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Revised thesis (doctoral) - University of Michigan, Ann Arbor, 2004.
This volume presents a cultural criticism that analyzes the politics, art, fashion, and constructions of the body inscribed and transcribed in the Joycean text. The essays illustrate the dynamic interaction of art, culture, and criticism. They simultaneously explore the impact that Joyce's own culture, both high and low, had on his art, while assessing Joyce's reciprocal influence on our own contemporary culture. Following the paths of a long and pluralistic tradition of Joyce criticism, the new methodologies in this volume create, or culture, a new Joyce for the nineties.
Seamus Heaney’s Mythmaking examines Seamus Heaney’s poetic engagement with myth from his earliest work to the posthumous publication of Aeneid Book VI. The essays explore the ways in which Heaney creates his own mythic outlook through multiple mythic lenses. They reveal how Heaney adopts a demiurgic role throughout his career, creating a poetic universe that draws on diverse mythic cycles from Greco-Roman to Irish and Norse to Native American. In doing so, this collection is in dialogue with recent work on Heaney’s engagement with myth. However, it is unique in its wide-ranging perspective, extending beyond Ancient and Classical influences. In its focus on Heaney’s personal metamorphosis of several mythic cycles, this collection reveals more fully the poet’s unique approach to mythmaking, from his engagement with the act of translation to transnational influences on his work and from his poetic transformations to the poetry’s boundary-crossing transitions. Combining the work of established Heaney scholars with the perspectives of early-career researchers, this collection contains a wealth of original scholarship that reveals Heaney’s expansive mythic mind. Mythmaking, an act for which Heaney has faced severe criticism, is reconsidered by all contributors, prompting multifaceted and nuanced readings of the poet’s work.
Gendering Classicism explores the intersection of feminism, historical fiction, and modernism through the work of six writers, all of whom wrote historical novels set in ancient Greece or Rome: Naomi Mitchison, Mary Butts, Laura Riding, Phyllis Bentley, Bryher, and Mary Renault. As women gained access to higher education in the late nineteenth century, they gained access also to the classical learning that had for so long demarcated and legitimated the British ruling classes. Steeped in misogyny, the classical tradition presented educated women with a massive project: the recasting of that tradition in terms that acknowledged the existence of women - as historical agents and interpreters of the historical past.
Examination of legends of the subterranean kingdom of Agarttha and The King of the World in the light of traditional metaphysics. Incidental subjects include Luz: The above of immortality; The Holy Grail, Melkizedek, The Omphalos and Sacred Stones, and general considerations on the sites of spiritual centers
The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.
This volume focuses on literary and other cultural texts that use the graveyard as a liminal space within which received narratives and social values can be challenged, and new and empowering perspectives on the present articulated. It argues that such texts do so primarily by immersing the reader in a liminal space, between life and death, where traditional certainties such as time and space are suspended and new models of human interaction can thus be formulated. Essays in this volume examine the use of liminality as a vehicle for social critique, paying particular attention to the ways in which liminal spaces facilitate the construction of alternative perspectives.