutionary War neared its end.