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Excerpt from The Slave-King: From the Bug-Jargal of Victor Hugo For ourselves, we have only to say, that in all the additions we have thou ht it necessary to make, more particularly towards t e close of the story, we have taken pains to follow, as well as we could, the spirit and manner of our author. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In this historical novel, Hugo blends a tale of rebellion and love with a searing condemnation of slavery, as the titular slave-king struggles against the oppression of his white masters, while also fighting to win the heart of a woman who is promised to another. With vivid characters and a gripping plot, this book is a powerful testament to the resilience of the human spirit. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Historical novel by Victor Hugo set in 1791, during the tumultuous early years of the slave revolt that would lead to the Haitian Revolution, and the creation of the black republic of Haiti in 1804. The novel follows the interracial friendship and rivalry between the enslaved African prince of the title and a French military officer named Leopold D'Auverney. First published in 1826, it is a reworked version of an earlier short story of the same title published in the magazine "Le conservateur littéraire" in 1820. Several English translations have been published; the first, a modified version with the title "The slave-king" was published in 1833.
"Bug-Jargal" (1826; first published as a short story in 1819) is an early novel by French writer Victor Hugo (1802-1885). It describes the friendship between the enslaved African prince Bug-Jargal and Leopold D'Auverney, a French military officer, during the slave revolt in Santo Domingo of August, 1791, that would eventually lead to the creation of the republic of Haiti in 1804. --- Bug-Jargal, black slave and son of a king, is a man "of the noblest moral and intellectual character, passionately in love with a white woman, yet tempering the wildest passion with the deepest respect... There is no reader of the tale, who can forget the entrancing interest of the scenes in the camp of the insurgent chief Biassou, or the death-struggle between Habibrah and D'Auverney, upon the brink of the cataract. The latter, in particular, is drawn with such intense force, that the reader seems almost to be a witness of the changing fortunes of the fight, and can hardly breathe freely till he comes to the close." (The Edinburgh Review)
This timely contribution to debates about the future of postcolonial theory explores the troubled relationship between politics and the discipline, both in the sense of the radical political changes associated with the anti-colonial struggle and the implication of literary writers in institutional discourses of power. Using Haiti as a key example, Chris Bongie explores issues of commemoration and commodification of the post/colonial by pairing early nineteenth-century Caribbean texts with contemporary works. An apt volume for an age that struggles with the reality of memories of anti-colonial resistance, Friends and Enemies is a provocative take on postcolonial scholarship.