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The amazing marriage of Katherine of Valois, widow of Henry V, with Owen Tudor, possibly accounts for much that was abnormal in the character of their royal descendants of the redoubted House of Tudor. The queen dowager was the daughter of the mad King Charles VI of France and of his licentious consort, Isabeau of Bavaria—bad blood, indeed; and Owen was a mere soldier of fortune. In his grandson Henry VII’s day, a goodly pedigree was discovered for him, which set forth that far from being a “mean born pup,” as was popularly reported, Owen was descended from Kenan, son of Coel, who was king of Britain, and brother of Helen, the mother of Constantine the Great. As to Owen ap Merideth ap Twydder or Tudor, good old Sandford affirms that “the Meanness of his Estate was recompensated by the Delicacy of his Person, so absolute in all the Lineaments of his Body, that the only Contemplation of it might make a Queen forget all other Circumstances”—which it did! Stowe, who lived near enough to those times to receive direct tradition concerning this brave soldier, says, in his Annals, that he was “as ignorant as any savage.” Tall beyond the average, the founder of the House of Tudor carried himself with “a perfect grace.” He was well featured, with hair that was curly and “yellow as gold.” At an entertainment given in 1423, and attended, notwithstanding her recent bereavement, by the widowed queen, this Adonis, while in the act of executing an intricate pirouette, fell at the royal lady’s feet. Whether the passion kindled by this ludicrous accident was reciprocated, we are not told; but so ardent was it, on Katherine’s part, at least, that she soon afterwards clandestinely married the handsome Welshman. The enemies of the House of Tudor averred that this secret marriage never really took place, and it is a singular fact that no allusion whatever is made to it in the hearse verse originally placed over the tomb of Queen Katherine in Westminster Abbey, and quoted in full in the contemporary Chronicle of William of Worcester.
Excerpt from The Sisters of Lady Jane Grey, and Their Wicked Grandfather: Being the True Stories, of the Strange Lives of Charles Brandon, Duke of Suffolk, and of the Ladies Katherine and Mary Grey, Sisters of Lady Jane Grey, "the Nine-Days' Queen" The strange adventures of the Ladies Katherine and Mary Grey, although they excited great interest at the time of their happening, and were of immense contemporary political importance, are now almost unknown, even to professed students of Elizabethan history. The sad fate of these unfortunate princesses has paled before that of their more famous sister, Lady Jane Grey, who, although the heroine of an appalling tragedy, was rather the victim of others than of her own actions. In a sense, she was merely a lay-figure, whereas her sisters, especially Lady Katherine, who played an active part on the stage of history at a later period of life, and possessed an unusually strong personality, were entirely swayed by the most interesting of human passions - love. Lady Katherine was literally done to death by her infatuation for the young Earl of Hertford, the eldest son of that Protector Somerset who suffered death under Edward VI. The feline cruelty with which Queen Elizabeth tormented Lady Katherine, after the clandestine marriage With her lover was revealed, called forth the freely expressed condemnation of Chief Secretary Cecil, who denounced his royal mistress's harshness in no measured terms. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first book to explore the lives and political impact of the Brandon men from King Henry VI to King Edward VI.
From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.