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The story of a painting of the Supreme Being, ordered by Robespierre from the famous painter, David - a painting that was never made. It's also the story of another painting, that of the young Bara, a 13-year-old martyr of the Republic. From the inauguration of the Louvre - a former royal palace - as the museum for the people, to the death of Robespierre, The Sky Over the Louvre tells the eerie and disturbing tale of an artist coming up against Robespierre during the French Revolution.
The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.
Beautifully constructed in a semi-classical style, this graphic novel features a light-spirited romantic story. This latest installment in the Louvre collection tells the tale of a museum director in a waking dream after his retirement dinner where he wanders the vast halls of the museum before eloping with a muse. The magic of the vast museum melds with the ethereal storytelling to create a unique graphic novel that stands as an unforgettable experience.
Combining daring aerial photography with the restricted airspace over Paris provides both breathtaking and unparalleled views. From sunrise to sunset, Paris is one of the most photographed cities in the world. Shooting with the newest high-resolution medium-format professional cameras while leaning out of helicopters making steep turns with the door off, Milstein captures the highly detailed, iconic, straight-down images that set his work apart. Milstein's distinctive style--straight down--leads to fresh insights of the urban design of this great city. In a way that is impossible from street level, you can see the old neighborhoods of Montmartre and Montparnasse; iconic historical monuments like the Eiffel Tower, Arc de Triomphe or the Invalides; and modern Paris like La Défense or the new neighborhoods around the Bibliothèque Nationale. As a bonus, there is a portfolio of images of the gardens and buildings of Louis XIV's great palace, Versailles. Milstein brings his unique and unmatched aerial vistas of Paris to life--every angle, every moment, every season. This is sure to be treasured by tourists and Parisians alike.
Rohan, a young mangaka (Japanese manga artist), meets a beautiful mysterious young woman with a dramatic story. Seeing him draw, she tells him of a cursed 200-year-old painting that used the blackest ink ever known, from a 1000-year-old tree that the painter had brought down. The painting was saved by the curator of the Louvre - Rohan forgets this story until, 10 years later, he tries to locate it on a visit to Paris. Little does he know how violent the curse really is. Fans of manga will appreciate the innovative storyline and the energetic, psychedelic visuals within.
An artist's unique take on the museum experience: peoplewatching Author and artist David Prudhomme meanders through the Louvre, feeling as if in the panels of a giant comic while he himself is creating his own is this graphic novel. In this institution, all manner of people from all over the world rub elbows quietly. So Prudhomme decides to cruise through the museum, not to look at the world famous art, but to observe the people and their interaction with it. As he wanders, he discovers a group of students somehow stuck together just as in the shipwreck on the Raft of the Medusa; a man standing behind the Seated Scribe, as if attempting to read over his shoulder; and in the hall of antiquities, a woman placing her head in a lion's mouth. This work presents readers a strange, silent, and casual choreography, danced in the midst of one of the most prestigious museums in the world.
Baudelaire: poète maudit, enfant terrible, lyric genius, crippling perfectionist. Bereft of a father at age five, he spent his days squandering the former's fortune on prostitutes and paintings, opium and alcohol, finery and laundry bills for his impeccably white dandy's collars. He loved a woman and gave her syphilis. This is her story. Muse, mulatto, mistress, mystery... little was known of Jeanne in her day, and even less remembered since. Yslaire pays tribute to a brimstone-and-hellfire affair from the annals of literature, two misunderstood souls who in their mutual misunderstanding afforded each other what little solace they found in life.
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.