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A curse, a kiss, and a brave little mermaid. When Kamoana the siren is transformed into human shape, she knows that her mother, the powerful sahira Queen Pukai, laid the spell on her, but she can't remember why. It has to be some kind of test, most likely related to romance and undoubtedly involving a three-day deadline, but Kamoana can't remember being in love with anyone, let alone a human. How dared her mother tamper with her memories! To make things worse, at Faraway Castle, the playground of royal, noble, and wealthy singles from around the world, the possibilities are almost limitless. How can Kamoana even figure out who the guy is, let alone make him fall in love with her, before her three days are up? Even more to the point, does she really want to marry anyone?
Serving as Controller of Magical Creatures at the illustrious Faraway Castle resort, Ellie Calmer knows her place. She is a servant, and she has no business thinking about handsome Prince Omar, a regular visitor at the resort, much less talking to him! But then a unicorn on the resort grounds attacks a party of riders, frightening the guests, and a band of young and adventurous nobles decide to hunt it down. Suddenly Ellie needs Omar's help. She knows something must be wrong to have driven the unicorn to such desperate extremes. Can she and Omar find the unicorn before it's too late? And will she somehow protect her heart against the irresistible attraction she feels for the kind and gentle prince?
Born and raised a pirate in the south seas, I knew a thing or two about loyalty and proving one's salt. When I returned with a heavy ship's belly full of treasure, I knew I'd finally proven to my mother I was worthy to be a captain!Only, the Pirate Queen didn't see it that way.And who did she choose to give my ship to? Of all people? James "Hook"--or as he now likes to be called, Pan. Can you believe it? Hook, who has the audacity to earn the rights of a captain by having his father make the bargain with my mother.In spite of the momentary embarrassment, The Sea Devil is as good as mine, and I will prove to my mother once and for all that she made a mistake. All I need to do is obtain the summer stone from the sirens.Sounds simple enough.Until I get pulled into the sea and learn it's not only my destiny to save the sirens, but my birthright. And if I don't, the sea witch may claim us all.Being a pirate was so much easier.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Fawzia Afzal-Khan's book is an important and timely feminist intervention in the study of classical music and a cogent challenge to the prevailing antisecular orthodoxy in the academy. In this complex and sensitive study...of the careers of artistes like Malka Pukhraj, Roshanara Begum, Reshma, and of the newer music and musical space offered by Coke Studio, Afzal-Khan shows us the multiple ways in which women performers negotiated and continue to negotiate their way through the numerous challenges thrown their way in the wake of the partitioning of the subcontinent and the multiple demands placed on them.