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When he and his companions flee their island home after the king's court is turned to stone, Phaidon begins to believe in the gods and monsters that his uncle has always scorned. Suggested level: junior secondary.
An accomplished student and heiress to a great title, Genevieve has been brought up as a Proper Young Lady, carefully instructed in the Covenants. She must soon take up the time-honoured responsibilities of womanhood: that is to marry a nobleman of her father's choosing and bear a child at the age of thirty. But Genevieve remembers all the stories and the secret knowledge learned from her mother, now long dead, and she yearns to heed the call of the sea - though she has never even seen the vast waters that cover most of the surface of her home planet of Haven. And she begins to uncover bitter truths about the seemingly backward planet of Haven . . .
Gille Kilmarsson is a mastersmith and musician in a quiet northern town. But he yearns for something more. When he saves a Southern merchant ship from the savagery of the corsairs, he takes as his only reward an old musical instrument. And his life changes forever. For the instrument has an ancient, magical past and it soon leads Gille and his companion, Olvar, on an amazing voyage of adventure and discovery. A voyage in which they must confront not only the mysteries of the sea but also a ruthless, barbaric tribe intent on massacring an ancient people fleeing the encroachment of the restless Ice...
There was a voice once that sang the ocean to sleep... March is born in April, just as the sun is setting. A singing baby who cannot sleep, she sets Kolkaper on edge. The Town Council orders scientists to take her away and study her at the Cave Forest, a place for freaks like her. Acting quickly, March’s parents send her away to the distant town of Koofay. But March’s destiny is tied to that of Kolkaper. She must return to save the city from itself. An enchanting fable about love and faith and accepting the odd ones among us.
Describes how humpback whales communicate with each other and how the sounds they make help them survive, and discusses their habitat, diet and behavior.
"It was the sea that made me begin thinking secretly about love more than anything else; you know, a love worth dying for, or a love that consumes you. To a man locked up in a steel ship all the time, the sea is too much like a woman... Things like her lulls and storms, or her caprice... are all obvious." The Sailor Who Fell from Grace with the Sea tells the tale of a band of savage thirteen-year-old boys who reject the adult world as illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call "objectivity." When the mother of one of them begins an affair with a ship's officer, he and his friends idealize the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard their disappointment in him as an act of betrayal on his part, and react violently.
In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family. Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
This book contains not only more than 400 sea shanties but as much of their history as Stan Hugill could collect in his extraordinary career as sailor, scholar, author, artist and inspiration to new generations of sea-music enthusiasts and performers.
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.