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"Here childhood innocence and dreams meet the reality of day-to-day survival and violence, during Hindu-Muslim riots, forcing choices that should never have to be made. Irani (The Cripple and His Talismans, 2005) is a gifted storyteller, and this book, Dickensian in its plot and its vivid prose, is as beautiful as it is heartbreaking." - Booklist Abandoned as an infant, ten-year-old Chamdi has spent his entire life in a Bombay orphanage. There he has learned to find solace in his everyday surroundings: the smell of the first rains, the vibrant pinks and reds of the bougainvilleas that blossom in the courtyard, the life-size statue of Jesus, the "beautiful giant," to whom he confides his hopes and fears in the prayer room. Though he rarely ventures outside the orphanage, he entertains an idyllic fantasy of what the city is like – a paradise he calls Kahunsha, "the city of no sadness," where children play cricket in the streets and where people will become one with all the colours known to man. Chamdi’s quiet life takes a sudden turn, however, when he learns that the orphanage will be shut down by land developers. He decides that he must run away in search of his long-lost father, taking nothing with him but the blood-stained white cloth he was left in as a baby. Outside the walls of the orphanage, Chamdi quickly discovers that Bombay is nothing like Kahunsha. The streets are filthy and devoid of colour, and no one shows him an ounce of kindness. Just as he’s about to faint from hunger, two seasoned street children offer help: the lovely, sarcastic Guddi and her brother, the charming, scarred, and crippled Sumdi. After their father was crushed by a car before their eyes, the children were left to care for their insane mother and their infant brother. They soon initiate Chamdi into the brutal life of the city’s homeless, begging all day and handing over most of his earnings to Anand Bhai, a vicious underworld don who will happily mutilate or kill whoever dares to defy him. Determined to escape the desperation, filth, and violence of their lives, Guddi and Sumdi recruit Chamdi into their plot to steal from a temple. But when the robbery goes terribly awry, Chamdi finds himself in an even worse situation. The city has erupted in Hindu-Muslim violence and, held in Anand Bhai’s fierce grip, Chamdi is presented with a choice that threatens to rob him of his innocence forever. Moving, poignant, and wonderfully rich in the sights and sounds of Bombay, this novel is the story of Chamdi's struggle for survival on the city's dangerous streets.
Finalist for the Writers' Trust Fiction Prize and for the Governor General's Literary Award, this powerful new work, about a transgender sex worker in the red-light district of Bombay who is given an unexpected task, is a gripping literary page-turner--difficult and moving, surprising and tender. Anosh Irani's best novel yet, and his first with Knopf Canada. The Parcel's astonishing heart, soul and unforgettable voice is Madhu--born a boy, but a eunuch by choice--who has spent most of her life in a close-knit clan of transgender sex workers in Kamathipura, the notorious red-light district of Bombay. Madhu identifies herself as a "hijra"--a person belonging to the third sex, neither here nor there, man nor woman. Now, at 40, she has moved away from prostitution, her trade since her teens, and is forced to beg to support the charismatic head of the hijra clan, Gurumai. One day Madhu receives a call from Padma Madam, the most feared brothel owner in the district: a "parcel" has arrived--a young girl from the provinces, betrayed and trafficked by her aunt--and Madhu must prepare it for its fate. Despite Madhu's reluctance, she is forced to take the job by Gurumai. As Madhu's emotions spiral out of control, her past comes back to haunt her, threatening to unravel a lifetime's work and identity. This is a dark, devastating but ultimately redemptive novel that promises to be one of the most talked-about publications of the year.
“The only statement of revolt the poor could make was to put an end to their own misery. It happened all the time—men lay themselves on train tracks, hanged themselves from trees, consumed rat poison, and women set their kerosene-soaked bodies alight in front of their husbands. These were blazing ends to insignificant journeys. But in all this, there was always one man who, in that final gush of blood, in that final breaking of neck and bone, set things in motion.” Zairos Irani, a young man of inherited leisure, is meandering through his family’s lush chickoo orchards near Mumbai when he comes across a distressing sight: Hanging from one of the fruit trees is the lifeless body of Ganpat, a worker from the indigenous Warli tribe. Ganpat’s ancestors once owned the land, before his father’s alcohol debts caused the deed to be transferred to Zairos’s grandfather Shapur. The two family destinies have been entwined ever since, ancient grudges once again awoken by Ganpat’s final desperate act. Zairos feels obliged to notify Ganpat’s family before the authorities come to ask needless questions and extract bribes. A tractor bearing Ganpat’s sister and anguished daughter Kusum soon trundles into the orchard, and when Kusum alights, Zairos’s curiosity is piqued. As a landowner, he knows that he is well above her station, and yet her dignity and beauty lead him to cast aside taboos and risk the wagging tongues of neighbourhood gossips. Though wary at first, the grieving Kusum comes to return his affection, asking only that he assist her in achieving what her dead father could not- by putting an end to the violence she has endured at the hands of a drunken husband. Zairos cannot get advice from his father Aspi, whose clownishness masks thinly-veiled nihilism. Nor can he confide in his beloved grandfather Shapur, whose massive hands planted the chickoo trees that he adores as much as his own sons. Shapur built the family empire from a desperate start as an orphaned refugee, and any act that might threaten the delicate legacy spawned by his sacrifices would only provoke rage in the old man, who increasingly dwells in memories. So Zairos whiles away his time at Anna’s, the local haunt for the male leisure class, dreaming of a future with Kusum. There, with the support of some equally underemployed sidekicks, Zairos hatches a scheme to scare Kusum’s husband into releasing her, while keeping his own moral integrity intact. But alas, Zairos’s scheme will not unfold as planned, and along the way he will unwittingly expose family secrets that may well be better left buried… With brilliant gusto, Irani has built his Dahanu Road upon the pathways forged by authors of tragicomic romance spanning centuries and continents, from the Persian classic Layla and Majnun, to Romeo and Juliet or Wuthering Heights. Dahanu Road is a suspense-filled family saga, a sprawling romantic epic in which the delineations between the oppressor and the oppressed, or between love and hate, are demonstrated to be maddeningly deceptive.
