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Set in 1915, a time when the head of the family called all the shots, Cantly's father shows his true colours, thus losing a daughter and a wife at the same time. Bewithched by love, Cantly's life is about to change forever. She is about to learn why they say, "be careful what you wish for.
This is a fascinating collection of stories revealing compassion, mystery, humor and warmth, written by people from various walks of life as they tell about their personal brush with FATE. A computer engineer experiences the touch of the unknown as he learns that the plane he was scheduled to be on has crashed into the World Trade Center. A father and daughter, trying to escape from war-torn Egypt, lose something very precious, but find it in such an incredible way that they are sure Fate has favored them. A woman from India relates the strange way in which she is given a Genasha God statue that has been blessed by a revered Swami. The stories evoke the texture of life in an elegant yet gentle mosaic that confirms the unseen hand of fate touching all our lives. This book is about all different kinds of Fate. The common thread is that each story raises the question: "Was that just a coincidence-or was it meant to be?" www.theramp.net/auslander.
Issue 1 of The Crooked Path Journal contains the following articles: Inside the Wicker Man - Peter Paddon The Origin of the Word "Witch" - R.J. Thompson Witch's Ritual For Getting Rid of Evil Magic - "Ku Potula" - Radomir Ristic Tapping the Bone - Peter Paddon Morning - Hedgewizard Usage of Animals and Animal Body Parts in Traditional Witchcraft - Radomir Ristic Candlemas and the Land Ceremonies Charm R.J. Thompson Cosmic Soup and the Mighty Dead - Peter Paddon The Rite of Candlemas and the Land Ceremonies Charm R.J. Thompson Blacksmith as Magus - Radomir Ristic Celtic Nine Poems - Peter Paddon As I Do Will It - Ann Finnin Walking the Crooked Path - Peter Paddon Turning The Hand of Fate - Raven Womack Making a Traditional Witches' Besom - Peter Paddon The Crooked Path Journal is a quarterly magazine for Traditional Witches, Cunningfolk and other practitioners of the Nameless Art.
“Family secrets and a transportive Italian setting keep the reader thoroughly immersed, making for a satisfying story of one woman’s coming-of-age.” —Publishers Weekly Nestled into the cliffs in southern Italy’s Amalfi coast, Positano is an artist’s vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent eighteenth-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago . . . In 1949, Positano is as yet undiscovered by tourists, a beautiful, secluded village shaking off the dust of war. Hoping to escape poverty, young Santina takes domestic work in London, ultimately becoming a housekeeper to a distinguished British major and his creative, impulsive wife, Adeline. When they move to Positano, Santina returns with them, raising their daughter as Adeline’s mental health declines. With each passing year, Santina becomes more deeply enmeshed within the family, trying to navigate her complicated feelings for a man who is much more than an employer—while hiding secrets that could shatter the only home she knows . . . “Pick up this book to be swept away like a frothy Mediterranean wave, with its melodic writing style that’s richly filled with beautiful imagery in a setting so sunny and beautiful you will be transported!” —Beachcombing Magazine
How does literature imagine its own powers of representation? Françoise Meltzer attempts to answer this question by looking at how the portrait—the painted portrait, framed—appears in various literary texts. Alien to the verbal system of the text yet mimetic of the gesture of writing, the textual portrait becomes a telling measure of literature's views on itself, on the politics of representation, and on the power of writing. Meltzer's readings of textual portraits—in the Gospel writers and Huysmans, Virgil and Stendhal, the Old Testament and Apuleius, Hawthorne and Poe, Kafka and Rousseau, Walter Scott and Mme de Lafayette—reveal an interplay of control and subversion: writing attempts to veil the visual and to erase the sensual in favor of "meaning," while portraiture, with its claims to bringing the natural object to "life," resists and eludes such control. Meltzer shows how this tension is indicative of a politics of repression and subversion intrinsic to the very act of representation. Throughout, she raises and illuminates fascinating issues: about the relation of flattery to caricature, the nature of the uncanny, the relation of representation to memory and history, the narcissistic character of representation, and the interdependency of representation and power. Writing, thinking, speaking, dreaming, acting—the extent to which these are all controlled by representation must, Meltzer concludes, become "consciously unconscious." In the textual portrait, she locates the moment when this essential process is both revealed and repressed.
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
"A Day of Fate" by way of Edward Payson Roe is a compelling novel that weaves collectively factors of romance, suspense, and ethical contemplation. Set towards the backdrop of nineteenth-century America, the tale follows the lives of two predominant characters, Kate Underwood and John Egerton. Kate, a sturdy-willed and impartial younger woman, reveals herself entangled in a web of own family secrets, societal expectations, and topics of the heart. John Egerton, a principled and ambitious guy, turns into a critical discern in Kate's existence, and their destinies come to be interwoven in unexpected methods. The novel explores themes of love, responsibility, and the outcomes of 1's alternatives. As the characters navigate societal norms and personal convictions, the narrative unfolds with twists of fate that preserve the reader engaged and eager to discover the closing decision. Edward Payson Roe, a 19th-century American novelist and minister, brings his ethical sensibilities to the vanguard, infusing the tale with moral considerations and reflections on human nature. "A Day of Fate" stands as a testomony to Roe's storytelling prowess, offering readers a gripping tale that combines factors of romance with a considerate exploration of the complexities of human relationships and the unpredictable nature of destiny.
The Manifesto develops further the Critical Theory of Religion intrinsic to the Critical Theory of Society of the Frankfurt School into a new paradigm of the Psychology, Sociology, Philosophy and Theology of Religion. Its central theme is the theodicy problem in the context of late capitalist society and its globalization.