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The work of a visionary and iconoclastic feminist cartoonist—available in English for the first time The Sky is Blue with a Single Cloud collects the best short stories from Kuniko Tsurita’s remarkable career. While the works of her male peers in literary manga are widely reprinted, this formally ambitious and poetic female voice is like none other currently available to an English readership. A master of the comics form, expert pacing and compositions combined with bold characters are signature qualities of Tsurita's work. Tsurita’s early stories “Nonsense” and “Anti” provide a unique, intimate perspective on the bohemian culture and political heat of late 1960s and early ‘70s Tokyo. Her work gradually became darker and more surreal under the influence of modern French literature and her own prematurely failing health. As in works like “The Sky is Blue with a Single Cloud” and “Max,” the gender of many of Tsurita's strong and sensual protagonists is ambiguous, marking an early exploration of gender fluidity. Late stories like "Arctic Cold" and "Flight" show the artist experimenting with more conventional narrative modes, though with dystopian themes that extend the philosophical interests of her early work. An exciting and essential gekiga collection, The Sky is Blue with a Single Cloud is translated by the comics scholar Ryan Holmberg and includes an afterword cowritten by Holmberg and manga editor Mitsuhiro Asakawa delineating Tsurita's importance and historical relevance.
For almost 40 years, the author has lived and worked all over the world, from the United Kingdom to South Korea, Indonesia, China, Ukraine, Mongolia and Sri Lanka. He witnessed revolutions, debated with the International Monetary Fund, played golf with Chief Financial Officers of some of the world's largest companies, discussed bond financing with Ministers of Finance, and saw currencies lose 500% of their value in just a few months. He travelled extensively and went above and beyond what tourists and journalists typically get to see when visiting countries. He paints a picture of political, financial economic crises with devastating detail and a cool sense of humour. He has no compassion with politicians or corporate citizens who pretend all is fine and blame everything that goes wrong on the outside world, instead of themselves. Mongolia: Cracks in the Eternal Blue Sky is the first book in the series Life is Good, Potentially. The author takes us on a journey starting in 2016 when he arrives in Mongolia and ends in 2020 after abruptly being locked out of the country because of the Covid-19 pandemic. With deep emotional engagement he writes about the state of the country, from semi-feral horses on nearly pristine steppe, to failed property projects in Ulaanbaatar. He describes in painful accuracy why presidents and politicians are the reason why Mongolia is not the rich country it could - and should - be, how chicanery in the banking sector destroyed what little international credibility the country had, and why the number of people living below the poverty line does not reduce when the economy booms. The people the author writes about all have a name, the issues are all true and the facts accurate. Still, the book is meant to be generic. The author hopes it will contribute to an improvement of the political and social situation of Mongolia, a country where Life is Good, not just potentially.
A boy’s nomadic life in Mongolia is under threat in a novel that “captures the mountains, valleys and steppes in all their surpassing beauty and brutality” (Minneapolis Star-Tribune). In the high Altai Mountains of northern Mongolia, a young shepherd boy comes of age, tending his family’s flocks on the mountain steppes and knowing little of the world beyond the surrounding peaks. But his nomadic way of life is increasingly disrupted by modernity. This confrontation comes in stages. First, his older siblings leave the family yurt to attend a distant boarding school. Then the boy’s grandmother dies, and with her his connection to the old ways. But perhaps the greatest tragedy strikes when his dog, Arsylang—“all that was left to me”—ingests poison set out by the boy’s father to protect his herd from wolves. “Why is it so?” Dshurukawaa cries out in despair to the Heavenly Blue Sky, to be answered only by the wind. Rooted in the oral traditions of the Tuvan people, The Blue Sky weaves the timeless story of a boy poised on the cusp of manhood with the story of a people on the threshold. “Thrilling. . . . Tschinag makes it easy for his readers to fall into the beautiful rhythms of the Tuvans’ daily life.” —Los Angeles Times Book Review “In this pristine and concentrated tale of miraculous survival and anguished loss, Tschinag evokes the nurturing warmth of a family within the circular embrace of a yurt as an ancient way of life lived in harmony with nature becomes endangered.” —Booklist
The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results. Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying. We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets. We were not planning on what happened next. We swear. Praise for Kill the Boy Band “Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly “Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News “Misery for the Belieber generation.” —Observer.com “Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews “Wickedly funny.” —NPR.org “Bitingly satirical.” —Publishers Weekly “[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal
Shortly after Cass's big brother is deployed to fight in Iraq, Cass becomes pen pals with an Iraqi girl who opens up her eyes to the effects of war.
Is it storming in your life? Are you experiencing dark clouds of despair? Does it seem as if you have a few days of sunshine and the majority of your days are full of rain? In reading this book, you will discover that the sky is always blue and it serves as a constant reminder of the faithfulness of God. Right now many people in the world are desperate for hope and this hope can only be found in God. God has provided for each of us to live a good life right here on Earth. It's time for the world to hear that message, believe it, and live it. Trilby McClammy has been in the ministry faithfully serving God for 20 years. She is the co-founder of Love & Power Ministry, a ministry dedicated to breaking the bondage of religion and tradition off the mind of people and bring healing and deliverance to people through the preaching and teaching of the Gospel of Jesus Christ. She is an Associate Minister at New Covenant United Holy Church in Durham, North Carolina where she serves as the Superintendent of Christian Education and the Ministry Director of the Youth Department. Trilby is happily married to Toney McClammy and is blessed with three children, Chanelle, Danielle, Toney Jr. and one foster son, Rodriguez Turrentine."
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
"Life is beautiful! Life is wondrous! Every star above is shining just for us!" GRAMMY(R) Award-winning artist Keb' Mo' brings one of his beloved songs to life to remind us that life is beautiful and it should be spent with the people we love. The heartfelt lyrics and endearing illustrations of Keb' and his grandson combine to make a beautiful book that will become a favorite for families for years to come. The book also includes a letter from Keb' Mo' to the reader and a beautiful arlin paper cover with foil text enhancements. In partnership with Trees for the Future (TREES), each book sold plants a tree.