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On a last run, Tor teaches his nephew, Tristal, the Shumai axeman ways, but Tristal must survive deadly encounters, endure a seductive captivity, and suffer enslavement before he masters the axeman's skill. Reprint.
Set in 30,000 B.C.E., Eena is captured by Ka, leader of the clan of Kaan, Alor comes to her rescue, killing Ka and taking Eena as his mate. A mighty hunter, Alor is virtually invincible in battle because of his magic axe. Together Alor and Eena become the legendary Axe Man and Spear Woman. But they can't escape the shadow of Ka...
Complete set of the thirteen woodcut illustrations used in the 1924 edition of Song of the Broad-axe by Walt Whitman, published by Centaur Press in Philadelphia. Each woodcut is titled and numbered "16". The titles are (as they appear in the book): No.I, Ship struck in storm, Beauty of woodmen, building, the forger, hell of war, The great city, of the best-bodied mothers, the hammers-men, the headsman, solid forest, the liquor-bar, and No.II.
In John R. Dann's thrilling and romantic prehistoric saga, Song of the Axe, the tribe's chieftain was called Grae, after a famous ancestor. Now Dann returns to tell the saga of the wanderings of one prehistoric tribal family over several generations, always led by that famous, original Grae, and by his children. The powerful daughters of River Woman saved young Grae from a flooded river after a volcano erupted and destroyed their tribal home. Then they made him chief, but that's almost the last thing they agree on before the tribe splinters. Grae leads the main group out of Africa ever northward, into central and eastern Europe, always searching for safety and a better life. Challenged by truly monstrous evil tribes, but guided by spirits, they survive. It takes three generations, and three chieftains named Grae, before the tribe comes to rest. Their story is an adventure on the grandest scale, full of dangers, romance, and beguiling mystery in an exotic setting. A rich and complex story told with simplicity, authenticity, and vigor, Song of the Earth is a worthy companion to Song of the Axe.
"A sweeping, intricate description of Russian cultural history, spanning the pre-Romanov era through six centuries to the reign of Joseph Stalin. Flowing with ease through time and topic — from art to music, literature, philosophy, mythology and more — the book provides readers with an alluring portrayal of Russia’s proud heritage. Its impressive scope and lasting insights have made it a foundational text in Russian studies. In fact, it was this book, more than any other, that captured my imagination and propelled me toward the study of Russia and the Soviet Union." --Condoleezza Rice, The New York Times "A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." - Library Journal Includes Illustrations, references, index.
Set in 13th-century Norway, The Axe is the first volume in Undset's epic tetralogy, The Master of Hestviken. In it, we meet Olav Audunsson and Ingunn Steinfinnsdatter, who were betrothed as children and raised as brother and sister. In the heedlessness of youth, they become lovers, unaware that their ardor will forge the first link in a chain of murder, exile, and disgrace. Undset's novel is also a meticulous re-creation of a world split between pagan codes of retribution and the rigors of Christian piety--a world where law is a fragile new invention and manslaughter is so common that it's punishable by a fine."Undset reproduces medieval Norway in all the rich pageantry of color and form...she can transport us eight centuries and several thousand miles more effectively than most writers can take us into the house next door."--The Nation
Om den amerikanske guitarist Roy Buchanan (1939-1988)
It is a fool's errand and Tallos knows it, but against his own better judgment and the pleading of his wife, Tallos has committed himself to a voyage north. His lifelong friend's eldest sons are said to have been taken by Northmen, a raiding people ill-reputed for their savagery. The boys are already dead, Tallos knows, and in that dark place of grim reasoning he wishes only to find their corpses quickly so he can fulfill his promise and return to his wife. Instead, he finds something far worse.
While well-known songs such as "The Badger Drive" and "Tickle Cove Pond" provide glimpses into the hard labour and rich culture of woods work in early twentieth-century Newfoundland and Labrador, little has been written about the lives of woods workers and the extent of their enduring cultural legacies. Songs, stories, recitations, poems, and instrumental tunes flourished in the woods camps. Many of them were created locally and reflect the people and experiences of woods work. Passed down by oral tradition in bunkhouses and at work sites, in family kitchens and at community concerts, these songs and stories address a gap in our understanding of this occupational culture and its history.This book is the first comprehensive collection of musical compositions, recitations, poems, and narratives written by, for, and about twentieth-century woods workers in Newfoundland and Labrador. It analyzes their significance--as both grassroots social history texts and creative and musical contributions--and creates a portrait of a culture shaped by the harvesting of timber. Inside you will find: a history of lumbering and logging; an exploration of the place of song and story in woods work and culture; musical transcriptions of 76 locally composed songs and tunes, with analysis of this musical tradition; complete song lyrics with contextual discussion; more than 70 archival photos; and a glossary of occupational words.
Harold Mason, owner of the Centaur Bookshop in Philadelphia asked Wharton Esherick to illustrate Walt Whitman's "Song of the broad-axe", which Mason published in a limited edtion in 1924. Esherick created a hand-bound prototype book of Whitman's poem, using prints made directly from his blocks and hand-lettering it in Esherick's own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result was a work of art, 17 x 12 inches, with pages of handmade paper, folded and uncut. This book is a reproduction of Esherick's prototype, authorized by the Wharton Esherick Museum in Paoli, Pennsylvania. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist's vision and skill and, for the first time, makes this work available to the general public.