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Chris Cockburn was one of the lucky Americans who grew up in a small town in the Midwest between the end of the Korean War and the assassination of JFK, ten years filled with school, Initiation, football, Homecoming, dances, detention, basketball, tournaments, proms, yearbooks, class rings, class night, and graduation. Time marked by family, funerals, best friends, worst enemies, late nights, first dates, first loves, going steady, break-ups, and moving on. A time of hot cars, car clubs, twenty-five cent gas, radios, deejays, drive-ins, hangouts, movies, hunting, swimming, roller skating, picnics, rumbles, after-school jobs, baseball, and comic books. Small triumphs, helplessness, tragic and comic events, all combined to mold a teenagers life, a life underscored by the rhythm of rock-n-roll. A time when, as the poet said, To be young was very heaven.
"Music is the second most important thing," I say. That was something my mother would always say. We've stopped saying it out loud, but I think it all the same. The most important thing is love. From the author of the New York Times and USA Today Bestselling If He Had Been With Me comes a captivating novel about navigating—and protecting—the loves and friendships that sustain us. Ramona fell for Sam the moment she met him. It was like she had known him forever. He's one of the few constants in her life, and their friendship is just too important to risk for a kiss. Though she really wants to kiss him... Sam loves Ramona, but he would never expect her to feel the same way-she's too quirky and cool for someone like him. Still, they complement each other perfectly, both as best friends and as a band. Then they meet Tom. Tom makes music too, and he's the band's missing piece. The three quickly become inseparable. Except Ramona's falling in love with Tom. But she hasn't fallen out of love with Sam either. How can she be true to her feelings and herself without losing the very relationships that make her heart sing? This Song is (Not) for You is perfect for readers looking for: Contemporary teen romance books Unputdownable & bingeworthy novels Complex emotional YA stories Novels that explore monogamy, polyamory, and asexuality Characters with a passion for music Performance art
Offers background information and commentary on 1,200 popular songs from a variety of styles and genres written between the mid-nineteenth century and the mid-twentieth century.
A lush and beautiful fantasy set in a world where music is magic and the fate of many thrones lies with one girl… “Excellent.”—Booklist An Amazon #1 Children's Music Book at Release Twelve-year-old Elissa has been raised in seclusion as a devotee of the Mother Goddess. She is a special child, a blessed child, a child who can sing miracles into being. Her voice can heal wounds, halt landslides, cure hunger—and even end wars. But there are those who would use her gift for darker things. And when Elissa finds herself the farthest from home she’s ever been—along with her vain and jealous music tutor, Lucio—she will have to develop the judgment to decide who wants to use her song to heal… and who wants to use her song to hurt. In this astonishing debut—perfect for music lovers—Catherine Bakewell presents not only a wholly unique musical magic system, but a sumptuous baroque world filled with soaring basilicas, gilded palaces, dazzling food, and snow-piled wildernesses. It is a world both beautiful and treacherous, with a fiercely determined girl blazing brightly at its center. Can a lone voice change the world? “Spellbinding.”—The Horn Book “Beguiling.”—Publishers Weekly “Unique.”—BCCB “Captivating.”—School Library Connection “Enthralling.”—YA Books Central “Alluring.”—School Library Journal
A fictionalized account based on the mysterious 1949 disappearance of actress Jean Spangler, whose demise was linked to the Black Dahlia killings, is a darkly sensual tale that imagines what may have been her fate.
This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.
A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts. “Absolutely riveting.” — Stephen King In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering. Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child. Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink. Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.
'He tapped at his iPod, feeling within a note or two whether each random offering could provide what he was craving . . . skip, skip, skip, his temper rising, and then he felt it, just the opening chords . . . He stopped punching his iPod's face, and he leaned back on the bench and wondered, marvelled, felt the world slowly reopening to him.' Julian Donahue is obsessed with his iPod. Each song that shuffles through 'that greatest of all human inventions' triggers a memory. There are songs for the girls from when he was single; there's the one for the day he met his wife-to-be, and another for the day his son was born. But when his family falls apart, even music loses its hold on him, and he has nothing. Until one snowy night in Brooklyn, when his life's soundtrack-and life itself-starts to play again. He stumbles into a bar and sees Cait O'Dwyer, a flame-haired Irish rock singer, performing with her band, and a strange and unlikely love affair is ignited. Over the next few months, Julian and Cait's passion for music and each other is played out, though they never meet. In cryptic emails, text messages, cell-phone videos, and lyrics posted on Cait's website, they find something in their bizarre friendship that they cannot find anywhere else. Cait's star is on the rise, and Julian gently guides her along her path to fame-but always from a distance-and she responds to the one voice who understands her, more than a fan but still less than a lover. As their feelings grow more feverish, keeping a safe distance becomes impossible. What follows is a love story and a uniquely heartbreaking dark comedy about obsession and loss. The Song Is You is a closely observed tale of love in the digital age that blurs the line between the longing for intimacy and the longing for oblivion. 'Phillips . . . hits a pitch-perfect note in this heartbreakingly lyrical novel of love, loss, and the almost mystical power of music.' Booklist 'Phillips blents wiht, erudition and eccentricity.' The Times 'Prodigiously gifted . . . reminiscent of Nabokov.' The Guardian
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.