Three-time Governor General’s Literary Award–shortlisted author and playwright Anosh Irani’s critically acclaimed one-man show Buffoon is a masterclass of tragicomic theatre. Born to circus folk who prefer trapezing over parenting, Felix quickly learns to turn life’s misfortunes into jokes. His longing for family and home is piqued at the tender age of seven when he falls hopelessly in love with an older woman, the beguiling Aja, who is eight. In the process, a clown is born, and we watch him grow into a middle-aged buffoon. Over time, Felix stops waiting for someone else to love him; his journey becomes one of loving himself. A story of love, loss, and the fate that binds us, Buffoon is a gut-wrenching one-man show that expertly walks the tightrope between heartbreak and hilarity.
Here are seven superb, subtle, surprising stories that show, through a prism of unforgettable characters, what it means to live between two worlds: India and Canada. Anosh Irani, the masterful, bestselling author of The Parcel and The Song of Kahunsha, knows of what he writes: Twenty years ago, to the mystification of family and friends, Irani left India for Vancouver, Canada, a city and a country completely foreign to him. His plan was both grand and impractical: he would reinvent himself as a writer. Miraculously, he did just that, publishing critically acclaimed novels and plays set in his beloved hometown of Mumbai. But this uprooting did not come without a steep price--one that Irani for the first time directly explores in this book. In these stunning stories and one "half truth" (a semi-fictional meditation on the experience of being an immigrant) we meet a swimming instructor determined to reenact John Cheever's iconic short story "The Swimmer" in the pools of Mumbai; a famous Indian chef who breaks down on a New York talk show; a gangster's wife who believes a penguin at the Mumbai zoo is the reincarnation of her lost child; an illegal immigrant in Vancouver who plays a fateful game of cricket; and a kindly sweets-shop owner whose hope for a new life in Canada leads to a terrible choice. The book starts and ends with a gorgeous, emotionally raw "translation" to the page of the author's own life between worlds, blurring the line between fiction and fact. Translated from the Gibberish confirms Anosh Irani as a unique, inventive, vitally important voice in contemporary fiction.
'A highly imaginative novel, full of humour, poetry and insights, written in a beautiful, sparse style' -Yann Martel Prepare to enter a world where the norms of human behaviour and morality - even the rules governing time and gravity - are turned upside down. Set in the teeming city of contemporary Bombay, this comic and vibrant tale begins with a young man in search of his missing arm. Each person he meets offers him a clue: a woman who sells rainbows; a coffin maker who builds tiny caskets; a giant who lives under water - all lead him to Baba Rakhu, the master of the underworld and the only one who can reveal the meaning of his predicament. With humour and ingenuity, Anosh Irani has crafted a bold story that is as much about loss as it is about the presence of faith in a world that can be as cruel as it can be forgiving.
From one of Norway’s leading writers, translated into English for the very first time, comes a transatlantic novel of dreams, sacrifice, and transformation set at the turn of the twentieth century. The year is 1874. Nesje is a recent widower with a young son, working as a haymaker on an estate in the town of Molde and steadily clearing his own small holding. Then he meets Serianna—an outsider, looking for work, who takes him fishing and smokes a pipe and is thoroughly unlike anyone he’s met before. Soon the two fall in love and marry, and Nesje begins to dream of a prosperous future. But prosperity is hard to come by. Some Norwegians—including Serianna’s spirited sister, Gjertine—have begun to immigrate to the American West, attracted by the glimmer of land and commerce. One of Nesje’s sons follows, while another moves to the city and becomes a wealthy merchant, and another is adopted by Serianna’s childless brother and sister-in-law. In Norway and in America, however, the turn of the century is approaching: mechanization is superseding skilled labor, the moneyed classes are growing ever more powerful, and sacrifices don’t always deliver what was promised. Haymaker in Heaven is a sprawling saga—drawn from Edvard Hoem’s own family history—and a vivid portrait of two countries at a critical moment of intersection.
