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Lady Angela is the daughter of a duke and the widow of the heir to a viscountcy. Her husband has been dead for almost two years and she is ready to restart her life. While visiting a friend's country estate, a recuperating solider catches her eye. But with no title or fortune, her father threatens to withhold her dowry if she chooses such a man. Captain Daniel Matthews knows Lady Angela is far above him socially, but hopes being an officer in the British Army gives him a chance with her since many second sons of aristocrats are army officers. His hopes are dashed when the army judges him permanently disabled due to damage to one lung and discharges him. Daniel tries to do the right thing and withdraw from his pursuit of Angela, but she's not ready to take no for an answer.
When her younger sister runs away to Paris to live with a German officer high up in Hitler’s favor, English socialite Kat embarks on a dangerous journey to save her sister from the Nazis. Glamour, romance, and espionage collide in this exciting, high-stakes adventure. As the daughter of Sir Alfred Whitford, Kat has certain responsibilities. Chasing her wayward younger sister, Ellie, to Nazi-occupied Paris was never supposed to be one of them. Unfortunately, Ellie has grown accustomed to the luxurious lifestyle her Nazi lover provides and has no intention of going back to the shackled life their parents dictate—but Kat will stop at nothing to bring her sister home. Barrett Anderson was arrested for defending himself against a drunken bully of high birth. Given the option of jail or training Resistance fighters in Paris, Barrett chooses the latter. He poses as a bar owner, entertaining Nazis at night while his men train right below their jackboots during the day. An assignment to watch over two English debutantes is the last thing he needs, but a payout from their father is too tempting to resist. From the moment Kat and Barrett meet, tempers flare and sparks fly. Despite their differences, they’ll have to find a way to trust each other in order to survive this deadly mission. In the end, their hearts may prove more traitorous than the dangers waiting around the corner. Both a daring journey into Nazi-occupied Paris and a captivating love story, The Socialite will enchant readers with its beautiful prose and unforgettable characters. Praise for The Socialite: “Smart, savvy, and seductive, J’nell Ciesielski’s The Socialite takes the reader on a high-stakes thrill ride through the darkness of WWII–occupied Paris.”—Kristy Cambron, bestselling and award-winning author “In the tradition of Ariel Lawhon and Kate Quinn, The Socialite immerses readers in the glamor and destruction of Nazi-occupied Paris. A picture-perfect portrait of early 1940s Paris, this impeccably researched love story stands out in a sea of WWII-era fiction with its distinctive crystalline voice and unforgettable hero and heroine.”—Rachel McMillan, author of The London Restoration Exciting World War II historical romance Full-length, stand-alone novel Book length: 110,000 words Includes discussion questions for book clubs
Four women — a soldier, a scholar, a poet, and a socialite — are caught up on opposing sides of a violent rebellion. As war erupts and their loyalties and agendas and ideologies come into conflict, the four fear their lives may pass unrecorded. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Here is the much-anticipated companion novel to Sofia Samatar’s World Fantasy Award-winning debut, A Stranger in Olondria. The Winged Histories is the saga of an empire — and a family: their friendships, their enduring love, their arcane and deadly secrets. Samatar asks who makes history, who endures it, and how the turbulence of historical change sweeps over every aspect of a life and over everyone, no matter whether or not they choose to seek it out. Sofia Samatar is the author of the Crawford, British Fantasy, and World Fantasy award-winning novel A Stranger in Olondria. She also received the John W. Campbell Award. She has written for the Guardian, Strange Horizons, Lightspeed, and many other publications. She is working on a collection of stories. Her website is sofiasamatar.com.
The Soldier Tough, gorgeous soldier of fortune Reilly (Whatever his other name is) promised his best friend he’d take care of his wife and baby, bringing them out of the war-torn South American country they were stuck in. He was expecting a spoiled, glamorous socialite, not a quiet, stubborn girl devoted to the tiny infant. The Nun Carlie Forrest had been waiting a long time to take her final vows, but caring for the new-born baby of a dead woman was more important, leaving her stuck in the abandoned convent. She wasn’t going to just hand the baby over to a man who looked like he’d never changed a diaper in his life, and she didn’t mind pretending to be the dead socialite in order to keep the child safe. The Baby Everyone wants him – the rebels, the dead dictator’s army, the rich American grandparents, and Carlie. Can she let him go when the safest place was cold and heartless? The Problem He’s all business – he has no intention of falling for his best friend’s widow. She’s all business – she doesn’t want to fall in love with this big, tough, gorgeous man. But love and trouble don’t listen to good intentions, not when you’re thrown together with your unexpected and inconvenient soul mate.
The Soldier & The Baby by Anne Stuart released on Jan 25, 1995 is available now for purchase.
Bulgaria, 1934. A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.
Examines the career of one of the most influential figures in Australia's military history.
Feisty nurse Jaci Piermont’s heart was crushed when Staff Sergeant Ian Eddelton walked away from their passionate night together. But letting him know? Not an option! This reluctant socialite would much rather channel her energies into helping the vulnerable women she works with. Now Ian’s back—as gorgeous as ever, but with dark secrets in his eyes. Her head might be screaming “keep away,” but Jaci’s rebellious heart has a very different idea…!
Perfect for fans of Rhys Bowen and Ashley Weaver, the second Pinnacle Hotel mystery finds another murder that strikes too close to home, and hotel heiress Evelyn Murphy knows she’s the only one who can save the hotel before it’s lights out. New York, 1958. Even though Evelyn Murphy has made progress conquering her agoraphobia by leaving the Pinnacle, she still feels most comfortable in her father's hotel. With Malcolm Cooper, her new boyfriend and fellow employee at the hotel, Evelyn feels prepared for whatever happens next. In this case, it’s throwing a big fundraiser with the who’s who of New York City. The night is a success, and Evelyn finally takes up Malcolm’s offer to finally visit his apartment in Yonkers. As the party ends, they sneak away to the garage to get Evelyn's car. But Evelyn's always been good at finding things, and she discovers the dead body of a guest, Judge Baker, in a car—with a needle in his arm. Detective Hodgson and his new partner, Detective McJimsey, arrive on the scene, but before they can begin to question Evelyn, they are startled by another mysterious discovery: there’s a woman in the trunk of the car, and she screams as soon as she sees Evelyn’s face. Tangled up in the police investigation, Evelyn’s got another problem, too—her father insists she break off her relationship with Mac. The next day, her father is found attacked just like the judge, only this time the detectives find a dead woman nearby. With Mac accused of the attacks and in police custody, Evelyn will have to find the killer on her own before she’s checked out of the hotel—this time, for good.
Representations of Joan of Arc have been used in the United States for the past two hundred years, appearing in advertising, cartoons, popular song, art, criticism, and propaganda. The presence of the fifteenth-century French heroine in the cinema is particularly intriguing in relation to the role of women during wartime. Robin Blaetz argues that a mythic Joan of Arc was used during the First World War to cast a medieval glow over an unpopular war, but that she only appeared after the Second World War to encourage women to abandon their wartime jobs and return to the home. In Visions of the Maid, Blaetz examines three pivotal films—Cecil B. DeMille's 1916 Joan the Woman, Victor Fleming's 1948 Joan of Arc, and Otto Preminger's 1957 Saint Joan—as well as addressing a broad array of popular culture references and every other film about the heroine made or distributed in the United States. Blaetz is particularly concerned with issues of gender and the ways in which Joan of Arc's androgyny, virginity, and sacrificial victimhood were evoked in relation to the evolving roles of women during war throughout the twentieth century.