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In 1963, a human skull was discovered in a pub in Kent in south-east England. A brief handwritten note stuck inside the cavity revealed it to be that of Alum Bheg, an Indian soldier in British service who was executed during the aftermath of the 1857 Uprising, or The Indian Mutiny as historians of an earlier era described it. Alum Bheg was blown from a cannon for having allegedly murdered British civilians, and his head was brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti- colonial violence and the brutality and spectacle of British retribution. Kim Wagner presents an intimate and vivid account of life and death in British India in the throes of the largest rebellion of the nineteenth century. Fugitive rebels spent months, even years, hiding in the vastness of the Himalayas before they were eventually hunted down and punished by a vengeful colonial state. Examining the colonial practice of collecting and exhibiting human remains, this book offers a critical assessment of British imperialism that speaks to contemporary debates about the legacies of Empire and the myth of the 'Mutiny'.
“Chronicles the run up to Jallianwala Bagh with spellbinding . . . focus. . . . Mr. Wagner’s achievement is one of balance . . . and, above, all, of perspective.” (The Wall Street Journal) The Amritsar Massacre of 1919 was a seminal moment in the history of the British Empire, yet it remains poorly understood. In this dramatic account, Kim A. Wagner details the perspectives of ordinary people and argues that General Dyer’s order to open fire at Jallianwalla Bagh was an act of fear. Situating the massacre within the “deep” context of British colonial mentality and the local dynamics of Indian nationalism, Wagner provides a genuinely nuanced approach to the bloody history of the British Empire. “Mr Wagner argues his case fluently and rigorously in this excellent book.” —The Economist “Written with a humane commitment to the truth that will impress.” —The Times “Skillfully maps a tale of growing tensions, precipitate action, and troubled aftermath.” —The Telegraph “A compelling account” —Financial Times “Wagner's postmortem of an imperial disaster should be widely read.” —R.A. Callahan, emeritus, Choice “The fullest, and by far the most authoritative, account of the causes and course of the Jallianwala massacre in any language.” —Nigel Collett, author of The Butcher of Amritsar “Mining a variety of sources – diaries, memoirs and court testimonies—[Wagner] uncovers fresh perspectives and examines the relation between colonial panic and state brutality with sophistication, sincerity and style.” —Santanu Das, author of India, Empire, and First World War Culture “Analytically sharp but gripping to read, the book is a page-turner”—Barbara D. Metcalf, co-author of A Concise History of India “An important book.” –Yasmin Khan, author of The Partition
A captivating tale of one man's mission to groom his ideal mate. Thomas Day, an 18th-century British writer and radical, knew exactly the sort of woman he wanted to marry. Pure and virginal, yet tough and hardy, and completely subervient to his whims. But after being rejected by a number of spirited young women, Day concluded that the perfect partner he envisioned simply did not exist in frivolous, fashion-obsessed Georgian society. Rather than conceding defeat and giving up on his search for the woman of his dreams, however, Day set out to create her. So begins the extraordinary true story at the heart of How to Create the Perfect Wife. A few days after he turned twenty-one and inherited a large fortune, Day adopted two young orphans from the Founding Hospital and, guided by the writings of Jean-Jacques Rousseau and the principles of the Enlightenment, attempted to teach them to be model wives. Day's peculiar experiment inevitably backfired -- though not before he had taken his theories about marriage, education, and femininity to shocking extremes. Stranger than fiction, blending tragedy and farce, How to Create the Perfect Wife is an engrossing tale of the radicalism -- and deep contradictions -- at the heart of the enlightenment.
The development of thinking machines is an adventure as bold and ambitious as any that humans have attempted. And the truth is that Artificial Intelligence is already an indispensable part of our daily lives. Without it, Google wouldn't have answers and your smartphone would just be a phone.But how will AI change society by 2050? Will it destroy jobs? Or even pose an existential threat?Android Dreams is a lively exploration of how AI will transform our societies, economies and selves. From robot criminals to cyber healthcare, and a sky full of empty planes, Toby Walsh's predictions about AI are guaranteed to surprise you.
Introduction: Black classicism in the American empire -- Phillis Wheatley and the affairs of state -- In plain sight: slavery and the architecture of democracy -- Ancient history, American time: Charles Chesnutt and the sites of memory -- Crumbling into dust: conjure and the ruins of empire -- National monuments and the residue of history
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for, at once, the superiority of French taste and craft, and the political (and sexual) subordination of French women and labour. But she was also the public face of more than 80,000 real working women whose demands for better labour conditions were inflected, distorted, and, in some cases, amplified by this ubiquitous Romantic type in the decades straddling World War I. Working Girls bridges cultural histories of the Parisian imaginary and histories of French labour, and puts them in raucous dialogue with one another: a letter by a nineteen-year-old seamstress, a speech by a government minister; a frothy Parisian guide by a bon vivant, the minutes of a union meeting; a bawdy café-concert song, a policy brief on garment working conditions.
Velcheru Narayana Rao's contribution to understanding Indian cultural history, literary production, and intellectual life—specifically from the vantage of the Andhra region—has few parallels. He is one of the very rare scholars to be able to reflect magisterially on the precolonial and colonial periods. He moves easily between Sanskrit and the vernacular traditions, and between the worlds of orality and script. This is because of his mastery of the "classical" Telugu tradition. As Sanjay Subrahmanyam puts it in his Introduction, "To command nearly a thousand years of a literary tradition is no small feat, but more important still is VNR's ability constantly to offer fresh readings and provocative frameworks for interpretation." The essays and reflections in Text and Tradition in South India bring together the diverse and foundational contributions made by Narayana Rao to the rewriting of India's cultural and literary history. The book is for anyone interested in the history of Indian ideas, the social and cultural history of South India, and the massive intellectual traditions of the subcontinent.
Based largely on new material, this book examines thuggee as a type of banditry, emerging in a specific socio-economic and geographic context. The British usually described the thugs as fanatic assassins and Kali-worshippers, yet Wagner argues that the history of thuggee need no longer be limited to the study of its representation.
By the outbreak of the First World War, England had become the world's first mass urban society. In just over sixty years the proportion of town-dwellers had risen from 50 to 80 percent, and during this period many of the most crucial developments in English urban society had taken place. This book provides a uniquely comprehensive analysis of those developments - conurbations, suburbs, satellite towns, garden cities, and seaside resorts. Waller assesses the importance of London, the provincial cities, and manufacturing centers. He also examines the continuing influence of the small country town and "rural" England on political, economic, and cultural growth. Scholarly and readable, this book is a general social history of late nineteenth and early twentieth-century England, seen from an urban perspective.
The Amritsar Massacre is an iconic episode that is often compared to Sharpeville or Bloody Sunday. The shooting in 1919 of hundreds of unarmed Indian civilians stands as one of the defining moments in the history of the British Empire and the Indian struggle for independence. Many books have been written on the subject yet none make more than a cursory use of the rich body of visual material connected to one of the most brutal events in the history of British India. Eyewitness to Amritsar includes a unique range of portraits of key historical figures, political cartoons, newspaper photographs, propaganda posters as well as secretly recorded images that were smuggled out of India in 1919. Each image is accompanied by eyewitness accounts to provide context and a chronological narrative covering not only the massacre but also its prelude and aftermath. Eyewitness at Amritsar offers an attractive and accessible resource that allows readers to engage directly with this defining historical event.