FINALIST, GOVERNOR GENERAL'S LITERARY AWARD FOR DRAMA In the latest play from Governor General's Literary Award finalist Anosh Irani, we meet eighteen-year-old Hasan Siddiqui, who lives in a bustling Muslim quarter of Bombay. He escapes the drudgery of his work at a chicken slaughterhouse by fostering two fervent dreams -- to become a star in cricket, a sport at which he happens to excel, and to win the affections of Haseena, a fiercely intelligent young woman two years his junior. When it comes to her, however, he is not so proficient, and Hasan's close-to-nonexistent prospects -- along with the rather unfortunate setting of their budding romance, Baba's Chicken Centre -- make advancing either cause look impossible. Half a world away in Vancouver, Hasan's older brother, Abdul, has been working under the table at an Indian restaurant, attempting to set down roots with the hope of one day reuniting with his brother. For Abdul the immigrant dream shows little sign of materializing, but he finds solace in his amateur cricket team. When he and the team's captain decide to take action to end their losing streak, they talk of recruiting the talented Hasan for the rest of the season. But bringing Hasan from India to Canada will take much more than just a plane ticket, and rising tensions demonstrate that not all members of the team agree with the high cost. Alternating between Bombay and Vancouver and exploring urgent themes surrounding the complexities of the modern immigrant experience, Islamophobia, and racial violence, The Men in White is by turns disarming, hilarious, and brutally poignant -- the masterful playwright and novelist Anosh Irani at his finest.
"St Paul's cathedral stands like a cornered beast on Ludgate hill, taking deep breaths above the smoke. The fire has made terrifying progress in the night and is closing in on the ancient monument from three directions. Built of massive stones, the cathedral is held to be invincible, but suddenly Pegge sees what the flames covet: the two hundred and fifty feet of scaffolding erected around the broken tower. Once the flames have a foothold on the wooden scaffolds, they can jump to the lead roof, and once the timbers burn and the vaulting cracks, the cathedral will be toppled by its own mass, a royal bear brought down by common dogs." (p.9) It is the Great Fire of 1666. The imposing edifice of St. Paul's Cathedral, a landmark of London since the twelfth century, is being reduced to rubble by the flames that engulf the City. In the holocaust, Pegge and a small group of men struggle to save the effigy of her father, John Donne, famous love poet and the great Dean of St. Paul's. Making their way through the heat and confusion of the streets, they arrive at Paul's wharf. Pegge's husband, William Bowles, anxiously scans the wretched scene, suddenly realizing why Pegge has asked him to meet her at this desperate spot. The story behind this dramatic rescue begins forty years before the fire. Pegge Donne is still a rebellious girl, already too clever for a world that values learning only in men, when her father begins arranging marriages for his five daughters, including Pegge. Pegge, however, is desperate to taste the all-consuming desire that led to her parents' clandestine marriage, notorious throughout England for shattering social convention and for inspiring some of the most erotic and profound poetry ever written. She sets out to win the love of Izaak Walton, a man infatuated with her older sister. Stung by Walton's rejection and jealous of her physically mature sisters, the boyish Pegge becomes convinced that it is her own father who knows the secret of love. She collects his poems, hoping to piece together her parents' history, searching for some connection to the mother she barely knew. Intertwined with Pegge's compelling voice are those of Ann More and John Donne, telling us of the courtship that inspired some of the world's greatest poetry of love and physical longing. Donne's seduction leads Ann to abandon social convention, risk her father's certain wrath, and elope with Donne. It is the undoing of his career and the two are left to struggle in a marriage that leads to her death in her twelfth childbirth at age thirty-three. In Donne's final days, Pegge tries, in ways that push the boundaries of daughterly behaviour, to discover the key to unlock her own sexuality. After his death, Pegge still struggles to free herself from an obsession that threatens to drive her beyond the bounds of reason. Even after she marries, she cannot suppress her independence or her desire to experience extraordinary love. Conceit brings to life the teeming, bawdy streets of London, the intrigue-ridden court, and the lushness of the seventeenth-century English countryside. It is a story of many kinds of love — erotic, familial, unrequited, and obsessive — and the unpredictable workings of the human heart. With characters plucked from the pages of history, Mary Novik's debut novel is an elegant, fully-imagined story of lives you will find hard to leave behind.
Marcinko, former Navy SEAL and author of the nationally bestselling "Rogue Warrior" novel, now offers a book which shows how anyone can apply the leadership skills he has honed to the challenges of business.