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A brave princess goes on an epic quest. Surviving the terrible dangers of a forest that no man is brave enough to enter she reaches an enchanted castle with a sleeping prince... Based on an old Spanish folktale - this is an entertaining and inspiring tale about how the stories you tell about yourself can change your life. Illustrations: Full colour throughout
Using magic to control the golems he has raised, the legendary Sleeping Prince has woken, killed King Merek, and taken Lormere, and many of its people are refugees, including Errin and her sick mother--but there are those who oppose the Prince, and Errin, a skilled apothecary, may hold the key to ending his power.
Seventeen-year-old Twylla lives in the castle. But although she's engaged to the prince, Twylla isn't exactly a member of the court. She's the executioner. As the Goddess embodied, Twylla instantly kills anyone she touches. Each month, she's taken to the prison and forced to lay her hands on those accused of treason. No one will ever love a girl with murder in her veins. Even the prince, whose royal blood supposedly makes him immune to Twylla's fatal touch, avoids her company.But then a new guard arrives, a boy whose easy smile belies his deadly swordsmanship. And unlike the others, he's able to look past Twylla's executioner robes and see the girl, not the Goddess. Yet Twylla's been promised to the prince, and knows what happens to people who cross the queen. However, a treasonous secret is the least of Twylla's problems. The queen has a plan to destroy her enemies, a plan that requires a stomach-churning, unthinkable sacrifice. Will Twylla do what it takes to protect her kingdom? Or will she abandon her duty in favor of a doomed love?
In Lormere the queen is stirring up war and has unleashed the sinister Bringer. Betrayed by the one she loves, Twylla is in self-imposed exile. But for how long? The people need a leader. They need something to believe in - whether it's true or not.
Here are eight forgotten fairy tales, with heroines who are not quiet and passive, but adventurous, intelligent and daring. Stories include a sleeping prince rescued by a princess, sisters who fight a goblin to rescue a bear, and a young girl who outwits a giant to save her family. A collection of feminist fairytales, forgotten over history, for the modern reader. Perfect for fans of Good Night Stories for Rebel Girls, Jessie Burton's The Restless Girls and Kiran Millwood Hargrave's The Way Past Winter. Featuring gorgeous illustrations in a beautiful hardback edition, this is a perfect Christmas gift.
This is a story about courage and resilience. Sophie must help two sprites in their mission to save the prince of Mirror World. Meanwhile, she must cope with the trauma of a sick brother. In the real world and in Mirror World, bravery and generosity are needed. Can Sophie meet the challenge?
Julie, striving to become a doctor, finds a man severely wounded in the woods. His name is Christian. She treats him as her patient, but special feelings for him start to grow, as she spends more time with him. But it seems he has a big secret he’s hiding from her…?
Introduces Spain's folk music and dance, such as flamenco, its art and architecture, holidays and festivals, and religions.
This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan’s dramatic art and its basis in his use of subtext, implication, and understatement. By discussing every play in chronological order, the book also articulates the trajectory of Rattigan’s darkening vision of the human potential for happiness from his earlier comedies through his final plays in which death appears as a longed for peace. New here is the exploration through close analysis of Rattigan’s style of writing dialogue and speeches, and how that style expresses Rattigan’s sense of life. Likewise, the book newly examines how Rattigan draws on sources in Greek and Roman history, literature, and myth, as well as how he invites comparison with the work of other playwrights, especially Bernard Shaw and Shakespeare. It will appeal broadly to college and university students studying dramatic literature, but also and especially to actors and directors, and the play-going, play-reading public.