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When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.
Coda is Simon Gray's powerful account of the year in which he struggled to come to terms with terminal lung cancer. Darkly comic depictions of the medical team are set against joyful accounts of sunlit days with his beloved wife, Victoria. Written with exceptional candour and a poignant reluctance to leave this world behind, Simon Gray's Coda is as life-affirming as it is heart-rending. Sadly, Coda was published posthumously: Gray died in August 2008.
'Coda' is Simon Gray's powerful account of the year in which he struggles to come to terms with terminal lung cancer. From heartbreaking reflections on his own mortality to outrageous asides Gray's self-proclaimed 'last written words on the subject of myself' records his extraordinary emotional journey.
When he turned sixty-five, the playwright Simon Gray began to keep a diary: not a careful honing of the day's events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. The Smoking Diaries was the result, in which one of Britain's most beloved and original writers reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Few diarists have been as frank about themselves, and even fewer as entertaining.
"David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art," (The Christian Science Monitor) is elevated to wilder and more entertaining heights than ever in this remarkable new book. Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina. In essay after essay, Sedaris proceeds from bizarre conundrums of daily life-having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds-to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" (Seattle Times). Praise for When You Are Engulfed in Flames: "Older, wiser, smarter and meaner, Sedaris...defies the odds once again by delivering an intelligent take on the banalities of an absurd life." --Kirkus Reviews This latest collection proves that not only does Sedaris still have it, but he's also getting better....Sedaris's best stuff will still--after all this time--move, surprise, and entertain." --Booklist Table of Contents: It's Catching Keeping Up The Understudy This Old House Buddy, Can You Spare a Tie? Road Trips What I Learned That's Amore The Monster Mash In the Waiting Room Solutions to Saturday's Puzzle Adult Figures Charging Toward a Concrete Toadstool Memento Mori All the Beauty You Will Ever Need Town and Country Aerial The Man in the Hut Of Mice and Men April in Paris Crybaby Old Faithful The Smoking Section
When he turned sixty-five, the acclaimed playwright Simon Gray began to keep this diary: not a careful honing of the day's events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. The Smoking Diaries is the result, in which one of Britain's most amusing and original writers reflects on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship, and love. Few diarists have been as frank about themselves, and even fewer as entertaining. "So here I am, two hours into my sixty-sixth year.... The truth is that I'm nastier than I used to be back when—back when I was sixty-four, for instance, when I was nastier than when I was at sixty-two and so forth, back and back, always the less nasty the further back, until I get to the age when I was pre-nasty, at least consciously, when the only shame I knew was the shame of being found out, which was when I was, well, about eight, I suppose."
The final volume of the trilogy that began with The Smoking Diaries finds Simon Gray determined to give up smoking. Really. At last. Can he kick the habit of sixty years? Will he, sometime soon, be able to leave his house without nervously feeling for his two packets of twenty and his two lighters? As this wonderful, wayward record of Gray's life progresses, these questions are overtaken by much larger ones. What was sex like before 1963? Will his name be in lights on Broadway? Why leave the bedside of his dying mother? With their combination of comedy and serious reflection, of sharp observation and painful self-disclosure, Simon Gray's diaries reinvented the memoir form and are destined to become classics of autobiography.
The famous account of Stephen Fry's departure from Cell Mates, only days after opening
NAMED A BEST BOOK OF THE YEAR BY THE ECONOMIST By turns philosophical and darkly comic, an ex-smoker’s meditation on the nature and consequences of his nearly lifelong addiction. Written with the passion of an obsessive, Nicotine addresses a lifelong addiction, from the thrill of the first drag to the perennial last last cigarette. Reflecting on his experiences as a smoker from a young age, Gregor Hens investigates the irreversible effects of nicotine on thought and patterns of behavior. He extends the conversation with other smokers to meditations on Mark Twain and Italo Svevo, the nature of habit, and the validity of hypnosis. With comic insight and meticulous precision, Hens deconstructs every facet of dependency, offering a brilliant analysis of the psychopathology of addiction. This is a book about the physical, emotional, and psychological power of nicotine as not only an addictive drug, but also a gateway to memory, a long trail of streetlights in the rearview mirror of a smoker’s life. Cigarettes are sometimes a solace, sometimes a weakness, but always a witness and companion. This is a meditation, an ode, and a eulogy, one that will be passed hand-to-hand between close friends.
As a baby, Simon Gray discovered that he could move his pram while still nestling inside it. 'It was a complete mystery to the adult intelligences, how had he done it, if it was he who had done it, but if not he, who then and why? So the next afternoon they (Mummy and Nanny) planted the pram in the usual spot, and stood over it, watching -the baby lay there smiling or snivelling up at them, until it struck them that they should try observing the baby when unobserved by the baby, and they withdrew behind bushes and trees etc; and thus witnessed the swaying of the pram, then the juddering of the pram, then its slow, unsteady progress along the path, the movement accompanied by a low humming and keening sound from within that reminded them more of a dog than a human...jouncing was the word they used for it. I was a jouncer therefore.' In these, the latest chronicles of triumph and disaster from the celebrated author of The Smoking Diaries, Gray intertwines scenes from his adult and his childish self to produce a brilliant and moving counterpoint of life's unsteady progress.