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Forty-year-old bachelor veterinarian Jonathan Ryan is struck to his core the first time he hears the sound of Emily’s voice. It’s not only the sweet lilt of her voice that affects him, but also the fact that the boy she is tutoring at the time—his nephew—is laughing and relaxed, both rare occurrences. Jon is intrigued. English professor Emily Erickson is recovering from an automobile accident that has left her with physical limitations and has undermined her self-worth. She dedicates herself to nothing less than a full recovery while navigating her first real romance. Can this man of nature and this woman of words find love in Litton? Devoted followers of Lisa Smelter’s Love in Litton series will no doubt recognize familiar names and places as this romance covers the distance between the beloved Minnesota town and Redding, Iowa.
We all sing with the same voice, And we sing in harmony! The familiar words to this joyful song combine with vibrant illustrations to celebrate the idea that no matter where children live, what they look like, or what they do, they're all the same where it counts -- at heart. "We All Sing with the Same Voice" was aired and continues to be seen on Sesame Street, the celebrated educational children's television show produced by Sesame Workshop, the nonprofit educational organization. Paul Meisel is the illustrator of many popular books for children, including how to talk to your cat by Jean Craighead George.
This unique, sensitively written novel for young readers about life on a modern farm skillfully interweaves two stories, one from the perspective of a heifer named Emily and the other from the viewpoint of a twelve-year-old boy named Chris. Author Nicholas Read eloquently describes how two very different lives encounter similar disruptions and are ultimately brought together in a life-and-death adventure.Though Emily's early experiences on the farm are pleasant, she soon senses her mother's unmistakable signals that all is not well. Before long she must face the cruel realities of branding, a livestock market, confinement in a feedlot, and finally a frightening ride in a cattle truck. Chris, too, is dealing with the harsh reality of a broken home and being forced to move from the city to the country to start a new life when his mother decides to remarry. Compared to the busy city, Chris finds the country to be a lonely place, and he has trouble making friends until he meets Gina, a true free spirit with a love for animals. How Chris and Gina scheme to rescue Emily from a sad fate makes a fascinating and instructive tale.
Sparks fly as ex-cowgirl and down-on-her-luck paralegal Emily Bernal hilariously struggles through a series of murders, messes, and men in a trio of Texas-to-New Mexico mysteries perfect for fans of Janet Evanovich. Part of a deeply-satisfying five-box set super series with over two million downloads and USA Today bestseller status. "Emily is a HOOT and so real!" Includes Heaven to Betsy, Earth to Emily, and Hell to Pay. "Full of heart, humor, vivid characters, and suspense. Hutchins has done it again!” — Gay Yellen, author of The Body Business Heaven to Betsy (Emily #1): Dumped by her husband for a man, ex-rodeo queen Emily Bernal yearns for a fresh start. When a handsome local attorney named Jack offers her a gig, she's not sure if it's the right fit. But after a dead body takes a swan dive right in front of her and she learns a missing six-year-old girl is caught in the aftermath, Emily's heart sends her from barrel racing to paralegal work in a hurry. A string of strange coincidences don't seem to add up, sparks fly between her and her boss, dead ends start to become dead bodies, and the race to save the girl comes down to the wire. Earth to Emily (Emily #2): Emily may have traded the fast-paced rodeo world for paralegal work but the change hasn’t made her life any simpler. Between romancing her sexy attorney boss Jack and fighting for custody of her foster child, she wonders if riding a bucking bronco would be easier. But when two runaway teens beg for her help after witnessing a truck-stop murder, the former rodeo queen springs into action. As she follows the clues along the Texas interstate, she can’t help but notice her boyfriend is hiding something from her. When the investigation turns deadly, Emily’s only chance to keep the runaways alive is to stand toe-to-toe with a criminal conspiracy that could make her the next victim. Hell to Pay (Emily #3): Emily Bernal feels like she’s finally living her happily-ever-after. Weeks away from marrying her sexy boss and adopting the little girl who stole her heart, she thought nothing could break her stride. At least until a dead-man face-plants into an anatomically correct novelty cake and Emily’s friend is charged with murder. As she follows the crumb trail of clues, Emily must infiltrate a venomous cult and clash with her one and only nemesis. “Fair warning: clear your calendar before you pick it up because you won't be able to put it down.” — Ken Oder, author of The Closing Over 1000 reviews and a 4.6-star average. Available in digital, print, and audiobook. Once Upon A Romance calls Hutchins an "up-and-coming powerhouse writer." A former attorney, Pamela splits time between Nowheresville, TX and Snowheresville, WY. What readers are saying about the What Doesn't Kill You Mysteries: "Unputdownable." “Full of heart, humor, vivid characters, and suspense.” “Hutchins is a master of tension.” “Intriguing mystery . . . captivating romance.” “Everything shines: the plot, the characters and the writing. Readers are in for a real treat.” “Immediately hooked." "Spellbinding." "Fast-paced mystery." "Can't put it down." “Entertaining, complex, and thought-provoking." “Murder has never been so much fun!” "You’re guaranteed to love the ride!" If you like Sandra Brown or Janet Evanovich, you will love USA Today best seller Pamela Fagan Hutchins. Buy the Emily box set hang on tight for high-spirited mysteries you won't want to put down!
Judicial hanging is regarded by many as being the quintessentially British execution. However, many other methods of capital punishment have been used in this country; ranging from burning, beheading and shooting to crushing and boiling to death. Execution: A History of Capital Punishment in Britain explores these types of execution in detail. Readers may be surprised to learn that a means of mechanical decapitation, the Halifax Gibbet, was being used in England five hundred years before the guillotine was invented. Boiling to death was a prescribed means of execution in this country during the Tudor period. From the public death by starvation of those gibbeted alive, to the burning of women for petit treason, this book examines some of the most gruesome passages of British history. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of British executions.
Jane Eyre by Charlotte Brontë, published in 1847 Shirley by Charlotte Brontë, published in 1849 Villette by Charlotte Brontë, published in 1853 The Professor by Charlotte Brontë, was published after her death in 1857 Emma by Charlotte Brontë (unfinished), she wrote only 20 pages of the manuscript which was published in 1860. Wuthering Heights by Emily Brontë, published in 1848 Agnes Grey by Anne Brontë, published in 1847 The Tenant of Wildfell Hall by Anne Brontë, published in 1848 The Brontë Sisters (1818-1855), Charlotte, Emily and Anne Brontë were sisters and writers whose novels have become classics. Before writing novels, the sisters first published a volume of poetry in 1846. Many novels of the Charlotte, Emily, and Anne are based on women in Victorian England and the difficulties that they faced like few employment opportunities, dependence on men in the families for support, and social expectations.
The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"—as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.
Original text, unabridged, carefully revised, and supplemented by numerous contemporary illustrations from early editions. "Confined in the gloomy castle of Udolpho, young orphan Emily St. Aubert has to fight against the devious plans of her guardian Montoni, uncanny haunting spirits and her own melancholy fantasies ..."