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In order to bring an end to slave dealing the British Navy went in search of the final traders and offered them large sums of money in exchange for firm promises to give up their lucrative business. Guezo, King of Dahomey had an army of 3000 women, to each of which he was married, having sold all the menfolk as slaves. For entertainment he indulged in the sacrifice of trespassers from neighbouring West African countries. He welcomed the approach of the naval officers, declaring Victoria and Albert as his closest friends.
A new novel of the ancient world - in all its splendour and barbarity - from a hotly talented, prize-nominated rising star.
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You know three things, Pacorus: Your 'army' totals only one hundred men and one hundred women. No help is coming. The gods are unreliable allies. Peace has been restored to the Parthian Empire. The king of kings graces Dura with a visit, the son of Spartacus sits on Media's throne, a great army has been assembled to deal with the eastern threat, and Rome is no longer an implacable enemy of Parthia. Pacorus looks forward to enjoying a permanent cessation of hostilities. But the gods abhor peace and so to amuse themselves they lure the King and Queen of Dura to Media to face daunting odds against a mighty foe. Can Pacorus save the new King of Media, prevent Spartacus from unleashing death and destruction on Armenia, and preserve the peace between Parthia and Rome? 'The Slave King' is the tenth volume in the Parthian Chronicles and follows on from 'Amazon'.
"King provides a jarring snapshot of children living in bondage. This compellingly written work is a testament to the strength and resilience of the children and their parents".--"Booklist". "King's deeply researched, well-written, passionate study places children and young adults at center stage in the North American slave experience".--"Choice". 16 photos.
Unholy is a complete 201 year old edition of the Bible that was planned, prepared and published in London for making slaves in The British West Indies Islands. Unholy transforms our knowledge and understanding of Western Civilization's long journey from freedom through slavery to freedom
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.