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Fiona Farrell's first novel – always moving, often hilarious – is a breathtakingly accomplished debut. It presents a head-on confrontation with a New Zealand psyche rarely found in history books. Skinny Louie, daughter of Shanghai Lil, has a baby in the Begonia House on the day of the royal visit. Maura finds the baby and takes it home. Tia grows up with magical powers into the brave new world of the twenty-first century. Fiona Farrell's first novel – always moving, often hilarious – is a breathtakingly accomplished debut. It presents a head-on confrontation with a New Zealand psyche rarely found in history books. The Skinny Louie Book won the 1993 New Zealand Book Award for Fiction.
The Singing Whakpapa is a tale for our time - a compelling historical detective story in which the truth is stranger than any fiction, and in which the present becomes a backseat driver to the past. What is the truth of history, what are the facts - and how are we to know them? This powerful novel is the story of John Flatt - missionary agriculturalist, witness to Waharoa's war of the 1830s against the Arawa, to the murder of the young woman Tarore and to the signing of the Treaty of Waitangi - and his great-great-grandson Hugh Grady, who more than a hundred-and-fifty years later tried to make sense of his own life by exploring all that has gone before. It is a story laced with passion, betrayal and revenge, at many levels, as greed overtakes good intentions and the cloak of history is pulled aside. The Singing Whakapapa won the New Zealand Book Awards in 1995.
An evocative and moving mix of memoir and fiction from an award-winning novelist. As war is waged in the Middle East, a woman in New Zealand has her nose in a book. Kate is immersed in other battles, engrossed in eyewitness accounts of an earlier war in ancient Persia. She has grown up, left her Otago home and returned, and in all these years books have shaped her life and made sense of the world - offering mystery and solace, entertainment and enlightenment. From The Little Red Hen to Owls Do Cry, from T.S. Eliot to Aphra Behn, this frequently funny, always original novel is another extraordinary offering from the author of The Hopeful Traveller.
A fabulous multi-levelled novel, shortlisted for the Montana NZ Book Awards. Clare Lacey is on a quest. In Ireland to attend an art history conference, she sets out to find her father who walked out one day to buy a packet of cigarettes when she was a child, and disappeared. She is urged on her way by chance encounters: with a woman in a high tower, a blind man at a crossroads, a singer whose song she does not understand . . . Clues lie all around on a labyrinth of walls - but the final clue lies deep within. With Irish roots and a nod to the Irish classic, The Year of the Hiker by John B. Keane, this is a contemporary novel about inheritance, belief, art, love . . . and limestone.
A fascinating prize-winning novel about a house with a fanciful little turret, built by a river. Unfolding within its rooms are lives of event and emotional upheaval. A lot happens. And the tumultuous events of the twentieth century also leave their mark, from war to economic collapse, the deaths of presidents and princesses to new waves of music, art, architecture and political ideas. Meanwhile, a few metres away in the river, another creature follows a different, slower rhythm. And beneath them all, the planet moves to its own immense geological time. With insight, wide-ranging knowledge and humour, this novel explores the same territory as its non-fiction twin, The Villa at the Edge of the Empire. Writing in a city devastated by major earthquakes, Fiona Farrell rebuilds a brilliant, compelling and imaginative structure from bits and pieces salvaged from one hundred years of history. A lot has happened. This is how it might have felt. 'It's a work of incredible research and incredible scope and incredible feeling . . . it's really wonderful. It think we will look back at these two books [Decline and Fall on Savage Street and The Villa at the Edge of Empire] and think of them as being very important in our local literary history as marking time and place and moment and feeling; it's a wonderful piece of art.' - Louise O'Brien, Radio NZ 'It's so vast, it shouldn't work; but it does. Primarily this is because, rather than anchoring her text to dry, historical minutiae, Farrell chooses to ground it to people, particularly family. So, as well as the impressive detail made especially graceful thanks to the author's poetic skill, the narrative follows one house settled upon the titular street and its inhabitants, particularly one family, extended and diverse. As such, chapter by chapter are, like a relay team, an exercise in passing the chronological story along. . . . Wide-ranging yet intimate, poetic yet simple, of the singular home yet speaking to the complexities of city and nation, Decline and Fall on Savage Street is a remarkable read.' - Siobhan Harvey, Waikato Times
From the bestselling author of The Girls comes a “brilliant” (The New York Times) story collection exploring the dark corners of human experience. “Daddy’s ten masterful, provocative stories confirm that Cline is a staggering talent.”—Esquire NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY An absentee father collects his son from boarding school after a shocking act of violence. A nanny to a celebrity family hides out in Laurel Canyon in the aftermath of a tabloid scandal. A young woman sells her underwear to strangers. A notorious guest arrives at a placid, not-quite rehab in the Southwest. In ten remarkable stories, Emma Cline portrays moments when the ordinary is disturbed, when daily life buckles, revealing the perversity and violence pulsing under the surface. She explores characters navigating the edge, the limits of themselves and those around them: power dynamics in families, in relationships, the distance between their true and false selves. They want connection, but what they provoke is often closer to self-sabotage. What are the costs of one’s choices? Of the moments when we act, or fail to act? These complexities are at the heart of Daddy, Emma Cline’s sharp-eyed illumination of the contrary impulses that animate our inner lives.
A fascinating novel of hope, love, idealism and human progress, made up of two separate stories, which can be read in isolation and yet reverberate against each other. Sometime in the 1860s, in an isolated valley on Banks Peninsula, Harry Head, "the Hermit of Hickory Bay", experimented unsuccessfully with flight. His story forms part of the exuberant blend of fact and fiction which constitutes this tale. The author takes us back to the beginnings of novel-writing, as philosophical play and serious entertainment. Think Crusoe's island, think Utopia. Twelve characters, driven by obsession, hope or the vagaries of chance, come ashore in widely different circumstances onto the same island. Once there, the game can begin. Written in two halves, this is a book to be read from either end. Begin with the past and race toward the future, or begin with the present and circle back towards the past. Time may separate the two sections yet subtle links and twisting events bring them together into a varied, intriguing and compulsive whole.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A mix of poetry and prose, this compilation by New Zealand's Fiona Ferrell is simultaneously a memoir, a meandering travel book, and a poetry collection. Demonstrating how a natural disaster can turn a life upside down in an instant, this book consists of four essays about walking, interrupted by poems about the Christchurch earthquakes and their aftermath. Funny, timely, and deeply personal, it will resonate with a wide range of readers due to its references to France, Dunedin, Christchurch, Robert Louis Stevenson, Katherine Mansfield, and Voltaire.
“This crazy, gorgeous family novel” written at the end of the Great Depression “is one of the great literary achievements of the twentieth century” (Jonathan Franzen, The New York Times). First published in 1940, The Man Who Loved Children was rediscovered in 1965 thanks to the poet Randall Jarrell’s eloquent introduction (included in this ebook edition), which compares Christina Stead to Leo Tolstoy. Today, it stands as a masterpiece of dysfunctional family life. In a country crippled by the Great Depression, Sam and Henny Pollit have too much—too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and chilling charisma, Sam torments and manipulates his children in an esoteric world of his own imagining. Henny looks on desperately, all too aware of the madness at the root of her husband’s behavior. And Louie, the damaged, precocious adolescent girl at the center of their clashes, is the “ugly duckling” whose struggle will transfix contemporary readers. Named one of the best novels of the twentieth century by Newsweek, Stead’s semiautobiographical work reads like a Depression-era The Glass Castle. In the New York Times, Jonathan Franzen wrote of this classic, “I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn’t read the book so much as live it.”