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Elizabeth Bishop's World War II-Cold War View offers the first comprehensive portrayal of the poet in mid-century America. The elusive story of Bishop's national, cultural, and literary politics during the World War II-Cold War period is finally brought into sharp focus as the book traces her life and writing from the war years spent in Key West through her tenure as the 1949-1950 national poet laureate. Our understanding of Bishop is completely reshaped by this study's unique ability to easily move back and forth between a wide-ranging cultural critique of mid-twentieth-century America and a careful, close, and chronological reading of the poet. Roman's study is ideal for students of American poetry, contemporary poetry, and American literature.
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
On the 80th anniversary of the war's end, 5 classic memoirs capture firsthand the shock, terror, and courage of the American fight against the Axis powers in Europe "The emotional environment of warfare has always been compelling," writes J. Glenn Gray in his incomparable World War II memoir and mediation, The Warriors. "Reflection and calm reasoning are alien to it." The struggle to make sense of the experience of war, to find some meaning in the savagry and senseless destruction, animates the five brilliant and unforgettable memoirs gathered here. Company Commander (1947), by Charles B. MacDonald, describes with startling immediacy and candor the “cold, dirty, rough, frightened, miserable” life of the infantryman and company commander from the aftermath of D-Day in September 1944 through the war's terrifying final days. The Warriors (1959), by J. Glenn Gray, a counterintelligence officer who served in Italy, France, and Germany and a scholar with a PhD. in philosophy, is a sensitive and revelatory meditation on the nature of war and its effects on both soldiers and civilians, interspliced with his letters, journals, and wartime memories. All the Brave Promises (1966) is novelist Mary Lee Settle’s memoir of her year as an airfield radio operator in the Royal Air Force. Settle brilliantly evokes both the working-class culture of the Women’s Auxiliary Air Force’s “other ranks” and the petty and demeaning regimentation inherent in military life. The Fall of Fortresses (1980), by former B-17 navigator Elmer Bendiner, vividly recalls the fear and excitement he experienced flying bomber missions deep into Germany in 1943 without fighter escort. The Buffalo Saga (2009) is James Harden Daugherty’s heartfelt account of his frontline service as a Black soldier in the 92nd Infantry Division, as he fights the Germans, endures the harsh Italian winter, and confronts the racism of his own army. This deluxe Library of America volume includes full-color endpaper maps of the European Theater, an eight-page photo insert, an introduction by West Point professor Elizabeth D. Samet, and detailed notes.
This book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. He argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939', which transforms readers' understanding of the literary history of the eve-of-war era.
A collection of American poetry about World War II by fifty-two poets.
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
A Study Guide for Gwendolyn Brooks's "The Sonnet-Ballad," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Of Shakespeare's sonnets we know the crystalline meter, exquisite diction, and exhilarating surprise of the "turn" in the final couplet. By contrast, we know very little of their subjects and motives. This book does not approach the sonnets as Shakespearean autobiography but instead delineates the customs that shaped the poet's world and thus his sonnets. It argues for understanding them as brilliant, edgy expressions of the equally brilliant, edgy culture of the English Renaissance.